VINTAGE  SIGNED PHOTO'S: 1 ITEM LOT: "CLIFF ROBERTSON SIGNED NOTE CARD". SIGNED IN BLACK INK ON A WHITE NOTE CARD. NOB. 3" x 5".

Clifford Parker Robertson III was an American actor whose career in film and television spanned over six decades. Robertson portrayed a young John F. Kennedy in the 1963 film PT 109, and won the 1968 Academy Award for Best Actor for his role in the film Charly.

Charly was made by ABC Pictures, which insisted that Robert Aldrich use Robertson in Too Late the Hero (1970), a war film with Michael Caine that was a disappointment at the box office.

Robertson turned down roles in The Anderson Tapes, Straw Dogs (before Peckinpah was involved), and Dirty Harry. Instead Robertson co-wrote, starred in, and directed J. W. Coop (1972), another commercial disappointment despite excellent reviews.

In 1969, immediately after winning the Academy Award for Charly, Robertson, a lifelong aviation enthusiast, attempted to produce and direct an aviation film, I Shot Down the Red Baron, I Think, featuring World War I aerial combat, using Lynn Garrison's Irish aviation facility. The comedic storyline portrayed the Red Baron as gay. The aircraft featured garish paint schemes. The film was never completed or released.

Robertson played Cole Younger in The Great Northfield Minnesota Raid (1972) and a pilot in Ace Eli and Rodger of the Skies (1973). He appeared in the 1974 thriller Man on a Swing and the 1975 British drama Out of Season.

Robertson returned to supporting parts in Three Days of the Condor (1975), which was a big hit. He played the lead in Obsession (1976), a popular thriller from Brian De Palma and Paul Schrader, and in the Canadian drama, Shoot (1976). He was also one of several stars in Midway (1976).

Robertson turned to television for Washington: Behind Closed Doors (1977), then had the lead in a thriller, Dominique (1978). He returned to directing for The Pilot (1980), also playing the title role, an alcoholic flyer. Robertson played Hugh Hefner in Star 80 (1980). He attempted to make Charly II in 1980 but it did not happen.

From the 1980s and 1990s onwards, Robertson was predominantly a character actor. He played villains in Class (1983) and Brainstorm (1983). He did have the lead in Shaker Run (1985) in New Zealand, and Dreams of Gold: The Mel Fisher Story (1986) on TV.

He was a villain in Malone (1987), did Dead Reckoning (1990) on TV and supported in Wild Hearts Can't Be Broken (1991), Wind (1991), Renaissance Man (1994) and John Carpenter's Escape from L.A. (1996).

Late in his life Robertson's career had a resurgence. He appeared as Uncle Ben Parker in Sam Raimi's Spider-Man (2002), as well as in the sequels Spider-Man 2 (2004) and Spider-Man 3 (2007; his last acting role). He commented on his website: "Since Spider-Man 1 and 2, I seem to have a whole new generation of fans. That in itself is a fine residual." He also starred in and wrote 13th Child (2002) and appeared in Riding the Bullet (2004), both horror films.

On television, Robertson portrayed retired astronaut Buzz Aldrin in the 1976 TV film adaptation of Aldrin's autobiographic Return to Earth, played a fictional character based on Director of Central Intelligence Richard Helms in the 1977 miniseries Washington: Behind Closed Doors, and portrayed Henry Ford in Ford: The Man and the Machine (1987). His last well-known film appearances were as Uncle Ben in the 2002–2007 Spider-Man film trilogy.

Robertson was also an accomplished aviator who served as the founding chairman of the Experimental Aircraft Association (EAA)'s Young Eagles Program during its inception in the early 1990s. It became the most successful aviation youth advocacy program in history.


SIGNED PHOTO'S HAVE NOT BEEN PROFESSIONALLY AUTHENTICATED. SOME MAY HAVE A PRINTED SIGNATURE (NOT HAND SIGNED), AND WILL BE NOTED AS SUCH WITH ??. I AM NOT AN EXPERT ON SIGNATURES, AND WILL BE AS ACCURATE AS POSSIBLE.
   

ALL PHOTOS MAY NOT APPEAR IN THE LISTING-EBAY 12 MAXIMUM.

COMBINE SHIPPING, SO PLEASE WAIT UNTIL I SEND YOU A COMBINED SHIPPING INVOICE BEFORE PAYMENT IS MADE. THANKS! 
---------------------------------------------------------------------------------------------------------------------------------PLEASE READ BELOW CAREFULLY
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N.O.B.= NOTES ON BACK. (COULD MEAN PRINTED NOTES, ATTACHED PRINTED NOTES , HAND WRITTEN INK OR PENCILED NOTES SUCH AS ACTORS NAMES, FILM TITLES, ETC., STAMPED OR PRINTED STUDIO DATES, THEATERS AND LOCATIONS, AND ANY OTHER RELATED MATERIAL).

CREDITS:  COULD MEAN- PHOTOGRAPHER NAMES, STUDIO NAMES, PRESS/PUBLICITY NAMES- DATES, INTERNATIONAL FILM STAMPS, ANYTHING REQUESTING A CREDIT RECOGNITION, AND ALL THINGS NEEDED TO BE CLEARLY RECOGNIZED.

H.S.P. : HEAVY STOCK PAPER.
L.C.P. : LIGHTWEIGHT COLOR PHOTO PAPER
  
8"x 10" UNLESS NOTED.

MIXED LOT= SEE BELOW.

SIGNED PHOTO'S HAVE NOT BEEN PROFESSIONALLY AUTHENTICATED. SOME MAY HAVE A PRINTED SIGNATURE (STAMPED-NOT HAND SIGNED), AND WILL BE NOTED AS SUCH WITH ??. I AM NOT AN EXPERT ON SIGNATURES, AND WILL BE AS ACCURATE AS POSSIBLE.

TRANSPARENCY(COLOR)/
NEGATIVE (B&W) AUCTIONS DO NOT INCLUDE A PHOTO. AGAIN NO PHOTO INCLUDED-ONLY THE
TRANSPARENCY OR NEGATIVE!

  • VARIOUS SIZE TRANSPARENCIES/ NEGATIVES: COLOR or B&W:
    ALL TRANSPARENCIES/ NEGATIVES: VG+ to AS NEW.
    VARIOUS SIZES PHOTO'S: B&W or COLOR: ALL PHOTO'S: VG- to F+.

     
    MOST TRANSPARENCIES/ NEGATIVES:
    THESE COLOR TRANSPARENCY PORTRAITS ARE ALL VINTAGE ORIGINALS. MOST SEEM TO BE FROM COSTUME FITTING'S, STUDIO PUBLICITY  DEPARTMENT'S, ETC. SOME WITH PHOTOGRAPHER CREDITS. ALL ARE OF ACTOR'S, ACTRESS'S: VARIOUS STUDIO HEAD-SHOTS, IN CHARACTER PHOTO'S, COSTUME FITTINGS FOR THEIR FILMS AT THE TIME OF PRODUCTION.
    ALL TRANSPARENCIES/ NEGATIVES WERE PHOTOGRAPHED FLAT ON A LIGHT BOX, OR USING A HIGH QUALITY PHOTOGRAPHIC SCANNER.

     
     
    MIXED LOTS: PHOTO'S ARE FROM THE ORIGINAL PICTURE RELEASE DATES, OR THE ORIGINAL RE-RELEASE DATES (WHICH WOULD BE A LATER DATE, THUS STILL AN ORIGINAL STUDIO RELEASE). ALL LISTINGS WILL HAVE RELEASE DATES NOTED IF AVAILABLE. IF I AM UNSURE OF ANY PHOTO'S EXACT RELEASE/ISSUE DATE I WILL ADD MY TERM "MIXED LOT" AT THE END OF THE TITLE LISTING. THUS MEANING THAT SOME PHOTO'S  RELEASE DATE IS UNKNOWN. IF PHOTO'S HAVE NO IDENTIFYING LISTING INFORMATION EITHER ON THE FRONT OR BACK OF THE PHOTO'S THEY WILL BE LISTED UNDER THIS CATEGORY. ALL ARE FROM STUDIO PRODUCTIONS, PRESS KIT SHOTS, PUBLICITY DEPARTMENTS, HEAD-SHOT'S, NEWSPAPER'S, MAGAZINE'S, ETC., FROM THE ORIGINAL STUDIOS. ALL PHOTO'S, TRANSPARENCIES &  NEGATIVES ARE ORIGINAL FROM THEIR RESPECTIVE STUDIO'S. THUS THEY ARE ALL ORIGINAL TO THAT STUDIO, BUT THEY MAY BE A LATER GENERATION (RE-RELEASE- RE-ISSUE) MADE FROM THE ORIGINAL NEGATIVES PROVIDED BY THAT STUDIO TO ANOTHER SOURCE(EX: NEWSPAPER'S, MAGAZINE,PUBLICITY DEPARTMENTS, ETC.) 
     
    ALL PHOTOS WILL BE SHIPPED FLAT.

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