FINE PHOTO GALLERIES is pleased to offer an authentic (NOT a modern reprint) genuine 1960 sheet fed photogravure plate by the renowned American photographer Irving Penn. One of the most significant photographic artists of the 20th century, Penn's iconic portrait, fashion and still life images are held in important collections and museums throughout the world. This sheet fed photogravure was printed in quality sheet fed photogravure by the highly regarded Swiss engraving house of C.J. Bucher Ltd.. The piece has been professionally dry mounted with archival materials onto conservation mat board and ready for a standard 16 x 20 inch frame. It is a striking image which will frame and display beautifully.
This photogravure is guaranteed to be authentic and comes with a hand signed Gallery Certified CERTIFICATE OF AUTHENTICITY (COA) with unique individual registered serial number from the Finephoto Archive & Database. Under magnification this plate shows a tight "honeycomb" cell structure, uniform pressing of ink and a wide range of tone - all indicative of a high quality sheet fed gravure plate.
READY FOR FRAMING & DISPLAY! - The expensive engraved copper plate photogravure process and the resulting fine prints make vintage photogravures highly collectible and excellent vintage prints for framing. Your vintage print will arrive ready to be placed directly into a standard size frame.
HOLOGRAM CERTIFIED: Each vintage artwork comes with a fully authenticated gallery certified Certificate Of Authenticity. This COA contains a unique serial number and small corresponding tamper proof hologram with matching serial number affixed to the backside of the print with archival adhesive. Our exclusive authentication system and the ensuing COA/Hologram not only provides our clients with essential peace of mind but, adds value to the print in the future by providing provenance and the original gallery authenticity guarantee documents.
ABOUT PHOTOGRAVURE: Photogravure is an intaglio print making process utilizing a carefully etched copper plate made from the original negative/image. Prints are made by pressing suitable paper heavily down upon the inked copper plate which has been intricately etched to varying depths corresponding with the actual tonality of the original negative, This precisely etched plate combined with a fine "honeycomb" screen controls the amount of ink to be transferred to the paper at any given point in direct proportion to the variation of tone in the original image. The result is a true continuous tone print which combines many qualities of a traditional silver based photograph with a tactile feel similar to an etching, engraving or lithograph. Rich in tonal detail, the photogravure process produces delicately rendered shades for a look which is unique in the world of photographic print making. In the early to mid 1900's photogravure was selected (when budgets allowed) for special high quality publishing and portfolio projects, but due to its significant expense and labor, the process is rarely seen today. From Man Ray and Ruth Bernhard to Brett Weston and Ansel Adams, many of the world's most renowned photographic masters have published their images in the rich photogravure process.
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