THE CHANT OF CRINOLETTE. with accompanying verse; the very bottom of the page is unrelated (see third image for cropped image of the cartoon).

--This cartoon appears to be a satire of the return of the Crinoline (popular in the mid 19th century), showing the "modern" dress in the two women at left, and the old Crinoline dress, here being puffed out by a man with attached tube, on the right.

This is an original cartoon from British Punch humor/satire magazine, drawn by Linley Sambourne, published July 2, 1881 and pulled from the magazine; original, not a modern reproduction. Full size: 8 x 10 1/2 inches, including borders. Pictured image is slightly cropped. CONDITION: excellent -- the paper has been humidified and flatted (ready for framing, if desired), still bright paper, clean; note: backside has unrelated text with some show-through (ghosting) on the facing side, as published -- please look closely. Over 4,000 Punch cartoons listed for sale (store category "Punch cartoons"), combine orders and save shipping charges. Questions are always welcome.  Please use 'Add to Basket' instead of 'Buy now' if buying more than one so that eBay only charges one lot of postage per order. WHO IS THE ILLUSTRATOR?

Edward Linley Sambourne (4 January 1844 – 3 August 1910) was an English cartoonist and illustrator most famous for being a draughtsman for the satirical magazine Punch for more than forty years and rising to the position of "First Cartoonist" in his final decade. 

WHAT IS PUNCH?

Punch, a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Punch was the world's most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity -- and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an invaluable source of cartoon art, satire, but as primary source material for historians.