✨A Treasure for Devotees and Collectors✨
***Certificate of Authenticity by Prathaprachan Magazines
Amulet Names: Takrut Tone Nuea Thong Daeng (Copper)
Blessed by: Luang Phor Mui
Temple: Wat Don Rai
City: Suphanburi
Year: 1967
Measures: 5 inches
Quantity: 1
Condition: Excellent
Takrut Tone Nuea Tong Daeng Lid hand inscribed Yantra Scroll Spell from the Great Luang Por Mui, of Wat Don Rai, in Supanburi, for Powerful Kong Grapan Chadtri Invincibility, Klaew Klaad Protection from dangers through Evasion, Maha Ud Gunstopper Magic, Serm Yos Promotion of Status, and Maha Amnaj Commanding Power over others.
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Today this famous Prajioud armband made popular by Ajahn Thamma Chot continued to serve every Muay Thai boxers in Thailand. It can be said that the evolution of Takrut history started from the Ayutthaya period.
In retrospect, Takrut talisman is very popular with people in dangerous professions such as police or military. However, the usage of Takrut does not only confine within these dangerous profession alone. Anyone can carry this talisman for added protection or for a special purpose as specified by the maker. It works similarly with any other type of contemporary amulets but just that amulets can have various designs and can contain many materials. We can conclude that Takruts and other contemporary amulets are in the same talisman platform to offer safety, protection, and blessing to the wearer. There is no known restriction about wearing Takruts and amulets at the same time as they are relatively compatible.
Takruts comes in different lengths and sizes, type of materials, and a variety of colours. The vast array of amazing Takrut makes it very popular amongst believers and collectors.
Takruts at large has many genres by the type of materials it was made from. We have already mentioned some of the popular materials in this article earlier. There are many accounts and incidents where Takruts had helped the bearer to escape from dangerous situations unharmed. In particular tin ore has the unique capability in deciphering poison and danger. In our own research, early Takrut batches by Porthan Lek of Wat Ariyakiri are usually made by using tin ore material. Dangers and harms will vanish into thin air if the tin ore Takrut is used appropriately by following the Master’s guidelines and recitation of its specific Katha. With deep respect to all sacred objects issued from Wat Ariyakiri, the hand pump incantation scrolls and hand inscribed Yant scrolls made by Than Lek himself is also equivalently effective.
With clear comprehension we must come to understand correctly that Buddhist doctrine is mainly concerned with the Dharma teachings only. Arcane knowledge for creating talismans such as Takruts, Mai Kru Tongkat, GumanThong, Phra Phrom, etc. can be said to be originated from shamanistic arcane sciences in this respect. However, we must also take into consideration with regards to the incorporation of sacred Buddhist recitation verses being formulated into the making of such talismans by most Buddhist masters.
The most powerful aspect of a Takrut is its defending power in warding off lethal weapons, increase personal affinity, and decipher dangers which is why everyone would aspire to have it. In other words, Takrut incantation scroll is basically a multi-function treasure.
There has been a lot of reported incidents about Takrut's capability in providing protection and helping people to escape from narrow death. Many of these accounts are reported in Thailand but we managed to get one story incident from Malaysia. Whether the stories revealed here are shocking truths or mere fabrications, readers are advised to read at own discretion.
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Luang Por Mui Putta Ragkhidto, of Wat Don Rai was the third abbot of the temple, and the first one to take true responsibility, and develop the temple to become the great temple it has come to be known as in the Present Times.
The temple of Wat Don Rai was built by the local folk with the generosity of Mr See, Mrs. Poon, Mr Gaew and Mrs. Hmorn, who were the owners of the land where the temple was built. Once the temple was built in its basic functional state, the folk invited Pra Ajarn Plang to come and stay and administrate the temple.
Pra Ajarn Plang stayed for a period of only one year, and then moved to stay somewhere else. In the year 2458 BE, the folk then asked Pra Ajarn Ploy to come and be the new abbot in his stead. Pra Ajarn Ploy remained at the temple for 5 years, but then decided to disrobe and re-enter the lay community. So the temple of Wat Don Rai found itself without an Abbot for the second time.
The temple remained empty for three years, until the year 2466 BE, when the local Buddhist folk begged Luang Por Mui to come and stay and tend to the needs of the temple. Since then, Luang Por Mui remained at Wat Don Rai, and performed many great works of restoration and development of the temple facilities.
He worked constantly, never complaining when tired, continuing to build and develop the temple, converting a small regional temple into the large one of National Fame, Status and Importance it is today.
Pra Kroo Suwanawutajarn, or 'Luang Por Mui, was born as one of 5 siblings, and given the name 'Chueam', but later changed his Name to 'Mui'. His Surname was 'Mee Sri Chai'. He was born on Thursday 5th December 2432 BE. His father's name was Mr. Muean, and his Mother's name was Mrs. Chang. His family were farmers.
Luang Por Mui spent his childhood much as many farmer's child would do, and lived a normal life, until he came of age and finished his national military service.
After he has served his country with the military service, he then was ordained as a Bikkhu into the Buddha Sasana, as is traditional for all Male Buddhist children in Thailand to ordain at least for a while. Luang Por Mui actually ordained twice in his lifetime, with the first time remaining ordained for a period of 10 years (exact date of ordination unknown). But after Luang Por Mui had disrobed, he became seriously ill, and during the illness made a Vow, that if the illness would disappear, he promised to Ordain again and devote his whole life to the Buddha-Dhamma.
When the illness then faded and disappeared, he changed his name officially from 'Chueam' to 'Mui' at the same time. Luang Por then kept his promise, and sought Ordination for the second time. This time there would be no more disrobing.
The second time he ordained is recorded as having occurred at Wat Don Bupharam in Supanburi with Pra Kroo Tammasarn Raksa (Luang Por An) as his Upachaya (Ordaining Officer), and Pra Ajarn Huan, from Wat Bang Krang as his Pra Gammawājājarn (Prompting Officer). Pra Ajarn Gun was his Pra Anusāwanājarn (witness) to the Ordination. Luang Por Mui received the Dhamma Name of 'Putta Ragkhidto'
Luang Por Mui was known to have a very diligent personality, and in line with this, he began to study the many Wicha and master the Sacred Khom Sanskrit Agkhara Inscriptions. He studied Wicha Akom Dtamra Saiyasart Sorcery with a number of the great Masters of the time.
His various Masters and Kroo Ba Ajarn included both Ordained Monks, and Lay Masters, which included amongst others; Luang Phu Sukh ( Wat Pak Klong Makham Tao), Luang Por Im (Wat Hua Khao), Luang Por An (Wat Don Bupharam), and Luang Por Bpling (Wat Wimon Pokaram).
In the year 2475 BE, Luang Por Mui was officially elected as the Abbot of Wat Don Mui. In the year 2476 BE, Luang Por Mui was given the position of Bishop of Nong Sadao Parish. In 2496 BE, Luang Por Mui was given the Status of Upachaya Ordaining Officer for the region of Sam Suk Township. In the year 2502 Luang Por Mui was given the Honorary Title of Pra Kroo Sanyabadtr, and his name was changed in accordance to become 'Pra Kroo Suwannawutājarn'.
Luang Por Mui was a 'Pra Samatha' - an avid practitioner of Meditation, who sought solitude, and was very strict in his self control and practice of the Vinaya rules of Ordained Life. He was tireless in his duties to serve the Buddhist Faith, and the Devotees of his Region. Luang Por continued to perform one meritorious act after another, throughout his life in service of the Temple and Devotees of Wat Don Rai. Luang Por spent many years wandering the forests on Tudong, until sometime around 2516 BE, he became iweaker and ill. He then decided to return to Wat Don Rai, where the Devotees received him with immense celebration to welcome the return of Luang Por Mui.
Luang Por Mui then remained in his old age at the temple of Wat Don Rai, until the day of his final passing on the 15th January 2517 BE, at 07:15 am at the age of 84 years old.
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The Takrut is a form of Talisman or Amulet, which dates back for Centuries, and was originally popular as a Kong Grapan Chadtri and Klaew Klaad Protection amulet for Warriors. The Takrut, is in essence a Scroll Spell made using the Inscription of Sacred Geometry Design, Numerology, Pictorial Images, and Magical Khom Agkhara Lettering.
Takrut Tone with cord binding, lacquer and gold leaf by Luang Por Glan (Wat Prayat)The materials used for Takrut were and still are manyfold, and could be made of gold, silver, or bronze metallic foil, bamboo, wood, animal skin, or even parchment paper. Some Takrut are not scrolls,and can be made from solid objects, such as a piece of wood, coral, or other sacred substance.Some were covered with cord wrapping and lacquered (Dtak Chueak Long Rak). These scrolls would then either be worn by threading a cord through them (for in olden times there was no steel capped transparent tube or waterproof casing), and sometimes, inserted within a protective exterior.
Some Takrut are also made from Sacred or Magical Substances, such as ‘Mai Phai Dtan’ Solid Bamboo Anomaly, or ‘Mai Phai Ruak’ ‘Scalded Bamboo’. Takrut are seen to be made using various animal parts such as Goose Bone, or Cordiceps Cicadas.
The ‘Takrut Graduk Haan’ Goose Bone Takrut is something that is very celebrated by the ‘Look Sit’ disciples of Luang Por Hrun in the particular ‘Wicha’ of ‘Kong Grapan Chadtri’ Invulnerablility. Disciples of LP Hrun that may live an alternative or dangerous lifestyle in areas such as gambling dens, massage parlors, police, military and even modern day gangsters would benefit from being the bearer of this protective charm. Luang Por’s first edition was released in 2460 BE, and is now over 100 Years old.
Some Takrut are inserted within a metallic shell, and forged into various decorative shape frames, such as Naga Serpents, Dragons, and other Mythical Animals and Deities, such as Hanuman, Lersi, Garuda, Vishnu, Brahma and Ganesha.
Some Takrut use very ancient methods of Alchemical Metallurgy, and are cast in their entirety as a metallic decorative hollow tube, which is also known then as ‘Takrut Hlor Boran’. This kind of Takrut often is used by inserting a parchment scroll within the tube with one’s wishes and prayers. This is performed by inserting a piece of paper into the tubular fold of the Takrut with the name of person you wish to influence, or your special wish written upon it. Some people may also insert a piece of hair or nail clippings, or a piece of cloth taken from the bedclothes, pillow or clothing of the targeted person.
‘Takrut Hlor Boran’ means ‘Ancient Cast Metal Takrut’. Because Olden Days were full of Wars and different small Kingdoms battling with each other, it was most common to see Takrut made specifically for Kong Grapan Chadtri and Klaew Klaad Protection.
This can be seen to be highly evident if we admire the statue of King Naresuan Maharach at the Naresuan University, which is an image of Pra Naresuan Maha Rach (First King, and Founder of the Unified Kingdom of Siam/Thailand), who is sitting on a throne, and wears a chain of 16 Takrut Solos over his breast and back, as protective magical Armour.
Nowadays, in times where less people have to go to War, and less local battles and local disputes have brought us into an Era where the problem is not the danger of War, or Deadly Enemies, rather, the New Problem is Economical. In these times where life is becoming ever more expensive and we are having to spend higher and higher sums to stay afloat, and where money is becoming ever harder to find, it is essential to get some luck and fortune to advance financially.
The Takrut Pitsamorn were made adhering to the traditional ancient methods of Wicha saiyasart Lanna for making the Takrut type talisman. The Lanna method most often than not uses the Wicha Pitsamorn, which involves the use of three separate Yantra Foil inscriptions bound together with cord. The Takrut are inscribed with magic spells in Lanna Agkhara Sanskrit script, for Kong Grapan Chadtri invincibility, and Klaew Klaad evasion of danger.
These Takrut have then been coated with Krang Putsa plum paste using hot flame to melt the past around the Takrut. The word ‘Krang’ alludes to the phrase ‘Krang Krai’ which means intense desire for somthing or somebody. Krang Putsa paste is believed to induce powerful magical attraction force into the amulets.
Tiger Skin and Fur Takrut
Tiger Takrut are used for Maha Amnaj Kong Grapan Chadtri Power and Protection. Those who are in positions of command or office, or who need to increase their status and influence over others, will be well served with this kind of Takrut. Those who wear Tiger Sak Yant Thai Temple Tattoos are especially recommended to use this kind of amulet, and to use Kata Suea and Kata for Sak Yant to empower both the Takrut and their tattoos.
The Tiger Takrut is Highly Recommended for those who are in positions of command or administration, and those who need to exude power and influence, and for those who risk their lives in conflicts. Those who need to get noticed more, or need to get more respect from others are highly recommended for this kind of amulet.
The most powerful part of the Tiger is considered to be the forehead Hnaa Bpaag), for its impermeability and for the foresight of the tiger to hunt its prey, and its ravery.
These days, liberation comes with wealth, not with Martial Power. People need help with their Economies more than they need protection in War. Hence, the Modern Era has seen the Takrut to become ever more popular for Maha Pokasap, Metta Mahaniyom, Maha Lap, and Maha Sanaeh – which are all much more relevant for the present age. This Era requires more Metta Maha Niyom and Maha Sanaeh Maha Lap Maha Pokasap type amulets, for the needs of the current Generation.
The Rise of Thai Lanna Amulets in response to the Need for Maha Sanaeh and Metta Maha Niyom mercy Charms in the Modern Era;
One of the most powerful and ancient traditions for Maha Sanaeh and Metta Maha Niyom Magic comes from the Northern Lanna Regions, where Powerful Animist Sorcery has been practiced for thousands opf years. Because of the need for more Maha Sanaeh and Metta Maha Niyom type amulets, and Maha Lap Maha Pokasap wealth increasing talismans, the Thai Lanna Wicha have become ever more popular in the present times, for they cater well for the current needs, with their ancient Seduction Spells and Binding Spells for Love, and Powerful Mercy Charms for God Busiiness and Popularity.
The Takrut Joong Nang Khao Hong, by Kroo Ba Buddha of Wat Nong Bua is empowered for Pure Metta Maha Niyom, and Maha Sanaeh, for Seductive Attraction and Mercy Charm. ‘Joong Nang Khao Hong’ means ‘to take a lady by the hand and lead her into the bedroom’. This explains the main purpose of this Takrut, which is intended to assist in amorous approaches, as well as for attracting customers and entourage.
Some Takrut, are filled with Muan Sarn Sacred Powders or See Pheung Paste, to imbue special pheromonic and Necromantic properties to the amulet, especially for Romantic, and Nocturnal and Vice-Related activities, such as Gambling.
The Takrut Bpaag Phii is a Necromantic amulet from Lanna Master, Pra Ajarn Dtecharangsri. This Pure Silver Takrut is filled with Prai Bone Powders with Prai Grasip Gambling Ghost Whisperer Power. The Ghost Whisperer (Prai Grasip) is a Magical effect that prewarns of lucky streaks or attractive tables or games to bet on, and will also warn of danger or when to flee. The powders of the bones of 56 Hoeng Prai Ghosts were ground up and invoked with reanimation spells to invoke a resident spirit within each Takrut.
Yant Hneeb – Folded Envelope ‘Nipper’ Yantra Spell
The Takrut Yant Hneeb is a Traditional Lanna Wicha that is not found elswehere in the other regions of Thailand, except where a Master has brought the Wicha with him from the North. The Yant Hneeb is used to insert a piece of parchment or paper, with wishes or magic spells on to invoke one’s desired results.
Takrut Yant Hneeb, are another kind of Lanna Yantra Spell that are not rolled into scrolls, rather, inscribed on a single rectangular foil, and folded flat facing inwards on each other. They are usually composed of a front side (Yant Pratab Hnaa) and a rear side spell (Yant Pratab Hlang), to seal the magical forces within and prevent them from either flowing out again, or from being destroyed from magic invasion from an exterior source.
The Yant Hneeb, is a spell which encloses its target sealed within, and does not let it escape. Some Yant Hneeb contain a spell that encloses an idea, such as the love of a desired person, and some Yant Hneeb, actually have something placed inside it, such as a piece of parchment or paper with the name of a person, or the desired thing which the user wishes to receive or achieve. Other things which may be enclosed within such a binding spell, may include the hair of a person, or a piece of their clothing, a photo, or other item.
Yant Hneeb which do not contain any objects within, may target wealth accumulation, or protection from danger or black magic. Those which contain the name or personal items of a person, are of course intended to bind the person for love or seduction purposes.
The Wicha Yant Hneeb differs between almost every Samnak Saiyasart in the Lanna region, with each samnak and each Master performing his own specialised inscriptions. Some may use Numerology, whereas others may use actual written words using Kata Akom, or abbreviated syllables representing more complex Kata Incantations. There does not appear to be any rigid formula or rules found in any Grimoires which define a particular universal method.
Yant Hneeb are usually attached to a piece of cord after being folded, which is passed through the ‘eye’ of the folded Yantra, and used to attach to one’s person or to hang in the desired place where the magic should perform its desired purpose.
One other ancient form of Takrut of the Lanna People is the Takrut Hnang Kwai Pork Krang Putsa, which made from Hhnang Kway (buffalo skin), Inscribed with Agkhara Spells and Sacred Yant, and rolled into a scroll.
The above image of a Takrut Hnang Kwai Pork Krang Putsa, is a Sacred Yantra spell made on buffalo hide, coated in sacred resin, from Kroo Ba Chum, Lanna Master Monk. This Takrut is from around the year 2518 BE, and is an extremely rare acquisition. A Classic and Powerful piece of Thai Lanna Sorcery of Legendary Status.
These types of Takrut are also made in other animal hides, such as Hnang Ma (horse skin), Sacred
Yantra with magic spells are inscribed upon the hide of animals, which are then empowered with
invocations and incantations, and rolled up, and bound to a cord for wearing as a protective Talisman, or to bring other magical effects.
Various kinds of cords are used to bind the Takrut, usually being in red, white, Tricoloured, or 7 Coloured. White cords may be from Chanting Ceremonies where Buddhist Monks have used the cords for Transmission of Prayers. In Necromantic Wicha, Sinjana cords may also be taken from
the bound hands of corpses in Funeral Ceremonies.
Another method is to use Sincana cords from the cord Yantra Spells which are bound to the ceilings in a net-like pattern, in the temples and Samnak Ruesi during Ritual Ceremonies. Different cords have different Magical Powers attributed to them.
Another form of cord spellbinding, is to use ‘Daay Sam See’ and ‘Daay Jet See’ (tri-colored or seven colored cords)
Cords are also used to bind multiple Takrut spells onto a cord necklace, which is called a ‘Takrut Sangwal’ or a waist cord called ‘Chueak Takrut Kart Aew’.
Takrut Bailan Parchment Scrolls
The Takrut Bailan, is a classic and most beautiful form of Lanna Sorcery, made using a Magic Scroll Spell, diligently written upon the surface of Bailan Parchment.
The traditional method uses a Hlek Jarn, which is a sharp instrument for inscription, which is used to scratch the inscriptions onto the surface of the parchment.
As is the case with all Magical Inscriptions using Sacred Agkhara Lanna, Incantations must always be performed during and after the inscription of the spells. There seems to have been no fixed particular method for the Wicha to make Takrut Bailan Lanna, as it is seen that each different Master and Samnak, developed their own idiosyncrasies and methods which cause each type of Kruean Rang to differ slightly in appearance.
The above Takrut is a very rare example of the legendary Takrut Pitsamorn Lek of Luang Phu Rian, Gaeji Ajarn Master Monk of Wat Bang Rahoeng, in Nontaburi. The Takrut Pitsamorn is famous for Klaew Klaad Kong Grapan Chadtri Maha Ud and Pokasap Power, and is one of the eminent and world famous members of the Tamniab Pra Niyom of the Samakom Pra Krieang Thai, in the category of Krueang Rang Talismanic Charms, and the Category of Nontaburi Master Monk amulets.
Each Master makes and empowers their Takrut Bailan slightly differently according to bis lineage, but the basic empowerment and materials are usually similar in their basic compositional formulas based on lineage. Once the basic requirements are fulfilled, each Master then tends to digress thereafter, as he adds his own personal touch to the Wicha. This is the result of a development process, as the Masters applied their discoveries and personal attainments to the Wicha, which has resulted in a proliferation of forms in the present day.
Takrut Amulets are usually (but not always) long, elongated tubes or rolled metallic foils, which contain Sacred Geometry Inscriptionsknown as 'Yant' (Yantra). Some Takrut are worn on a neck chain, others on a cord tied around the waist. There are an endless array of differetn types of Takrut with different magical Spells inserted for differing purposes. Some Takrut are made from natural materials such as bamboo (Takrut Mai Phai), or wood, others are made from animal skin such as tiger, buffalo or otherwise. Some Takrut are even inserted under the skin, usually using a golden takrut. The Ritual Insertion is called 'Fang Takrut Tong', and is famously made by the Great Master Monk 'Luang Por Koon Purisutto' of Wat Ban Rai in Nakorn Rachasima. Takrut are often used as supplementary spells to insert into other amulets, sacred oils or within statues, to increase the power of their effects.
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