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VINTAGE PHOTO'S: 9 ITEM LOT: ROD TAYLOR-"THE LIQUIDATOR"(3 COLOR LOBBY CARDS) & "36 HOURS".
8 PIC- "THE LIQUIDATOR", 1965, MGM. 3 COLOR LOBBY TYPE CARDS #'s 1, 4, & 10. SOME WITH NOB.
1 PIC- "36 HOURS", 1965, MGM.

The Liquidator is a 1965 British thriller film starring Rod Taylor as Brian "Boysie" Oakes, Trevor Howard, and Jill St. John. It was based on the first of a series of Boysie Oakes novels by John Gardner, The Liquidator. The film follows the 1964 novel closely. Due to a legal dispute, the film's original November 1965 release was delayed to the end of 1966, by which time the spy film craze was waning.

36 Hours is a 1964 American war thriller film written for the screen and directed by George Seaton from a story by Carl K. Hittleman and Luis Vance, based on the 1944 short story "Beware of the Dog" by Roald Dahl. The film stars James Garner, Eva Marie Saint, Rod Taylor, and Werner Peters. In the plot, a Nazi German army doctor tries to obtain vital information from an American military intelligence officer by convincing him that it is 1950 and World War II is long over.

Rodney Sturt Taylor (11 January 1930 – 7 January 2015) was an Australian actor. He appeared in more than 50 feature films, including Young Cassidy (1965), Nobody Runs Forever (1968), The Train Robbers (1973) and A Matter of Wife... and Death (1975).

Taylor was born in Lidcombe, a suburb of Sydney, to a father who was a steel construction contractor and commercial artist and a mother who was a children's author. He began taking art classes in high school, and continued in college. He decided to become an actor after seeing Laurence Olivier in an Old Vic touring production of Richard III.

His first film role was in a re-enactment of Charles Sturt's voyage down the Murrumbidgee and Murray Rivers, playing Sturt's offsider, George Macleay. At the time, he was also appearing in a number of theatre productions for Australia's Mercury Theatre. He made his feature film debut in the Australian Lee Robinson film King of the Coral Sea (1954). He soon started acting in television films, portraying several different characters in the 1950s anthology series Studio 57.

He started to gain popularity after starring in The Time Machine (1960), as H. George Wells. He later starred in the Disney film One Hundred and One Dalmatians (1961), voicing Pongo. In one of his most famous roles, he played Mitch Brenner in The Birds (1963), directed by Alfred Hitchcock. By the late 1990s, Taylor had moved into semi-retirement. His final film role was in Quentin Tarantino's Inglourious Basterds (2009), portraying a fictionalized version of Winston Churchill in a cameo.

GENERAL DESCRIPTION FOR ALL ITEMS; SOME MAY HAVE NOB, CREDITS, MAY BE VARIED SIZES (Possibly TRIMMED). Some may be Mixed Lots.

SIGNED PHOTO'S HAVE NOT BEEN PROFESSIONALLY AUTHENTICATED. SOME MAY HAVE A PRINTED SIGNATURE (NOT HAND SIGNED), AND WILL BE NOTED AS SUCH WITH ??. I AM NOT AN EXPERT ON SIGNATURES, AND WILL BE AS ACCURATE AS POSSIBLE.

ALL PHOTOS MAY NOT APPEAR IN THE LISTING-EBAY 12 MAXIMUM.

I COMBINE SHIPPING, SO PLEASE WAIT UNTIL I SEND YOU A COMBINED SHIPPING INVOICE BEFORE PAYMENT IS MADE. THANKS!
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PLEASE READ BELOW CAREFULLY
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N.O.B.= NOTES ON BACK. (COULD MEAN PRINTED NOTES, ATTACHED PRINTED NOTES , HAND WRITTEN INK OR PENCILED NOTES SUCH AS ACTORS NAMES, FILM TITLES, ETC., STAMPED OR PRINTED STUDIO DATES, THEATERS AND LOCATIONS, AND ANY OTHER RELATED MATERIAL).

CREDITS: COULD MEAN- PHOTOGRAPHER NAMES, STUDIO NAMES, PRESS/PUBLICITY NAMES- DATES, INTERNATIONAL FILM STAMPS, ANYTHING REQUESTING A CREDIT RECOGNITION, AND ALL THINGS NEEDED TO BE CLEARLY RECOGNIZED.

H.S.P. : HEAVY STOCK PAPER.
L.C.P. : LIGHTWEIGHT COLOR PHOTO PAPER

8"x 10" UNLESS NOTED.

MIXED LOT= SEE BELOW.

SIGNED PHOTO'S HAVE NOT BEEN PROFESSIONALLY AUTHENTICATED. SOME MAY HAVE A PRINTED SIGNATURE (STAMPED-NOT HAND SIGNED), AND WILL BE NOTED AS SUCH WITH ??. I AM NOT AN EXPERT ON SIGNATURES, AND WILL BE AS ACCURATE AS POSSIBLE.

TRANSPARENCY(COLOR)/NEGATIVE (B&W) AUCTIONS DO NOT INCLUDE A PHOTO. AGAIN NO PHOTO INCLUDED-ONLY THE TRANSPARENCY OR NEGATIVE!
VARIOUS SIZE TRANSPARENCIES/ NEGATIVES: COLOR or B&W: ALL TRANSPARENCIES/ NEGATIVES: VG+ to AS NEW.VARIOUS SIZES PHOTO'S: B&W or COLOR: ALL PHOTO'S: VG- to F+.

MOST TRANSPARENCIES/ NEGATIVES:

THESE COLOR TRANSPARENCY PORTRAITS ARE ALL VINTAGE ORIGINALS. MOST SEEM TO BE FROM COSTUME FITTING'S, STUDIO PUBLICITY DEPARTMENT'S, ETC. SOME WITH PHOTOGRAPHER CREDITS. ALL ARE OF ACTOR'S, ACTRESS'S: VARIOUS STUDIO HEAD-SHOTS, IN CHARACTER PHOTO'S, COSTUME FITTINGS FOR THEIR FILMS AT THE TIME OF PRODUCTION.

ALL TRANSPARENCIES/ NEGATIVES WERE PHOTOGRAPHED FLAT ON A LIGHT BOX, OR USING A HIGH QUALITY PHOTOGRAPHIC SCANNER.

MIXED LOTS: PHOTO'S ARE FROM THE ORIGINAL PICTURE RELEASE DATES, OR THE ORIGINAL RE-RELEASE DATES (WHICH WOULD BE A LATER DATE, THUS STILL AN ORIGINAL STUDIO RELEASE). ALL LISTINGS WILL HAVE RELEASE DATES NOTED IF AVAILABLE. IF I AM UNSURE OF ANY PHOTO'S EXACT RELEASE/ISSUE DATE I WILL ADD MY TERM "MIXED LOT" AT THE END OF THE TITLE LISTING. THUS MEANING THAT SOME PHOTO'S RELEASE DATE IS UNKNOWN. IF PHOTO'S HAVE NO IDENTIFYING LISTING INFORMATION EITHER ON THE FRONT OR BACK OF THE PHOTO'S THEY WILL BE LISTED UNDER THIS CATEGORY. ALL ARE FROM STUDIO PRODUCTIONS, PRESS KIT SHOTS, PUBLICITY DEPARTMENTS, HEAD-SHOT'S, NEWSPAPER'S, MAGAZINE'S, ETC., FROM THE ORIGINAL STUDIOS. ALL PHOTO'S, TRANSPARENCIES & NEGATIVES ARE ORIGINAL FROM THEIR RESPECTIVE STUDIO'S. THUS THEY ARE ALL ORIGINAL TO THAT STUDIO, BUT THEY MAY BE A LATER GENERATION (RE-RELEASE- RE-ISSUE) MADE FROM THE ORIGINAL NEGATIVES PROVIDED BY THAT STUDIO TO ANOTHER SOURCE(EX: NEWSPAPER'S, MAGAZINE,PUBLICITY DEPARTMENTS, ETC.)

ALL PHOTOS WILL BE SHIPPED FLAT.