2 NEW pair JAZZ DRUMSticks ROY HAYNES Zildjian ELVIN JONES Promark wood Tips USA made 2 NEW pair JAZZ DRUM Sticks 1 pair ROY HAYNES Zildjian 1 pair Elvin Jones Promark both new in sleeve with wood Tips 1 pair Elvin Jones Promark he was Hohn Coltrane’s 1 pair Zildjian Roy Haynes - He’s 99 really !!

Jazz Drum Sticks wood tips Very good used vintage condition ZIldjian Drumsticks The Zildjian Roy Haynes Drumstick are in Very good used vintage condition and is designed for JAZZ and all types of music. This stick has a great rebound and throw around the drum kit. Zildjian designed the sticks, the DrumSticks made of Hickory USA these drumsticks are crafted to the same standards as the company's legendary cymbals. Made to give you great feel and response, Zildjian drumsticks are manufactured for consistency so you know you're getting top performance every time you pick up a pair. Whether you're a light touch, a heavy hitter, or choose your sticks for comfort, you know you're getting the best in high-quality hickory and maple construction from Zildjian drumsticks.


Roy Owen Haynes (born March 13, 1925) is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jazz drumming. "Snap Crackle" was a nickname given to him in the 1950s


Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the post-bop era.[1] Most famously a member of John Coltrane's quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded.[1] Elvin was inducted into the Modern Drummer Hall of Fame in 1995.[2] In his The History of Jazz, jazz historian and critic Ted Gioia calls Jones "one of the most influential drummers in the history of jazz".[3] He was also ranked at Number 23 on Rolling Stone magazine's "100 Greatest Drummers of All Time".


Founded by the ethnic Armenian Zildjian family in the 17th-century Ottoman Empire, the company relocated to the United States in the 20th century. Today, it is the largest cymbal and drumstick maker in the world. The company was founded in Constantinople in 1623 by Avedis Zildjian, Zildjian drumsticks are crafted to the same exacting standards as the company's legendary cymbals. Made to give you great feel and response, Zildjian drumsticks are manufactured for consistency (they're guaranteed 100-percent straight), so you know you're getting top performance every time you pick up a pair. Whether you're a light touch, a heavy hitter, or choose your sticks for comfort, you know you're getting the best in high-quality hickory and maple construction from Zildjian drumsticks. The Zildjian Company has been synonymous with setting the standard for the development and manufacture of high performance musical instruments since 1623. As the world’s leading maker of cymbals, drumsticks, and percussion mallets, Zildjian products are sold across the globe, under the Zildjian, Vic Firth, and Balter brands, and are the standard to which all other cymbals, drumsticks and mallets are measured. From the beginner to the world’s greatest rock stars, jazz performers and concert percussionists, amateurs and pros alike choose Zildjian, Vic Firth, and Balter products to allow them to experience and share the joy of music.


I sell many authentic, cool Drums, Drumsticks, mallets and Percussion. A drumstick is a type of percussion mallet used particularly for playing snare drum, drum kit, and some other percussion instruments, and particularly for playing unpitched percussion. Drumsticks of the traditional form are also made from metal, carbon fibre, and other modern materials. The tip or bead is the part most often used to strike the instrument. Originally and still commonly of the same piece of wood as the rest of the stick, sticks with nylon tips have also been available since 1958. In the 1970s, an acetal tip was introduced. Tips of whatever material are of various shapes, including acorn, barrel, oval, teardrop, pointed and round. The shoulder of the stick is the part that tapers towards the tip, and is normally slightly convex. It is often used for playing the bell of a cymbal. It can also be used to produce a cymbal crash when applied with a glancing motion to the bow or edge of a cymbal, and for playing ride patterns on china, swish, and pang cymbals. The shaft is the body of the stick, and is cylindrical for most applications including drum kit and orchestral work. It is used for playing cross stick and applied in a glancing motion to the rim of a cymbal for the loudest cymbal crashes. The butt is the opposite end of the stick to the tip. Some rock and metal musicians use it rather than the tip. There are two main ways of holding drumsticks:

* Traditional grip, in which right and left hands use different grips.

* Matched grip, in which the two hand grips are mirror-image.

Traditional grip was developed to conveniently play a snare drum while riding a horse, and was documented by Sanford A. Moeller in The Art of Snare Drumming (1925). It was the standard grip for kit drummers in the first half of the twentieth century and remains popular. Matched grips became popular towards the middle of the twentieth century, threatening to displace the traditional grip for kit drumming. However the traditional grip has since made a comeback, and both types of grip are still used and promoted by leading drummers and teachers.


Hopefully I may be able to clarify a bit about the numbers relating to drumstick models and sizing. Essentially the current drumstick naming system has become convoluted (extremely confusing) through the last few decades. When the major manufacturers (Leedy, Ludwig, Capella) of the early and mid 20th century came up with the system, it made pretty good sense. When it all started, the smaller number meant a larger diameter drumstick... generally speaking. Then came the A, B, D, or S that followed behind that number. The A= all purpose/orchestra, B=band(think concert band), D='dance' band, S=Street(marching) which also indicated a diameter difference of that number to the corresponding drumstick. Through the past several decades, many of the drumstick model names fell by the wayside due to their decline of use in the demand for those drumstick models. Then drumstick manufacturers started placing nomenclature (model names/sizing) on stick sizes that didn't have a lot of clarity. For instance, a 1A is between a 5A and a 5B by one manufacturer while another manufacturer may call this a 55A (think 5.5A in between a 5a and 5b) then there is the 85A (more like 8.5A) that is in between the 5A and 7A. An 85A is not smaller than a 7A. Then you have the issue of all manufacturers not making the same diameter model size. For instance, a 5A diameter equivalent is .565" by VF, .570" by Vater and .550" by Pro Mark. (there are even variations in their own product lines) This runs the spectrum of all the majors models. This is all very confusing and does not make sense. Everything I have explained so far only pertains to drumstick diameter and does not take into consideration drumstick taper, tip style, wood type, or weight. These are all topics that could, and will, be elaborated on more in depth. I should also mention something experience has taught me. That is... pitch does not indicate weight at all. It is very common to have a spread in gram weights (light to heavy) and each individual weight grouping will vary in pitch from low to high.

* B sticks are “band” models

* S sticks are “street” models (for marching bands)

* D sticks are “dance models” (whatever that means)

* A sticks are “orchestra” models (you know, A for Orchestra)

You’re unlikely to come across many S or D sticks, with the majority of drum sticks these days being A and B models. The best way to think about it is like this: B sticks are a thicker version of A sticks, such that a 5B is thicker than a 5A (because band drummers hit harder than orchestra drummers, I guess).

So Don’t worry about ‘getting it right’ – you won’t find the perfect stick right away, and it takes some experimentation with trying different sticks to discover what you prefer. Over time, as you try more and more sticks, you’ll develop a more intuitive understanding of which ones feel the best to you – and you’ll start to become more aware of what you personally prefer. At the end of the day, you should always just play with the size of stick you feel most comfortable with.  Whichever stick feels right for you is the best stick – it doesn’t matter what other people are using! If you ever need more power or speed, you can always change it up later. To paraphrase a famous drumstick advert: ‘The only thing that should come between you and your drums is your favourite stick!’ But I really love sticks, sticks,sticks and more sticks so if you just love sticks just like me check back often.


All cymbals drumsticks and percussion are sold as is with no returns. That’s how we’re able to keep our prices so low, so please view all of the pictures for the exact condition and ask any questions about of the item for sale. Drummers and Percussionists Motorcycle Bikers, Rock Stars, Punk Rockers, Valley girls, 80s 90s TV Kids, Boho Hippies, linemen and brakemen, urban farmers, truckers, western cowboys, outlaws, sons and daughters of the soho riots, and just about everyone else shops my store so check back often so you don’t miss anything and Thank you for looking. I sell many authentic, cool Drumsticks and Mallets, Cymbals, Drums, Drumsticks, Percussion, made in the USA leather motorcycle jackets, Vintage faded Denim Jeans, Trucker Jackets, Biker T-shirts, Harley Davidson and Guns N’ Roses & Grateful Dead Rock patches and pins, and also workware, belts, boots, and Elvis Presley Vinyl. But I really love sticks, sticks sticks sticks so if you just love sticks just like me check back often. New Pair ZILDJIAN JAZZ SELECT HICKORY DRUMSTICKS NOS DISCONTINUED MODEL HJWN


Zildjian Jazz Wood Drum Sticks Zildjian

Whatever your drumstick preference or playing style, you'll find your favorite among Zildjian's vast selection of sizes, lengths and tip styles. The Hickory Series Natural sticks are all crafted from the highest quality U.S. hickory with a natural finish and the Jazz model offers articulation, increased projection and a brighter tonality. The Zildjian jazz natural wood drumsticks feature a small Teardrop bead for a wide range of refined cymbal strokes.

Features Category: Hickory Series

Finish: natural Wood type: hand selected hickory

Genres: country, fusion, hip hop, jazz, Latin, pop, R&B, rock, world Skill level: advanced, beginner, expert, intermediate, professional.

Zildjian DrumSticks Hickory USA Made drumsticks are crafted to the same standards as the company's legendary cymbals. Made to give you great feel and response, Zildjian drumsticks are manufactured for consistency so you know you're getting top performance every time you pick up a pair. Whether you're a light touch, a heavy hitter, or choose your sticks for comfort, you know you're getting the best in high-quality hickory and maple construction from Zildjian drumsticks.


Founded by the ethnic Armenian Zildjian family in the 17th-century Ottoman Empire, the company relocated to the United States in the 20th century. Today, it is the largest cymbal and drumstick maker in the world. The company was founded in Constantinople in 1623 by Avedis Zildjian, Zildjian drumsticks are crafted to the same exacting standards as the company's legendary cymbals. Made to give you great feel and response, Zildjian drumsticks are manufactured for consistency (they're guaranteed 100-percent straight), so you know you're getting top performance every time you pick up a pair. Whether you're a light touch, a heavy hitter, or choose your sticks for comfort, you know you're getting the best in high-quality hickory and maple construction from Zildjian drumsticks. The Zildjian Company has been synonymous with setting the standard for the development and manufacture of high performance musical instruments since 1623. As the world’s leading maker of cymbals, drumsticks, and percussion mallets, Zildjian products are sold across the globe, under the Zildjian, Vic Firth, and Balter brands, and are the standard to which all other cymbals, drumsticks and mallets are measured. From the beginner to the world’s greatest rock stars, jazz performers and concert percussionists, amateurs and pros alike choose Zildjian, Vic Firth, and Balter products to allow them to experience and share the joy of music.


I sell many authentic, cool Drums, Drumsticks, mallets and Percussion. A drumstick is a type of percussion mallet used particularly for playing snare drum, drum kit, and some other percussion instruments, and particularly for playing unpitched percussion. Drumsticks of the traditional form are also made from metal, carbon fibre, and other modern materials. The tip or bead is the part most often used to strike the instrument. Originally and still commonly of the same piece of wood as the rest of the stick, sticks with nylon tips have also been available since 1958. In the 1970s, an acetal tip was introduced. Tips of whatever material are of various shapes, including acorn, barrel, oval, teardrop, pointed and round. The shoulder of the stick is the part that tapers towards the tip, and is normally slightly convex. It is often used for playing the bell of a cymbal. It can also be used to produce a cymbal crash when applied with a glancing motion to the bow or edge of a cymbal, and for playing ride patterns on china, swish, and pang cymbals. The shaft is the body of the stick, and is cylindrical for most applications including drum kit and orchestral work. It is used for playing cross stick and applied in a glancing motion to the rim of a cymbal for the loudest cymbal crashes. The butt is the opposite end of the stick to the tip. Some rock and metal musicians use it rather than the tip. There are two main ways of holding drumsticks:

* Traditional grip, in which right and left hands use different grips.

* Matched grip, in which the two hand grips are mirror-image.

Traditional grip was developed to conveniently play a snare drum while riding a horse, and was documented by Sanford A. Moeller in The Art of Snare Drumming (1925). It was the standard grip for kit drummers in the first half of the twentieth century and remains popular. Matched grips became popular towards the middle of the twentieth century, threatening to displace the traditional grip for kit drumming. However the traditional grip has since made a comeback, and both types of grip are still used and promoted by leading drummers and teachers.


Hopefully I may be able to clarify a bit about the numbers relating to drumstick models and sizing. Essentially the current drumstick naming system has become convoluted (extremely confusing) through the last few decades. When the major manufacturers (Leedy, Ludwig, Capella) of the early and mid 20th century came up with the system, it made pretty good sense. When it all started, the smaller number meant a larger diameter drumstick... generally speaking. Then came the A, B, D, or S that followed behind that number. The A= all purpose/orchestra, B=band(think concert band), D='dance' band, S=Street(marching) which also indicated a diameter difference of that number to the corresponding drumstick. Through the past several decades, many of the drumstick model names fell by the wayside due to their decline of use in the demand for those drumstick models. Then drumstick manufacturers started placing nomenclature (model names/sizing) on stick sizes that didn't have a lot of clarity. For instance, a 1A is between a 5A and a 5B by one manufacturer while another manufacturer may call this a 55A (think 5.5A in between a 5a and 5b) then there is the 85A (more like 8.5A) that is in between the 5A and 7A. An 85A is not smaller than a 7A. Then you have the issue of all manufacturers not making the same diameter model size. For instance, a 5A diameter equivalent is .565" by VF, .570" by Vater and .550" by Pro Mark. (there are even variations in their own product lines) This runs the spectrum of all the majors models. This is all very confusing and does not make sense. Everything I have explained so far only pertains to drumstick diameter and does not take into consideration drumstick taper, tip style, wood type, or weight. These are all topics that could, and will, be elaborated on more in depth. I should also mention something experience has taught me. That is... pitch does not indicate weight at all. It is very common to have a spread in gram weights (light to heavy) and each individual weight grouping will vary in pitch from low to high.

* B sticks are “band” models

* S sticks are “street” models (for marching bands)

* D sticks are “dance models” (whatever that means)

* A sticks are “orchestra” models (you know, A for Orchestra) You’re unlikely to come across many S or D sticks, with the majority of drum sticks these days being A and B models. The best way to think about it is like this: B sticks are a thicker version of A sticks, such that a 5B is thicker than a 5A (because band drummers hit harder than orchestra drummers, I guess). So Don’t worry about ‘getting it right’ – you won’t find the perfect stick right away, and it takes some experimentation with trying different sticks to discover what you prefer. Over time, as you try more and more sticks, you’ll develop a more intuitive understanding of which ones feel the best to you – and you’ll start to become more aware of what you personally prefer. At the end of the day, you should always just play with the size of stick you feel most comfortable with.  Whichever stick feels right for you is the best stick – it doesn’t matter what other people are using! If you ever need more power or speed, you can always change it up later. To paraphrase a famous drumstick advert: ‘The only thing that should come between you and your drums is your favourite stick!’ But I really love sticks, sticks,sticks and more sticks so if you just love sticks just like me check back often. All cymbals drumsticks and percussion are sold as is with no returns. That’s how we’re able to keep our prices so low, so please view all of the pictures for the exact condition and ask any questions about of the item for sale. Drummers and Percussionists Motorcycle Bikers, Rock Stars, Punk Rockers, Valley girls, 80s 90s TV Kids, Boho Hippies, linemen and brakemen, urban farmers, truckers, western cowboys, outlaws, sons and daughters of the soho riots, and just about everyone else shops my store so check back often so you don’t miss anything and Thank you for looking. I sell many authentic, cool Drumsticks and Mallets, Cymbals, Drums, Drumsticks, Percussion, made in the USA leather motorcycle jackets, Vintage faded Denim Jeans, Trucker Jackets, Biker T-shirts, Harley Davidson and Guns N’ Roses & Grateful Dead Rock patches and pins, and also workware, belts, boots, and Elvis Presley Vinyl. But I really love sticks, sticks sticks sticks so if you just love sticks just like me check back often.