Jay Rosenblum

 ((1933-1989). Primarily an abstract artist, Jay Rosenblum experimented with the "Visual Stripe motif" for over thirty years. He taught at Hunter College, the School of Visual Arts in NY, and the Cleveland Art Institute.) His colorful prints appear in the permanent collections of the Whitney and Corcoran.

Title: "Groove" 

 Hand signed and numbered 16/300 in pencil 


Size: 42 in. x 24 inches 

 

“very good condition,never framed, some handling in mostly white margin, very tiny small tear on side”

Please consider the Photo's of the actual Artwork as part of the description.

Please note that there sometimes can be a slight color variation from Photo to actual art work

 

 

It was during the 1960s that Warhol began to make paintings of famous American products such as "Campbell's Soup Cans" from the Campbell Soup Company and Coca-Cola, as well as paintings of celebrities like Marilyn Monroe, Troy Donahue, and Elizabeth Taylor. He founded "The Factory", his studio during these years and gathered around himself a wide range of artists, writers, musicians, and underground celebrities. He switched to silkscreen prints which he produced serially, seeking not only to make art of mass-produced items but to mass produce the art itself. By minimizing the role of his own hand in the production of his work and declaring that he wanted to be "a machine", Warhol sparked a revolution in art. His work quickly became very controversial and popular. Warhol's work from this period revolves around American Pop (Popular) culture, like Roy Lichtenstein. He painted dollar bills, celebrities, brand name products and images from newspaper clippings - many of the latter were iconic images from headline stories of the decade (e.g. photographs of mushroom clouds, and police dogs attacking civil rights protesters). His subjects were instantly recognizable and often had a mass appeal This aspect interested him most, and it unifies his paintings from this period. Take, for example Warhol's comments on the appeal of Coke.

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