RARE OPPORTUNITY TO PURCHASE A Turnbull and Asser Goodwood . 100% Wool Overcoat / Paddock Coat Made In England Size UK 38 R.
THIS COAT IS SLIM FITTING. PLEASE SEE MEASUREMENTS.
Measurements
Chest Label Size 38R
Pit2Pit 19”
Shoulder seam to shoulder seam 18”
Shoulder seam to cuff 25”
Sleeve opening 4.5”
Pit to cuff 17”
Top of collar to hem 38”
Bottom of collar to hem 36”
Sleeve opening 4.5”
Across the waist 17”
PLEASE NOTE THERE IS A SMALL HAND STITCHED REPAIR TO THE BACK OF THE COAT AS SHOWN IN THE PHOTOS.
SELLING PRICE REFLECTS THIS.
IF YOU REQUIRE ANY FURTHER MEASUREMENTS OR PHOTOS BEFORE PURCHASING THEN PLEASE LET ME KNOW
PLEASE SEE PHOTOS WHICH HELP FORM ITEM DESCRIPTION
Behind the brand: Turnbull & Asser
Everything you need to know about Britain’s pre-eminent shirtmaker
As a modern day gent, one of the first things you should have in your wardrobe is a high-quality white shirt. And where better to get one from than 135-year-old house Turnbull & Asser, the shirtmaker who others have been measuring themselves against for over a century?
Thanks to its superbly-cut products, and having made appearances in the press and on the big screen since the Twenties, the historic outfitter has garnered a legion of fans and dressed some of the most renowned figures in entertainment and politics, including Andy Warhol, John Lennon and Ronald Reagan. Here, we take a look behind this world-renowned menswear master.
The history
The brand was founded in 1885 by John Arthur Turnbull (not Reginald Turnbull as common myth would have you believe) and Ernest Asser, who were, at the time, a hosier and a salesman, respectively. Originally opened as a hosiery under the name “John Arthur Turnbull” in London’s St. James’s (an area which played host to a cluster of top-end haberdashers and members-only clubs), the shirtmaker changed its name to “Turnbull & Asser” in 1895.
Eight years later, following its booming business and the passing of John Turnbull, the company relocated to the premises at 71 and 72 Jermyn Street – where it still remains today. During the First World War, the label gained further fame having crafted the “The Oilsilk Combination Coverail and Ground Sheet” (effectively a 12 ounce raincoat that doubled as a ground sheet) for the British Military. In response to the fact that clothes became more informal during the Twenties, the brand also began to expand beyond dress shirts: from then until the 1970s, Turnbull & Asser offered clothing (both custom-made and off-the-peg) and sportswear.
Throughout the Sixties, Turnbull & Asser became the go-to brand for the Swinging London crowd thanks to its modern-fitting and boldly-designed garments, including its famous silk turtleneck shirt. Moreover, in 1962, the company garnered attention after having dressed Sean Connery’s James Bond in Dr. No.
“The Bond look was quite bold” says Paul Cuss, the man who cut Connery’s shirts. “Up until then, collars had been quite shallow, but for Bond we made them much higher with a medium spread. I think the first order was for 72 shirts made from Sea Island Cotton. For every scene, we made six identical shirts for Sean Connery.”
Connery’s dress shirts, with their turnback cocktail cuffs fastened with buttons rather than cufflinks, quickly became legendary within style circles. And so began Turnbull & Asser’s long-term relationship with the 007 franchise which has endured to the present day, with Daniel Craig sporting Turnbull & Asser shirts during his tenure as the super-spy.
Following its success as a contemporary trendsetter during the 1960s, Turnbull & Asser channelled its energies back into more traditional clothing and started to expand its presence across the Atlantic. It held court at the Grand Hyatt Hotel in New York City, began selling ready-to-wear shirts in department stores, such as Bonwit Teller, and even opened a small store in Toronto, Canada in 1979. Today, alongside its three stores in London, the label also boasts an outpost in Manhattan.
In 1980, The Prince of Wales awarded his first royal warrant to the firm, and today won’t call on any other shirt maker. Charles’ sons have also followed their father’s style cues and have been wearing Turnbull & Asser since childhood; notably, Prince Williams’ entire engagement photo outfit was bought there.
Alongside the Royals, Turnbull & Asser also boasts a clientele that has included the likes of Winston Churchill, Alexander McQueen and Eric Clapton.
What gives Turnbull & Asser shirts such a prestigious feel?
The simple fact that the house uses the highest-quality materials found within British shores: its team of cutters and makers work in a factory in Quedgeley, Gloucester (where they produce 70,000 shirts per year), all knitwear comes from a Scottish cashmere specialist and the silk (which is used for ties) is woven in Suffolk.
Moreover, the method of production (which is the same as it was 135 years ago) is in a league of its own; other brands aren’t even playing the same sport. In-store, Turnbull & Asser’s gentlemanly staff measure your torso, trace the resulting pattern on to a paper template and email the result to Quedgeley. Then, once the fitting is done, customers are given a plethora of design options. The collar choices, for example, range from a Canonbie to a Regent and are made with a fused lining in order to ensure an unrivalled level of style and comfort.
The shirt is then crafted from 34 individual pieces of fine cloth and 13 mother of pearl buttons (all of which are sewn on with a fused wrap to guarantee they never come off) with rigorous quality checks taking place throughout the whole manufacturing process. The final design is a garment that won’t gape, pull or chafe, with buttons that never loosen and a collar that always remains sharp and wearable.
Shirts aside, the label has also expanded its range and now has a portfolio that includes sleepwear, suiting, pocket squares, silk dressing gowns, velvet smoking jackets and other accessories. During the coronavirus pandemic the brand even turned its hand to making personal protective equipment for the NHS.
Today, although many are convinced that high street retail is on the decline, it’s safe to say that Turnbull and Asser – a brand that has witnessed two world wars, six British monarchs and now Brexit – is here for many, many years to come.
Turnbull & Asser Today
If there is a street more exclusively dedicated to men's sartorial style in London than Jermyn Street, then I haven't found it yet. Ever since Jermyn Street was created in 1664 by Henry Jermyn, 1st Earl of St Albans, it has been synonymous with gentleman clothiers, fabric merchants and tailors. It has largely been a street populated by men producing clothing for men, something of a well-dressed old boys' club, reinforced by the statue of dandy Beau Brummell that still stands there. One of the oldest of the current residents is of course bespoke shirtmaker Turnbull & Asser, which moved to the street in 1903 and has remained in the same building ever since. Time moves at a different clip with heritage brands, I suppose because they always have one eye trained over their collective shoulders, not peering at their competitors but rather at their own heritage, ensuring they never deviate too far from a formula that has perpetuated their longevity through the refinement of a unique expertise. In Turnbull & Asser's case, fine shirt-making. But as Bob Dylan once sang, "Times, they are a changin'". Recently, Turnbull & Asser installed Becky French as the brand's creative director, becoming one of only a few British heritage brands to have ever had a female head of design. French has an excellent history of working in both menswear and womenswear and for some of the sartorial world's finest brands, so it was not only a coup for Turnbull & Asser, but also a statement of intent. Wholly cognisant of the brand's storied history, French has nevertheless brought a fresh new eye to the 135-year-old shirt maker with big plans on the horizon.
MADE IN ENGLAND’ HAS ALSO REMAINED TRUE TO THE T&A CORE?
In practical terms it is important to us to continue to support craftsmanship in England, as we have nearly 120 colleagues working across our shirt and tie making divisions. A different view is that ‘Made in England’ is an increasingly rare aspect to a Brand, and one that provides a valuable point of difference.
Our customers can rest easy knowing exactly where there shirts are being made, and can trust that every component has been carefully selected from sustainable sources, something that is becoming increasingly important in an often unseen world of mass production.
PLEASE SEE PHOTOS WHICH HELP FORM ITEM DESCRIPTION