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General Interest

Class-based drama directed by Anthony Minghella and starring Jude Law. Will Francis (Law) is a young London architect living a stable, if dreary existence with his girlfriend Liv (Robin Wright Penn) and her behaviourally challenged daughter Bea. When his posh, arty offices are repeatedly burgled, he plays detective hoping to nab the thief. Spotting a teenager (Rafi Gavron) attempting to break in, Will attempts to follow him. It's hard, not least because the youngster is a practitioner of the art of parkour - a mysterious urban tactic of running and jumping between buildings, over obstacles etc. The pursuit leads Will to the mysterious Amira (Juliette Binoche), a seamstress with whom he becomes involved, causing him to re-evaluate his life. Conflict arises when the police close in on the burglars, and Will must make a crucial choice which will affect the lives of everyone around him.. ReviewThe atmospheric and erotically chargedBreaking and Entering reunites director Anthony Minghella with Jude Law (The Talented Mr. Ripley,Cold Mountain) and the haunting Juliette Binoche (The English Patient, for which she and Minghella won Academy Awards). Law fully invests himself as pre-occupied landscape architect Will Francis, who, with his partner (Martin Freeman fromThe Office), is heading a gentrification project in London's seedy, crime-plagued King's Cross neighbourhood. At home, he and Liv (Robin Penn Wright,Beowulf), his morose Swedish-American girlfriend of 10 years, are increasingly estranged over the demands of his job and of caring for Liv's autistic daughter, a 13-year-old aspiring gymnast. Will, hiding his identity, begins an affair with Amira (Binoche), the mother of a youth who has twice ransacked Will's office. Amira is a Bosnian refugee with a fierce survival streak that is not above blackmail when she learns who Will is.This is Minghella's first original screenplay since his little-known romantic gem Truly Madly Deeply. The dialogue haspretensions: A cleaning woman who comes under suspicion for the break-ins invokes . A prostitute (Vera Farmiga giving the film's liveliest performance) has a philosophical bent. Will himself ham-handedly explains how he much prefers metaphors to straightforward communication (he'd love this film's title). An art-house film with an A-list cast and wrenching performances, Breaking and Entering couldn't get arrested in cinemas, but it is a fine addition to Crash and other liberal-minded "them and us" dramas. --Donald Liebenson

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