Print Specifications:Photographer: Andre Kertesz (Born Hungary, 1894 - 1985) - world renowned photographic artist.
Title: "#80"
Subject: Surreal Distorted Female Nude
Date Of Negative: circa 1932
Type Of Print: Sheet Fed Photogravure/Heliogravure.
Date Of Print: 1976
Paper: Medium weight, matte finish
Print Origin: Spain
Approximate Image Size: 10.25 x 8 inches
Approximate Size Metric: 26.25 x 20.5 centimeters
Print Border: Yes - small surrounding border, professionally trimmed with title number in lower left corner.
Condition Grade: Extra Fine++ (43+ year old print)
Verso: Blank
Registered Archive Print Serial #: 80TUDK3
Certificate Of Authenticity (COA): Yes - individual hand signed COA
Shipping: USPS with MUSEUM QUALITY ARCHIVAL PACKING
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This is an authentic (NOT a computer scanned reprint), genuine1976
photogravure image by the renown photographic master Andre Kertesz. It
was created from the original glass plate negative he made in circa
1932 and is part of a historically significant series of 200 surrealist
nude studies by Kertesz of which 120 were famously exhibited. This
quality sheet fed gravure print was printed in Spain in 1976 from
Kertesz's meticulously restored glass plate negatives (see below for
more information). These were the only gravures ever printed of this
historic landmark series from the restored original negatives.
The
image itself was made with a glass plate view camera and Kertesz used
two particular female models for the series, Najinskaya Verackhatz and
Nadia Kasine. Kertesz began this surrealist experimentation with
mirrors in the late 1920's with most of the exhibited images being
attributed to 1932-33. The series was first exhibited in Paris in 1932
causing a sensation that helped catapult Kertesz to international fame
in the art world. In 1936 they were exhibited in New York at the Museum
Of Modern Art, again causing a furor. Kertesz had "fun house" mirrors
installed in his studio to experiment and create the landmark series.
By
the 1960's the entire series of original glass plate negatives was
thought to be permanently lost due to deterioration and oxidation. In
the early 1970's a highly trained restoration specialist was employed
to salvage these innovative pieces of art history. Using a newly
discovered technique for removing oxidation, he meticulously and
painstakingly labored on the plates until this masterpiece collection
was perfectly restored to its original beauty for the 1976 printing of
these marvelous photogravures.
This photogravure
plate is guaranteed to be authentic and comes with a hand signed
CERTIFICATE OF AUTHENTICITY (COA) with unique individual registered serial number from the Finephoto Vintage Archive &
Database. Under
magnification this plate shows a tight "honeycomb" grid, excellent
pressing of ink and a wide range of tone - all indicative of a quality
sheet fed gravure print. The watermark word "Finephoto" does not appear on the actual print.