Led Zeppelin II
Studio album by  Led Zeppelin
Released	22 October 1969
Recorded	April–August 1969
Genre	Hard rock  heavy metal  blues rock
Length	40:44
Label	Atlantic
Producer	Jimmy Page
Led Zeppelin chronology
Led Zeppelin (1969) Led Zeppelin II (1969) Led Zeppelin III (1970)
Singles from Led Zeppelin II
"Whole Lotta Love" / "Living Loving Maid (She's Just a Woman)" Released: 7 November 1969 (US)

Led Zeppelin II is the second studio album by the English rock band Led Zeppelin, released on 22 October 1969 in the United States and on 31 October 1969 in the United Kingdom by Atlantic Records. Recording sessions for the album took place at several locations in both the United Kingdom and North America from January to August 1969. The album's production was credited to the band's lead guitarist and songwriter Jimmy Page, and it was also Led Zeppelin's first album on which Eddie Kramer served as engineer.

The album exhibited the band's evolving musical style of blues-derived material and their guitar riff-based sound. It has been described as the band's heaviest album. Six of the nine songs were written by the band, while the other three were reinterpretations of Chicago blues songs by Willie Dixon and Howlin' Wolf. One single, "Whole Lotta Love", was released outside of the UK (the band would release no UK singles during their career), and peaked as a top-ten single in over a dozen markets around the world.

Led Zeppelin II was a commercial success, and was the band's first album to reach number one on charts in the UK and the US. The album's cover designer David Juniper was nominated for a Grammy Award for Best Recording Package in 1970. On 15 November 1999, the album was certified 12× Platinum by the Recording Industry Association of America (RIAA) for sales reaching 12 million copies in the US. Since its release, various writers and music critics have cited Led Zeppelin II as one of the greatest and most influential albums of all time.

Background

Led Zeppelin II was conceived during a busy period of Led Zeppelin's career from January through August 1969, when they completed four European and three American concert tours. Each song was separately recorded, mixed and produced at various studios in the UK and North America. The album was written on tour, during periods of a couple of hours in between concerts, a studio was booked and the recording process begun, necessarily resulting in spontaneity and urgency, which is reflected in the sound. Several songs resulted from improvisation while touring, including during the instrumental sections of "Dazed and Confused", and were recorded mostly live in the studio.

Recording sessions for the album took place at a wide variety of studios in the UK and US, including Olympic and Morgan Studios in London, England; A&M, Quantum, Sunset, Mirror Sound and Mystic Studios in Los Angeles; Ardent Studios in Memphis, Tennessee; A&R, Juggy Sound, Groove and Mayfair Studios in New York City; and R&D Studios. Some of these were ill-equipped, leading to one Vancouver studio, which had an 8-track set-up without even proper headphone facilities, being credited as "a hut". A more favourable set-up was Mystic Studios in Hollywood, Los Angeles with Chris Huston engineering.

Lead singer Robert Plant later complained that the writing, recording, and mixing sessions were done in many different locations, and criticised the writing and recording process. "Thank You", "The Lemon Song" and "Moby Dick" were overdubbed during the tour, while the mixing of "Whole Lotta Love" and "Heartbreaker" was also done on tour. Page later stated, "In other words, some of the material came out of rehearsing for the next tour and getting new material together."

Page and Kramer spent two days mixing the album at A&R Studios, and the album's production was entirely credited to Jimmy Page, with Eddie Kramer engineering. Kramer was quoted as saying, "The famous Whole Lotta Love mix, where everything is going bananas, is a combination of Jimmy and myself just flying around on a small console twiddling every knob known to man." Kramer later gave great credit to Page for the sound that was achieved, despite the inconsistent conditions in which it was recorded: "We cut some of the tracks in some of the most bizarre studios you can imagine ... but in the end it sounded bloody marvellous ... there was one guy in charge and that was Mr. Page."

Music and lyrics

The finished tracks reflect the evolving sound of the band and their live performances. Plant had his first songwriting credits on Led Zeppelin II; he had been unable to have his contributions to the writing process credited for the first album because of a prior contract with CBS Records.

Artwork

The album sleeve design was from a poster by David Juniper, who was simply told by the band to come up with an interesting idea. Juniper was a fellow student of Page's at Sutton Art College in Surrey.

Juniper's design was based on a photograph of the Jagdstaffel 11 Division of the German Air Force during World War I, the Flying Circus led by the Red Baron. Juniper replaced four of the flyers' heads with photos of the band members, added facial hair and sunglasses to some of the flyers' faces or replaced some with the faces of other people. The blonde-haired woman is French actress Delphine Seyrig in her role as Marie-Madeleine in the film Mr. Freedom, a leftist anti-war satire by William Klein. The cover also pictured the outline of a Zeppelin on a brown background (similar to the cover of the band's first album), which gave the album its nickname "Brown Bomber".

Release and reception

The album was released on 22 October 1969 on Atlantic Records, with advance orders of 400,000 copies. The advertising campaign was built around the slogans 'Led Zeppelin – The Only Way to Fly' and 'Led Zeppelin II Now Flying'. In the United States, some commercially duplicated reel-to-reel copies of Led Zeppelin II made by Ampex bore the title Led Zeppelin II – The Only Way to Fly on their spine. Commercially, Led Zeppelin II was the band's first album to hit No. 1 in the US, knocking The Beatles' Abbey Road (1969) twice from the top spot, where it remained for seven weeks. By April 1970 it had registered three million American sales, whilst in Britain it enjoyed a 138-week residence on the LP chart, climbing to the top spot in February 1970. Meanwhile, the album reached the top spot in other 5 national albums charts (including Canadian, Australian and Spanish albums charts). In November Ritchie Yorke reported in Billboard that while the album had achieved "staggering" sales, as a hard rock record it was considered unsuitable for North American Top 40 radio stations, who were "dreary and detached from the mainstream of contemporary rock music".

The album also yielded Led Zeppelin's biggest hit, "Whole Lotta Love". This song reached No. 4 on the Billboard Hot 100 in January 1970, after Atlantic went against the group's wishes by releasing a shorter version on 45. The single's B-side, "Living Loving Maid (She's Just a Woman)", also hit the Billboard chart, peaking at No. 65 in April 1970. The album helped establish Led Zeppelin as an international concert attraction, and for the next year, the group continued to tour relentlessly, initially performing in clubs and ballrooms, then in larger auditoriums and eventually stadiums as their popularity grew.

Led Zeppelin II was not well-received by contemporary music critics. John Mendelsohn wrote a negative review of the record for Rolling Stone, in which he mocked the group's heavy sound and white blues, while writing that "until you've listened to the album eight hundred times, as I have, it seems as if it's just one especially heavy song extended over the space of two whole sides". In The Village Voice, Robert Christgau jokingly referred to the band as "the best of the wah-wah mannerist groups, so dirty they drool on demand", while complaining that "all the songs sound alike", before assigning the album a "B" grade. He nonetheless conceded in 1970 that "Led Zeppelin simply out-heavied everyone" the previous year, "pitting Jimmy Page's repeated low-register fuzz riffs against the untiring freak intensity of Robert Plant's vocal. This trademark has only emerged clearly on the second album, and more and more I am coming to understand it as an artistic triumph."

On 10 November 1969, the album was certified gold by the Recording Industry Association of America and in 1990 it was certified 5× platinum reflecting shipping of five million copies. By 14 November 1999, Led Zeppelin II had shipped twelve million copies and was certified 12× platinum by the RIAA. The 2014 reissue of the album helped itself get back into the Billboard Top 10 when it got to No. 9.

Legacy and reappraisal

Retrospective professional ratings

Review scores
Source	Rating
AllMusic
Blender
Encyclopedia of Popular Music
Entertainment Weekly	A+
MusicHound Rock	4.5/5
Q
The Rolling Stone Album Guide
Tom Hull – on the Web	B+

Led Zeppelin II has since been regarded as the quintessential hard rock and heavy metal album. AllMusic editor Stephen Thomas Erlewine said it "provided the blueprint for all the heavy metal bands that followed it". While crediting the band for essentially inventing metal, Tom Hull said that, after the first album had declared their musical ambition, "the second honed it down to a singular entity, a sound", with subsequent albums expanding on it in "sophisticated, subtler, often quite intelligent" ways, but still indebted to "the basic dumbness" of II – "dumb not in the sense of stupid but of non-speaking. Lyrics are there of course, but as an integral part of the music, a music better appropriated tactilely, through incoherent sensation, than intellectually, literarily."

The album was described as a "brilliant if heavy-handed blues-rock offensive", by popular music scholar Ronald Zalkind. According to Robert Santelli's The Big Book of Blues: A Biographical Encyclopedia (2001), Led Zeppelin "had already begun to move beyond its blues-rock influences, venturing into previously unexplored hard-rock territories" Blues-derived songs like "Whole Lotta Love", "Heartbreaker", "The Lemon Song", "Moby Dick", and "Bring It On Home" have been seen as representing standards of the metal genre, where the guitar-based riff (rather than vocal chorus or verses) defines the song and provides the key hook. Such arrangements and emphasis were at the time atypical in popular music. Page's guitar solo in "Heartbreaker" was an influence on later renowned guitarists Eddie Van Halen, as inspiration for his two-handed tapping technique, and Steve Vai.

Since its initial critical reception, Led Zeppelin II has earned several accolades from music publications, being ranked on critics' "best album" lists. In 1989, Spin magazine ranked the album No. 5 on its list of The 25 Greatest Albums of All Time. In 1990, CD Review ranked it sixth on their list of top 50 CDs for starting a "pop/rock" library; an accompanying blurb described the album as "white boy blues with a hard rock edge". In 2000, Q magazine placed Led Zeppelin II at number 37 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 75 on Rolling Stone magazine's list of the 500 greatest albums of all time, 79 in a 2012 revised list, and 123 in a 2020 revised list. The album was also included in the book 1001 Albums You Must Hear Before You Die.

Track listing

All tracks composed by Jimmy Page and Robert Plant, except where noted.