TITLE: Bob and Abby

a partial list of my celebrity collectors
includes-

Julia Roberts
---
Jimmy Vaughan
---
Willie Nelson

 

 

 pls. see katabillups.com


A NOTE FROM KATA:

WHAT MAKES MY ART DIFFERENT

FROM OTHER ROCK AND ROLL THEMED ART WORKS?


When I initially work on this topic years ago, I entitled the article 'Kata's work versus Other CRAP' but nowadays people are so sensitive to 'shaming and blaming etc.' that I couldn't get away with that title anymore. 

But the true part about it was this: just about anybody can capture an image of someone from the torso up (a bust it's called) but only trained artists can place a subject in a scene and then a small handful in that group have anything to 'say' with their work. 

That's where my work comes in- each piece has a message derived from some autobiographic event in my life.  Since I was a teenage artist, I was driven to express my ideas through my work.  

When my rock and roll icon artwork began (in the late 1980's) I was one of the first to be working in this genre (beside the great illustrators for the Rolling Stone Magazine and Andy Warhol and a few others). 

I hinted at above, and most importantly, all my work 'works' on multiple levels and that is one thing that led to its popularity.  My collectors are generally well educated and well-traveled people; (many have been to all the major museums in the world) therefore- they recognize the underlying messages, my referencing other works, the wryness or comic insinuations, the broader social commentary hidden behind the veil of celebrity and comedy etc. etc. and that is why they buy my work. 

I've heard from collectors again and again saying things like: "I don't even LIKE Elvis, but your work spoke to me, and I bought it". That's because my work is not REALLY about Elvis or the Beatles or anyone- it's about life's larger themes which I feel compelled to make a statement about through the recognizable aging (and some now gone) rock icons. They are my doppelgangers.

 

 

 

 

 

 

 

ARTIST'S DESCRIPTION OF PAINTING:

 


I love the vulnerabilities in the icon that was ELVIS- 

 

So in this vignette from my imagination- (more coming soon...)


this piece is created in blend of styles-
realism/
pop
and
folk art styles

 

about my HOWARD Finster CONNECTION:


I had a joint show with the late great Reverend Howard shortly before he died.

Some of my folk styled work is influenced by him- not only stylistically but by virtue
of the fact that he was (to me) the ultimate preacher/painter.

Howard often took common recognizable objects (like his giant coke bottle piece)
and plastered the image with Bible sayings.

Almost as if he were a naive forerunner of subliminal influences in art and culture.

the last pic. is of me and Howard around 1998 at our joint show shortly before his death.







DIMENSIONS AND NOTES: 


This listing is category 3.  

(please scroll down for full descriptions of each category of work)

a REPLICA ORIGINAL OF MY WORK


SIZE: (coming soon)

 

This piece (as all others) will be shipped with the correct

hanging apparatus on back.

 

CATEGORIES OF WORK:
(listed in descending order by price and rarity)

1. PRIMARY ORIGINALS 

These are the most time-consuming, most expensive and generally the largest in scale of 

my works. They are owned by hundreds of Private Individuals and several Museums worldwide. 

One Primary Original may take weeks, months or even years to complete. For decades I created 

an average of five to twenty pieces of this type work per year.  I'm taking a break from creating 

them to build my business and life in new ways. I am not yet sure if I will ever create work in this 

category again. For updates please check  k a t a b i l l u p s . c o m 


2. VERSIONS OF WORK 

These are generally the second most time-consuming and expensive of my works. They are owned

by hundreds of individuals across the world.  Each one is an entirely hand-painted VERSION of a 

Primary Original Painting. They are similar but in no way identical to the PRIMARY ORIGINALS 

after which they take their inspiration. Within these pieces I've been inspired to rework or add new

characters, furnishings, backgrounds and colors in ways that never occurred in the PRIMARY 

ORIGINALS paintings. These pieces may even contain new themes and ideas.  I typically devoted one 

to four months creating each piece (depending on size and complexity). They sometimes (but not 

always) include unique frames embellished with one-of-a-kind mattes and vintage objects de' art

and unusual titles. They are framed in many ways; simply, ornately, etc. They were painted on a variety 

of surfaces besides just canvas or wood including gallery wrap canvas and small furniture; (both which

required no frame).  All these works are technically and legally Original Paintings. They are entirely 100% 

hand painted throughout all the layers applied as the work progressed. generally created around five to 

fifteen pieces in this category of work per year. This category of work began in approximately 2004 

and ended in 2023. I have around ten to fifteen unfinished pieces within this category in storage and 

may complete them if I am so inspired in the future. If so, they will be dated the year they are completed.


3. REPLICA ORIGINALS 

These are typically the third most time consuming type of work (and third most expensive)

and are owned by over one thousand people across the globe.  There may be over two thousand in

circulation. I do not know because I never kept exact records. The demand for them arose when Patrons 

admired some of my previously sold PRIMARY ORIGINAL pieces and wanted something similar but 

not as expensive. They are are similar to my VERSIONS of WORK (see category 2. works above) with

some important exceptions. First of all, they are as close to being identical to the PRIMARY ORIGINALS 

as possible. They have no new creative developments within them (unlike works in category 2.) with

the important exception of the frames which were often elaborately embellished with one-of-a-kind

mattes, vintage objects de' art and unusual titles. They are painted on a variety of surfaces (wood,

canvas, mirrors, small furniture and other materials). They are hand-painted REPLICAS of 

some of my favorite PRIMARY ORIGINALS.  Each piece is hand painted across the entire surface and

many have additional painting in layers beneath the surface of the top glazes. Each work required at

least a week or several weeks to complete (depending on the size and complexity). They are legally and 

ethically also Original Paintings in their own right. I began this category of work in approximately 2004. 

In late 2023 I stopped creating in this category. I have about forty unfinished pieces in this category 

(in storage) and may complete these works if I am so inspired in the future. If so, they will be dated the 

year they are completed. 


4. SMALL GALLERY WRAP CANVAS REPLICA ORIGINALS 

This category was created in 2021. I created less than 70 of these and will never create any more. 

They are similar to my Replica Originals but smaller. For or more on REPLICA ORIGINALS see category

aboveIn addition they are created on gallery wrap canvases which are deeper than most average 

canvases. They're designed to be painted on all four external edges of the canvas (edges which are 

typically covered by a frame. The idea is for the collector to display the work without a frame and enjoy 

the unique dimensional effect as the painting 'wraps around' the sides.  The artwork may also be 

displayed 'standing up' on a piece of furniture. Proper hanging apparatus is attached to the back 

of the canvas. 


5. SECOND STYLE REPLICA ORIGINAL PAINTINGS 

New to the market beginning in 2023 and projected to be my main product going forward, this type of 

work is similar to my REPLICA ORIGINAL works but less expensive. Like my VERSIONS OF WORK, 

I've added new elements. This type of work allows endless opportunities to re-express myself (beyond

the original inspiration). I'm adding additional themes and characters to previously created  PRIMARY 

ORIGINAL pieces. Each piece is first printed on a uniquely light-weight yet strong material using state 

of the art equipment (for maximum clarity of resolutioncolor, etc.). I then spend several hours

embellishing the piece with hand painted areas (and attaching one or more vintage objects de' art to the

frame. The areas of hand painting make each piece an ORIGINAL work of art technically and legally. 


6. SPECIALIZED FRAMED OR MOUNTED PRINTS. 

When I first offered this category at the inception of my rock and roll icon art work, pieces were typically 

framed after being mounted on foam core or wood. They generally had many objects de' art attached to 

the piece using glue and or wire. also mounted the prints on small pieces of furniture, toys, cigar boxes,

mirrors, musical instruments etc.  I began with very small embellished  framed prints at my first show in

Nashville TN. in the early 1990's. Originally using tiny photographic prints of my work called proof shots,

eventually my work expanded in size. I created and sold hundreds (probably over one thousand) of these

works. The prints mounted on toys, furniture and other objects during this early time were more rare. I

created about one hundred of them. These pieces were created only between the years 1993 and 2004.

They ranged in size from very small (around 3" x 4" to much larger 16" x 20" or so). 


7. 2023 SIGNED PRINTS 

 About twenty five years after beginning my rock and roll icon art business, I stopped creating prints. 

Around 2004 I wanted all my future collectors to own works more unique and valuable than my prints

(which were mainly sold framed and with kitsch objects attached as mentioned above in Category 6).

This decision was made even though many early collectors (like Julia Roberts) owned these pieces.

For one year only (2023) I produced signed prints one more time. This was in the interim of developing a 

more affordable new product (see category 5 above). The new product evolved as I began to phase out 

my older categories of work.  This made the remaining work more rare and therefore more expensive 

and I still wanted any potential collector be able to afford my work so I developed a new product.  While

creating the new product it seemed good to offer signed prints one last time. Each one was produced

on extra heavy card stock paper with a gloss finish using the most expensive state of the art equipment. 

Each one was signed and dated.