The Instrumentality of Mankind
By Cordwainer Smith
Introduction by Frederik Pohl
Published by Del Rey / Ballantine
First Edition, May 1979
Vintage Paperback
Very Good Condition. The book is clean, covers attached, uncreased spine, secure binding, unmarked, no writing, no highlighting, no stains, no ripped pages, no edge chipping, no remainder marks, not ex-library. Some very light surface and edge wear from age, use, storage and handling. Very light page toning starting to emerge.
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14 Stories drawn from one dazzling vision of the future! According to Frederik Pohl:
“In his stories, which were a wonderful and inimitable blend of a strange, raucous poetry and a detailed technological scene, we begin to read of human beings in worlds so far from our own in space in time that they were no longer quite Earth (even when they were the third planet out from Sol), and the people were no longer quite human, but something perhaps better, certainly different.”
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Paul Myron Anthony Linebarger (July 11, 1913 – August 6, 1966), better known by his pen-name Cordwainer Smith, was an American author known for his science fiction works. Linebarger was a US Army officer, a noted East Asia scholar, and an expert in psychological warfare. Although his career as a writer was shortened by his death at the age of 53, he is considered one of science fiction's more talented and influential authors. Linebarger's identity as "Cordwainer Smith" was secret until his death. ("Cordwainer" is an archaic word for "a worker in cordwain or cordovan leather; a shoemaker", and a "smith" is "one who works in iron or other metals; esp. a blacksmith or farrier" two kinds of skilled workers with traditional materials.) Linebarger also employed the literary pseudonyms "Carmichael Smith" (for his political thriller Atomsk), "Anthony Bearden" (for his poetry) and "Felix C. Forrest" (for the novels Ria and Carola). Some of Smith's stories are written in narrative styles closer to traditional Chinese stories than to most English-language fiction, as well as reminiscent of the Genji tales of Lady Murasaki. The total volume of his science fiction output is relatively small, because of his time-consuming profession and his early death.
Smith's works consist of one novel, originally published in two volumes in edited form as The Planet Buyer, also known as The Boy Who Bought Old Earth (1964), and The Underpeople (1968), and later restored to its original form as Norstrilia (1975); and 32 short stories (collected in The Rediscovery of Man (1993), including two versions of the short story "War No. 81-Q"). Linebarger's cultural links to China are partially expressed in the pseudonym "Felix C. Forrest", which he used in addition to "Cordwainer Smith". His godfather Sun Yat-Sen suggested to Linebarger that he adopt the Chinese name "Lin Bai-lo" (simplified Chinese: 林白乐; traditional Chinese: 林白樂; pinyin: Lín Báilè), which may be roughly translated as "Forest of Incandescent Bliss"; "Felix" is Latin for "happy". In his later years, Linebarger proudly wore a tie with the Chinese characters for this name embroidered on it. As an expert in psychological warfare, Linebarger was very interested in the newly developing fields of psychology and psychiatry. He used many of their concepts in his fiction. His fiction often has religious overtones or motifs, particularly evident in characters who have no control over their actions. James B. Jordan argued for the importance of Anglicanism to Smith's works back to 1949. But Linebarger's daughter Rosana Hart has indicated that he did not become an Anglican until 1950, and was not strongly interested in religion until later still. The introduction to the collection Rediscovery of Man notes that from around 1960 Linebarger became more devout and expressed this in his writing. Linebarger's works are sometimes included in analyses of Christianity in fiction, along with the works of authors such as C. S. Lewis and J.R.R. Tolkien.
Most of Smith's stories are set in the far future, between 4,000 and 14,000 years from now. After the Ancient Wars devastate Earth, humans, ruled by the Instrumentality of Mankind, rebuild and expand to the stars in the Second Age of Space around 6000 AD. Over the next few thousand years, mankind spreads to thousands of worlds and human life becomes safe but sterile, as robots and the animal-derived Underpeople take over many human jobs and humans themselves are genetically programmed as embryos for specified duties. Towards the end of this period, the Instrumentality attempts to revive old cultures and languages in a process known as the Rediscovery of Man, where humans emerge from their mundane utopia and Underpeople are freed from slavery. For years, Linebarger had a pocket notebook which he had filled with ideas about The Instrumentality and additional stories in the series. But while in a small boat in a lake or bay in the mid 60s, he leaned over the side, and his notebook fell out of his breast pocket into the water, where it was lost forever. Another story claims that he accidentally left the notebook in a restaurant in Rhodes in 1965. With the book gone, he felt empty of ideas, and decided to start a new series which was an allegory of Mid-Eastern politics. Smith's stories describe a long future history of Earth. The settings range from a postapocalyptic landscape with walled cities, defended by agents of the Instrumentality, to a state of sterile utopia, in which freedom can be found only deep below the surface, in long-forgotten and buried anthropogenic strata. These features may place Smith's works within the Dying Earth subgenre of science fiction, but they are ultimately more optimistic and distinctive. Smith's most celebrated short story is his first-published, "Scanners Live in Vain", which led many of its earliest readers to assume that "Cordwainer Smith" was a new pen name for one of the established giants of the genre. It was selected as one of the best science fiction short stories of the pre-Nebula Award period by the Science Fiction and Fantasy Writers of America, appearing in The Science Fiction Hall of Fame Volume One, 1929-1964. "The Ballad of Lost C'Mell" was similarly honored, appearing in The Science Fiction Hall of Fame, Volume Two. After "Scanners Live in Vain", Smith's next story did not appear for several years, but from 1955 until his death in 1966 his stories appeared regularly, for the most part in Galaxy Science Fiction.