"Doctor Who The Pandorica Opens Figure"

"Doctor Who Underhenge Cyberman Figure"

"Doctor Who Underhenge Figure"

ITEM IS USED SOLD LOOSE FOR INDIVIDUAL SALE:

Up for sale is the 2010 "Doctor Who The Pandorica Opens Underhenge Cyberman Figure" AKA the "Doctor Who Cyberman Action Figure". This 2010 "Doctor Who Underhenge Figure" is brand new.  We purchased many Doctor Who Collector Sets recently so if you are interested in another set please visit our store. We do combine shipping.

This 2010 "Doctor Who Action Figure" was released by Underground Toys and manufactured by Character Options Ltd. This "Doctor Who Underhenge Cyberman Figure" is in the 5.5 Inch range. 

"The Pandorica Opens" is the twelfth episode of the fifth series of British science fiction television programme Doctor Who, first broadcast on 19 June 2010 on BBC One. It is the first in a two-part finale; the second part, "The Big Bang", aired on 26 June. The episode was written by head writer and executive producer Steven Moffat and directed by Toby Haynes.

In the episode, the time-travelling archaeologist River Song (Alex Kingston) summons alien time traveller the Doctor (Matt Smith) and his companion Amy Pond (Karen Gillan) to Roman Britain in 102 AD, where underneath Stonehenge lies a fabled prison called the Pandorica that legend tells holds the most fearsome being in the whole universe. However, it is discovered that the Doctor has been put in a trap by an alliance of his greatest enemies to save the universe from cracks in time that were caused by the Doctor's space-time vessel the TARDIS. Amy's fiancé, Rory (Arthur Darvill), who had previously been erased from existence from one of the cracks in the universe, makes a return, though he is revealed to be an Auton duplicate outfitted with his consciousness.

Moffat wanted the episode to be "big" and "mad". Filming was done at the real Stonehenge and at a replica in early February 2010. The "Underhenge" set was the largest built on Upper Boat Studios and Haynes helped get the actors into the mood by playing music from the Indiana Jones franchise. The alliance of enemies was the first time such an assembly had been seen in the show, and the production team made sure they used the most iconic monsters that they had in good condition. "The Pandorica Opens" was seen by 7.57 million viewers in the UK and received an Appreciation Index of 88. The episode was well-received by critics and the two-part story won the 2011 Hugo Award for Best Dramatic Presentation (Short Form).

Plot

Synopsis

The Eleventh Doctor and Amy, following a message from River Song, arrive in Roman Britain in 102 AD. River shows the Doctor a Vincent van Gogh painting she recovered titled The Pandorica Opens, which depicts the TARDIS exploding. The Doctor realises the Pandorica, a fabled prison for the universe's deadliest being, must be stored in a memorable location near the coordinates: Stonehenge.

Beneath Stonehenge, the Doctor, Amy, and River find the Pandorica. While examining the Pandorica, Amy confronts the Doctor about an engagement ring she had previously found in the pocket of his jacket and feels a strong emotional attachment to.[N 1] River warns the Doctor that "everything that ever hated [him]" is being drawn to the Pandorica. The Doctor is aided by a volunteer group of Roman legionaries; the centurion in charge of them is Amy's fiancé, Rory. Neither Rory nor the Doctor can explain Rory's presence, as he was consumed by a crack in the universe and erased from existence.[N 2]

The Doctor urges River to bring the TARDIS to Stonehenge while he, Amy, Rory, and the legionaries prepare. When River tries to use the TARDIS, an outside force takes control of it and pilots it to Amy's house in the present day, which has been broken into. In Amy's room, River finds a story book about Pandora's box and a children's book about Roman Britain. River communicates this to the Doctor, warning him that the Pandorica must be a trap, created out of Amy's memories. Realising that River is at the onset of the time energy explosion that caused the cracks in the universe, the Doctor warns her to leave immediately, but she finds herself again trapped in the TARDIS as the central control console begins to go critical.

Back at Stonehenge, the Doctor discovers that the volunteer legionaries, including Rory, are Autons, and he is quickly captured as his other orbiting foes materialise around him. Above ground, as Rory fights to retain his human identity, Amy suddenly remembers him, but as his Auton identity emerges he fatally shoots Amy. The Doctor's captors reveal that they have formed an alliance to imprison him in the Pandorica. Knowing the TARDIS exploding would cause the cracks destroying reality, they believe only the Doctor can operate the TARDIS, and thus removing him will prevent the explosion. As the Doctor is sealed inside the Pandorica, every star in the sky goes supernova.

Continuity

In the first episode of the series, "The Eleventh Hour", Prisoner Zero tells the Doctor, "The universe is cracked. The Pandorica will open. Silence will fall".[1] The Pandorica was also mentioned by River in "Flesh and Stone" as the next time she would meet him, and the Doctor dismissed the Pandorica as a fairy tale.[1][2] In River's timeline this takes place before "The Time of Angels"/"Flesh and Stone". The painting of the TARDIS explosion passes through several characters from previous episodes: the painting is created by Vincent van Gogh (Tony Curran) after his meeting with the Doctor ("Vincent and the Doctor"). The painting is found in 1941 by Winston Churchill (Ian McNeice) and Professor Bracewell (Bill Paterson) from "Victory of the Daleks", and River steals the painting from Liz 10 (Sophie Okonedo), who previously appeared in "The Beast Below".[3][4] The recurring phrase "silence will fall" came to a head in the next series with the introduction of the alien species and organisation of the Silence

The Autons are an artificial life form from the British science fiction television series Doctor Who and adversaries of the Doctor. They were originally created by scriptwriter Robert Holmes for Jon Pertwee's first serial as the Doctor, Spearhead from Space (1970), and were the first monsters to be presented in colour on the series.

They returned for the following season's Terror of the Autons (1971), which also introduced the character of the Master, but they did not appear again in the original series. Holmes intended to feature the Autons for season 23 of Doctor Who in 1986 in a story entitled Yellow Fever and How to Cure It, which featured the Master and the Rani, but it was abandoned due to the programme being put on an 18th-month hiatus.[1]

Autons are essentially life-sized plastic dummies, automatons animated by the Nestene Consciousness, an extraterrestrial, disembodied gestalt intelligence which first arrived on Earth in hollow plastic meteorites. Their name comes from Auto Plastics, the company that was infiltrated by the Nestenes and subsequently manufactured their Auton shells in Spearhead From Space.

Autons conceal deadly weapons within their hands, which can kill or vaporise their targets. The typical Auton does not look particularly realistic, resembling a mannequin, being robotic in its movements and mute. However, more sophisticated Autons can be created, which look and act human except for a slight plastic sheen to the skin and a flat-sounding voice.[2] In Series 5 of the relaunched Doctor Who series, they are shown as being able to create fully lifelike human replicas, able to fool other humans.