conceptualization of printmaking. Two other perceptive essays analyse Warhol's graphic work from different perspectives.
In 'God is in the Details', De Salvo traces the evolution of Warhol's printmaking process from blotted line to silkscreen, revealing how Warhol dissected the mechanics of image production to create a truly original - and influential - art form. Arthur C. Danto, in 'Warhol and the Politics of Prints', examines the artist's work in relation to the political climate of the time. Andy Warhol Prints, richly illustrated with over 1,500 colour reproductions and descriptive technical data, is an authoritative reference source that establishes Warhol's prints as among the most distinctive graphic works of our time. By appropriating the silkscreen as a fine art medium, Andy Warhol discovered a way to be original and, in the process, forever altered printmaking in the late 20th century.