Fine Japanese contemporary pop punk drawing in ink after and presumably copied in the style of the artist Yoshimoto Nara of a young girl. Wonderful interpretation.

Sold unframed, sheet measurements 29.5 x 21 cm, (12 x 8) thick 220 gsm art paper with no watermark. Would fit a standard A4 matt/mount window. Condition as pictured, please refer to images, generally great condition. No provenance, sold as is. Bought in France ten years ago, part of a portfolio lot. 

Yoshitomo Nara (奈良 美智, Nara Yoshitomo, born 5 December 1959 in Hirosaki, Aomori Prefecture, Japan) is a Japanese artist. He lives and works in Tokyo, though his artwork has been exhibited worldwide. Nara has had nearly 40 solo exhibitions since 1984. His art work has been housed at the MoMA and the Museum of Contemporary Art, Los Angeles (MOCA). His most well-known and repeated subject is a young girl with piercing eyes.


Artwork:
"Nara first came to the fore of the art world during Japan's Pop art movement in the 1990s. The subject matter of his sculptures and paintings is deceptively simple: most works depict one seemingly innocuous subject (often pastel-hued children and animals drawn with confident, cartoonish lines) with little or no background. But these children, who appear at first to be cute and even vulnerable, sometimes brandish weapons like knives and saws. Their wide eyes often hold accusatory looks that could be sleepy-eyed irritation at being awoken from a nap—or that could be undiluted expressions of hate."

Nara, however, does not see his weapon-wielding subjects as aggressors. "Look at them, they [the weapons] are so small, like toys. Do you think they could fight with those?" he says. "I don't think so. Rather, I kind of see the children among other, bigger, bad people all around them, who are holding bigger knives..." Lauded by art critics, Nara's bizarrely intriguing works have gained him a cult following around the world. Large original paintings regularly sell for millions of dollars. In June, 2005, Nara's artwork was featured in the album titled "Suspended Animation" by experimental band Fantoms. Other commercial products (including videos, books, magazines, catalogues and monographs) have been dedicated to Nara's work. Recently, a two-volume catalogue raisonné of all his sculptures, paintings, and drawings was completed.

In 2010, the Asia Society showed Yoshitomo Nara: Nobody's Fool the first major New York exhibition of his work.[9] Other major retrospectives include: "I Don't Mind If You Forget Me", which toured Japan between 2001 and 2002; and "Yoshitomo Nara: Nothing Ever Happens," which travelled the United States from 2003 to 2005.[8] One of his exhibited works is now part of a window of the Baltic Centre for Contemporary Art in Gateshead, England.


Influences:
Though Nara claims to have never said that he was influenced by manga, the imagery of manga and anime of his 1960s childhood is often cited when discussing Nara's stylised, large-eyed figures. Nara subverts these images, however, by infusing his works with horror-like imagery. This juxtaposition of human evil with the innocent child may be a reaction to Japan's rigid social conventions. The punk rock music of Nara's youth has also influenced the artist's work. Recalling a similar violent youth, Nara's art embraces the punk ethos.

Nara’s upbringing in post-World War II Japan profoundly affected his mindset and, subsequently, his artwork as well. He grew up in a time when Japan was experiencing an inundation of Western pop culture; comic books, Warner Bros and Walt Disney animation, and Western rock music are just a few examples. Additionally, Nara was raised in the isolated countryside as a latchkey child of working-class parents, so he was often left alone with little to do but explore his young imagination. The fiercely independent subjects that populate so much of his artwork may be a reaction to Nara's own largely independent childhood.


Recent work:
Nara exhibited work in New York at the Pace Gallery in May–April 2017. It was his first exhibition in New York since 2013. Entitled Thinker, the pieces exhibited represent a shift towards a more meditative body of work. Of this shift, Nara said, "In the past I would have an image that I wanted to create, and I would just do it. I would just get it finished. Now I take my time and work slowly and build up all these layers to find the best way. Just like you cook so that you know it’s going to be the most delicious, you find a way to make your art the best it can be." In July 2017, The Toyota Municipal Museum of Art held a career retrospective of the artist's work, called for better or worse.