Gibson have just released new (& very expensive) amps based on the old GA series, this sounds far better. A genuine class A, made in the UK in the 90’s and covered in a Lifton style tolex to match the high end Gibson cases. A pure tone machine with a single volume, single tone, and a knob for Reverb. There is a bright switch, and a switch to go from Pentode to triode mode (drops it down to about 6 W). The amp is all original, I gigged it last weekend with a full band and it was on about half volume and still cutting through. Breaks up beautifully when pushed and lower volumes as a typical vintage, creamy valve tone. It works perfectly, there is slight microphonic tinkle from one preamp valves at low volume, it doesn’t bother me, but I’ll have a look, and if I have a spare valve, I’ll put it in. The tolex is in very good condition but is lifting slightly on one side and one leg of the N on the Gibson badge has come away (most are missing their badges), that’s everything negative. I can find to say about it, but I reckon 95% of 30 year-old amps are in far worse condition.

Here's a description of the amp from Guitar World...

"With its square corners and round speaker cutout, the GA-15RV bears a striking resemblance to Gibson’s EH-100 from the 1930s. In contrast, a close-up look at the rear-mounted control panel reveals more up-to-date accouterments, such as Reverb and a Triode/Pentode switch.

Along with its single Volume knob, the GA-15RV (which was originally designed for Trace Elliot by Paul Stevens, and called the Velocette) has a particularly clever Tone control that uses a dual-ganged pot to simultaneously adjust treble and midrange. Here’s how it works: Turning the pot counter-clockwise increases midrange while decreasing treble. Conversely, turning the pot clockwise increases treble and decreases mids.

The Triode/Pentode switch also greatly expands the amp’s range of tonal textures. In Pentode mode, the GA-15RV sounds surprisingly taut and punchy—easily loud enough for small club gigs. Driven by a Strat’s bridge pickup, the EL84s combine with the Celestion Vintage 30 to produce a sweetly detailed treble that is further enhanced by a sub-layer of aggressive British midrange grind and gristle. In Triode mode, the volume drops significantly and the tone becomes thick and creamy-smooth. Overdriven tones occur also at much lower volumes, with less British bite and a more resilient feel. The Bright switch adds tasty top-end chime and ring—a nice thing with humbuckers.