SOURCE: This is an original cartoon from British Punch magazine, drawn by E. H. Shepard, published April 3, 1940 and pulled from the magazine; original, not a modern reproduction. Full size: 8 x 10 1/2 inches, including borders. Pictured image is slightly cropped. CONDITION: excellent -- paper has been humidified and flatted and shows no handling or storage wear, also bright and clean; backside has unrelated text with some show-through possible (ghosting), as published -- please look closely. 

HOME FRONT -- THE OFFICE IN ARCADY "Aha! The Cuckoo!"

An uplifting cartoon of industry and its employees working to accomplish business goals in support of the war effort. Arcady - ideal rustic paradise.

  • Over 4,000 Punch cartoons listed for sale (store category "Punch cartoons"), combine orders and save shipping charges. Questions are always welcome. 
  • Please use 'Add to Basket' instead of 'Buy now' if buying more than one so that eBay only charges one lot of postage per order.

WHO IS THE ARTIST?:

Ernest Howard Shepard (10 December 1879 – 24 March 1976) was an English artist and book illustrator. He is known especially for illustrations of the anthropomorphic animal and soft toy characters in The Wind in the Willows and Winnie-the-Pooh. He was also a prolific illustrator for the British Punch satire magazine. o Lewis Carroll's Alice's Adventures in Wonderland (1865) and Through the Looking-Glass, and What Alice Found There (1871).

WHAT IS PUNCH?

Punch, a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Punch was the world's most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity -- and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an invaluable source of cartoon art, satire, but as primary source material for historians.