#12/20 Numbered edition. This also includes a signed pamphlet for a feature held at Casa Martini-Morenberg, which has a curatorial statement written by Nicola Loizzo.

Partial translation of curatorial statement: "If Plato saw writing, 'external and foreign signs' as the cause of oblivion because no one will take care of their own memory, in Chini this fear automatically disappears: that feeling of suspension and disorientation caused by the vision asks us to start again from the soul, to renew the relationships that the world has with his interiority. Looking into the depths of things because nothing is more amazing than reality. The same rhythm continues to pulsate between contemplation and the voluptuousness of the gesture, which goes not in the direction of an order or a method, but in that of a dream. The weather is sweet, yes, but there is a storm - Tolstoy writes - 'we could travel, if we were a bus or whatever, but instead we go by our own will.' Metaphor of an artist who doesn't throw himself away, that does not use comfortable and fast means of transport to convey what he doesn't believe in."

This is signed by the artist, with a brief inscription, on the title spread. This has its original linen-faced slipcase, on which the artist's work is printed. The interior has a loose hard board cover, also imprinted with the art. The work itself is an accordion fold continuous panel, each panel approximately 7.375' 13.375" — which is not attached to the binding. The first two leaves, with a dedication to the artist's father, are not accordion fold, but are joined with standard gutters. Almost all the accordion panels (73) are printed with the artist's work, in a continuous flow.