NewsJournal of the Early American Pattern Glass Society. Vol. 12, no. 2, Summer 2005. Articles include: Beautiful Sun Purple. By Kat Krivda. Irradiation 101. By Jeffrey S. Evans in collaboration with Art Reed. Altered Glass. By Andrea Koppel. Barred Forget-Me-Not. By Brad Gougeon. (Attributed to Canton Glass Co.) Barred Forget-Me-Not Goblets: Two Types and Sizes. By Phillip F. Keller. What in the World? English King's Crown? By Sean George. And more. 16 pages with 11 pictures in color.The Museum of American Glass in West Virginia is proud to be the custodian of the Early American Pattern Glass Society (EAPGS) archives and is the only source for obtaining back issues of the EAPGS NewsJournal. This scholarly newsletter is devoted solely to early American pattern glass and contains research findings and other information that often is available nowhere else. Many of these back issues are in short supply! For information on becoming a member of the Early American Pattern Glass Society, visit http://www.eapgs.org. Domestic postage is $1.25 for the first publication, $1.00 for each additional publication. For overseas shipping costs, please contact the seller. To receive future issues of our acclaimed quarterly magazine, please consider becoming a member of the Museum of American Glass in West Virginia. About the Museum of American Glass in West Virginia (MAGinWV) The Museum of American Glass in West Virginia is a non-profit museum with a mission to share the diverse and rich heritage of glass as a product and historical object as well as telling of the lives of glass workers, their families and communities, and of the tools and machines they used in glass houses. Our Museum examines the rich history of some of America's most famous glass factories, while at the same time carefully understanding the impact that the hundreds of smaller and often time forgotten glass houses made on the history of the glass industry. The MAGinWV displays many of the diverse and beautiful objects produced by factories during the past century. The museum attempts to compare and contrast similar pieces produced by once competing companies. No other public collection offers such contrasts on a large scale. |