What is Inlay Art?
One of the most attractive work of art that
comes from marble is"Marble Inlay" work. It is the same work
that adorns the Taj Mahal and other Mughal monuments.
It
is a closely protected traditional art and only a few expert exponents are
available today. The delicate process involves cutting and engraving marble
shapes manually. To start with, a predefined pattern e.g., floral design or
geometrical design is engraved on the marble slab. Small pieces of marble of
different shades are cut delicately to fit in these grooves precisely. These
small pieces are then slipped in the grooves. Apart from marble, many other
materials can also be used.
History Of Inlay Art
Inlay
work on delicate precious stone began in the workshops of Florence in Italy
around the end of the 16th century. This was known as PIETRA DURA.(Pietra=
Stone, Dura= Hard) The Italians had created a classic artistic form and held a
monopoly over it. From 1630 onward pietra dura appeared on movable, small
objects as decorative panels, with bird and flower motifs, suitable for cabinet
fronts and table tops. Some of these soon reached the Mughals in the form of
presents.
Of
all the Mughal Emperors, Shah Jahan was the greatest patron of architecture in
India. For him no amount of money or time was too much to create enduring,
everlasting architectural beauty and through it be remembered always. It is in
his buildings that one feels most compelled to make the connection between
Mughal art and pietra dura. The Taj Mahal, the cenotaphs of the Emperor and his
wife, the main floor and the surrounding marble railings bear very close
resemblances to the pietra dura form.
Process of Marble Inlay Art
Master
Craftsman carefully plans a design, which is etched lightly into the marble
surface and later scored out with an iron chisel. Many of the tools of the
trade are basically the same as those used by the Mughals hundreds of years
ago. He then decides on the colour scheme depending on the requirements of
piece being created. Semi-precious stones and gems are expertly chosen to give
just the right graduation in colour and shade for the overall radiance of the
pattern. They are shaped and polished by means of an emery wheel. Sometimes
heat treatment is applied to certain stones to get a shading effect.
The
effort involved in making just one single flower can often take days of work,
depending on the detail; it is not unusual to be designed from hundreds of
different slices of stone. There are many varieties of coloured stone available
for utilisation in marble inlay work: malachite, cornelian, jasper, mother of
pearl, abalone shell, lapis lazuli, agnate, coral, turquoise and tiger eye to
name just a few. The grooves are filled with their precisely corresponding
shapes of coloured stone and secured in place with a white putty made from oil,
and wax. Once the design is completely dry, the piece is polished
with a mixture of sand, water and emery paper to give a shiny smooth finish.
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