Enclosed Field with Peasant (also known as Landscape at Saint-Rémy or Ploughed field with a man carrying a bundle of straw, F641, JH1795) is an oil painting by Dutch artist Vincent van Gogh, painted around 12 October 1889. The Size 30 painting, measuring 73 cm × 92 cm (29 in × 36 in), depicts a scene of a ploughed field near the asylum at Saint-Rémy-de-Provence, with a lilac bush, a peasant carrying a wheatsheaf, several buildings, and the Alpilles mountains rising behind, with a small patch of sky. Van Gogh considered it a pendant painting to The Reaper executed earlier in 1889.
Enclosed Field with Peasant is an example of Van Gogh's late work, where his dynamic brush strokes take control of the paintings. The painting's hurried lines accentuate a vibrant, moving field. The painting seems to pulsate with life, even though only one human is shown. It is the most topographically accurate of van Gogh's four views of a wheat field at the base of the Alpilles. It was created en plein air over several days, during one of the most tumultuous parts of Van Gogh's life, shortly after he resumed painting after he had voluntarily committed himself to an asylum in Saint-Rémy. He was recuperating from a nervous breakdown he suffered on Christmas Eve in 1888, during a visit with fellow postimpressionist Paul Gauguin.
Enclosed Field with Peasant was retained by Theo after Vincent's death later in 1890, and inherited on Theo's own death several months later by his widow, Johanna van Gogh-Bonger. In May 1905, it was bought and then exhibited by the art dealer Paul Cassirer in Berlin, where it was sold to the German banker Robert von Mendelssohn [de]. Upon his death in 1917, it was inherited by his wife Giulietta (who was the daughter of Michele Gordigiani); and upon her death in 1955, it was passed to their children, Elenora and Francesco von Mendelssohn, who emigrated to the US in 1935 and 1933 respectively, taking the painting with them. The painting was consigned to Justin Thannhauser in New York, from where it was sold to Caroline Marmon Fesler. She donated the painting, in memory of Daniel W. Marmon and Elizabeth C. Marmon, to the John Herron Art Institute, now known as the Indianapolis Museum of Art, in 1944.