Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, cans, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.
Big on Features, Small on Size
The Fireface UCX II is a highly integrated pro-audio solution in an ultracompact format for studio and live recordings. It continues RME's long tradition of designing advanced compact interfaces, packing into a half-rack size unit what usually would be spread outover two or three 19" panels. With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME's highest feature-to-space ratio ever.
Box Contains
-
RME Fireface UCX II Desktop 20x20 USB Audio/MIDI Interface
- Limited 2-Year Warranty
-
RME Fireface UCX II Desktop 20x20 USB Audio/MIDI Interface
- Limited 2-Year Warranty
Brand | RME |
Type | USB Audio Interface |
Form Factor | Tabletop |
Channels of I/O | Analog: 8 Inputs / 8 Outputs Digital: 12 Inputs / 12 Outputs |
Max Sample Rate/Resolution | 192 kHz / 24-Bit |
Number of Mic Preamps | 2 |
Input Level Adjustment | 1 x Knob |
Analog Audio I/O | 2 x Combo XLR-1/4 TRS Balanced Mic/Line Input (Front Panel) 2 x 1/4 TRS Balanced/Unbalanced Line/ |
Phantom Power | +48 V, Selectable On/Off |
Digital Audio I/O | 1 x TOSLINK Optical ADAT Input 1 x TOSLINK Optical ADAT Output 1 x XLR 3-Pin AES3 Input (on Breakou |
Host Connection / USB | 1 x USB Type-B (USB 2.0) |
USB (Non-Host) | 1 x USB Type-A (External Storage) |
Sync I/O | 1 x BNC Word Clock Input or Output |
MIDI I/O | 1 x DIN 5-Pin Input 1 x DIN 5-Pin Output |
Other I/O | 1 x DE-9/DB-9 9-Pin Breakout Cable In/Out |
Gain/Trim Range | 1/4 Hi-Z Inputs: +6 dB Combo XLR-1/4 Mic/Line Inputs: +75 dB 1/4 Line Inputs: +12 dB |
Max Input Level | 1/4 Hi-Z Inputs: +13 dBu (Min Gain) -5 dBu (Max Gain) Combo XLR-1/4 Mic Inputs: +18 dBu (Min Gain) |
Max Output Level | Line/Headphone Outputs: +19 dBu |
Headphone Output Power | 210 mW per Channel into 32 Ohms (Max, 0.1% THD) |
Impedance | Combo XLR-1/4 Mic Inputs: 5.4 Kilohms Combo XLR-1/4 Line Inputs: 10 Kilohms (Balanced) 5 Kilohms ( |
Dynamic Range | Line Outputs: 115 dB (A-Weighted) 112 dB RMS (Unweighted) |
SNR | 1/4 Line Inputs: 115 dB (A-Weighted) 112 dB RMS (Unweighted) |
Sample Rates | Up to 192 kHz |
Sample Rate Conversion | None |
Bit Depths | 24-Bit |
Sync Sources | ADAT, AES3, Internal, S/PDIF, Word Clock |
Included Software | None |
Compatible Software (Not Included) | Any Core Audio (Mac) Compliant Software |
Included Plug-Ins | None |
Mobile Device Compatibility | None |
Required Hardware | Available USB 2.0 Port or USB 3.0 / 3.1 Gen 1 Port |
Internet Connection | Required for Registration, Software/Driver Download |
Power Requirements | AC/DC Power Adapter (Not Included) |
AC/DC Power Adapter | 9 to 18 VDC (Not Included) |
Power Consumption | 12 W |
Rackmount Size | 1 RU (1/2-Rack) |
Package Weight | 3.955 lb |
Box Dimensions (LxWxH) | 13.7 x 7.7 x 3.7 |
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