It is hard to escape the legacy of the Punch Magazine. From 1841 to 2002, the magazine cast a satirical eye on life in Britain. It charted the interests, concerns and frustrations of the country and today it stands as an invaluable resource not just as cartoon art and satire, but as primary source material for social historians.

Illustration by Linley Sambourne. Size: 8 x 10 1/2 including borders, image shown slightly cropped. Source: British PUNCH humor/satire magazine, from August 4, 1909. Condition: very good -- minor foxing, o/w bright and clean, no handling wear, paper lays flat for easy framing; backside is blank. 

WINGED VICTORY [With Mr. Punch's best felicitations to France and Louis Bleriot, July 25, 1909.]

--M. Bleriot's first cross-Channel flight in 1909 made a prodigious stir, and Punch chronicled it in the figure of "Winged Victory" landing on the cliffs at Dover.

--Louis Charles Joseph Blériot (1 July 1872 – 1 August 1936) was a French aviator, inventor, and engineer. He developed the first practical headlamp for cars and established a profitable business manufacturing them, using much of the money he made to finance his attempts to build a successful aircraft. Blériot was the first to use the combination of hand-operated joystick and foot-operated rudder control as used to the present day to operate the aircraft control surfaces. Blériot was also the first to make a working, powered, piloted monoplane. In 1909 he became world-famous for making the first airplane flight across the English Channel, winning the prize of £1,000 offered by the Daily Mail newspaper. He was the founder of Blériot Aéronautique, a successful aircraft manufacturing company.

Over 3,000 Punch cartoons listed for sale (under store category “Punch Cartoons"), combine orders and save shipping charges. Questions are always welcome. 

WHAT IS PUNCH?

Punch, a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Punch was the world's most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity -- and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an invaluable source of cartoon art, satire, but as primary source material for historians.

”WHO IS THE ARTIST? 

Edward Linley Sambourne (4 January 1844 – 3 August 1910) was an English cartoonist and illustrator most famous for being a draughtsman for the satirical magazine Punch for more than forty years and rising to the position of "First Cartoonist" in his final decade. Unusually for a black and white artist, Sambourne used a huge library of photographic images to give accuracy to his work, which was characterized by a vivid and decisive linearity as well as an artistic inventiveness that took his images far beyond the simple concept of a cartoon or "comic cut". The quality of his work for Punch was acknowledged by the Royal Academy, which exhibited his drawings over a 20-year period.