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#a01,A tradition Japanese painting, AYAKI-IZUMI, "BAKU".

Title "GAMA" of this work means a "cattail" in English.

The plates currently drawn on the work are traditional Japanese porcelain and a plate of old Imari.

She drew the pattern of old Imari using the technique currently used for Imari ware.

Green like the very deep emerald of a background is a color of "malachite." Since it is a color of mineral pigments for which natural malachite was used, this beautiful color is a color of malachite itself.

This work applies rare mineral pigments and foil several times over, and is drawn in piles.

This work has gloss like a pearl which the "mica stone" is applied very much to the work surface at a very small quantity, and cannot be expressed with a photograph.

The mark of IZUMI is stamped on this work.

The wooden frames for which AYAKI-IZUMI gave a special order are attached to this work.

An autograph signature and work name of AYAKI IZUMI are drawn on the back of a frame.

Since I have purchased the work directly from the painter, the genuine article guarantee of this work is offered.

Her detailed information is introduced to the website of MAGOKORODO.

*Title :*	*Waterfall /"BAKU"/ 瀑*
*Artist :*	*AYAKI IZUMI*
*Medium :*	*IWA-ENOGU (mineral pigments)*
*Painting size :*	*L: 13 cm / 5.1" x W: 16 cm / 6.3"*
*Frame size , Material :*	*L: 40.5cm / 15.9" x W: 33.5 cm / 13.2": Aluminum*
*Material :*	*Japanese paper, natural glue, natural mineral pigments.*
*Signed :*	*Yes, The work front and the reverse side of a frame.*
Condition :	*New, Excellent*
*Shipment weight:*	3 kg

*EMS(Express Mail Service with insurance)***
Asia	53.33 U.S.D
Oceania, North America, Central America, Middle and Near East,	72.00 U.S.D
Europe.	82.67 U.S.D
The item is insured "4-10days" is required about to Asia, Oceania, North America, Central America, the Middle and Near East, and Europe.* EMS: Pursuit information can be checked by baggage pursuit service (50 nation and the area).* The reparations system in preparation for a theft, or loss and a transportation accident (breakage) is attached to EMS. If EMS should be lost (breakage) or a theft should be suited, the post office in Japan compensates the substantial damage amount of money. The situation of your baggage can be searched from an EMS pursuit site.

This work is a Japanese-style painter from Tottori, and a work of AYAKI-IZUMI.

She adheres to a traditional material and is drawing the Japanese painting until she results in a brush, mineral pigments, and glue.

AYAKI-IZUMI is a painter of the Japanese-style painters of the genuine article which became a few now.

There are also few craftsmen who make a brush in Japan.

NIKAWA (glue) of population is used for the latest Japanese painting.

Especially natural mineral pigments is a material with very difficult acquisition in present Japan.

She uses for such a time the brush and glue which looked for natural mineral pigments out of Japan, and were made from the traditional process.

The things in which mineral pigments which she is using was made in early stages of Showa are also mixed.

Mineral pigments made only from the natural material which remains in such a situation now is very rare, and very expensive.

The technique which she is using is "MORIAGE-GIHOU" (technique which accumulates mineral pigments several times over) which Korin Ogata used for the 17th century.

She applies rare mineral pigments and foil several times over, and draws a work in piles.

For the reason, her work appears also like oil painting.

She is an instructor of flower arrangement and is very good also at calligraphy and the tea ceremony.

Moreover, she may be having inherited the spiritualism of true Japanese culture just because it is very eager for research.

Japanese painting painter ： Ayaki Izumi

Ayaki Izumi

Born in Sakaiminato-city Tottori, Japan

1976 studied oil painting at Tokyo Togo Academy

1978 belonged to Tokyo FG Painting Art Institute

1985 admitted to Musashino Art University

1989 graduate of Japanese-style Painting Institute Department living in Tottori-city Tottori Japan

2000　The family name changed

EXHIBIT, APPEARANCE

Tokyo - one person exhibition : 3 times

Tottori - one person exhibition : 7 times,

Kawabata Gallery Hiroshima - one person exhibition : 2 times opening exhibition

1993 TV appearance : "Quicken Michelangelo - bequeath the breace of Renaissance"

1996　Gallery ENJYU Private exhibition

1996　Kawabata art gallery Private exhibition

1998　Kawabata art gallery Private exhibition

2000　Kawabata art gallery Private exhibition

2001 Monaco : 5th Le Japon a Monaco

2002 Spain : Salamanca International Art Expo

2002 Monaco : 6th Le Japon a Monaco : exhibit

2003 Spain : Valencia INTERART international art fair

2003 The Yonago Tenma store department store Private exhibition

2003 Tokyo Ginza : POLA Museum annex : one person exhibit

2004 The Yonago Tenma store department store Private exhibition

2004 Siracusa,Italiy : exhibit

2005 Geneva : 14th Europ'ART

2005 Corsica : exhibit

2005 The Yonago Tenma store department store Private exhibition

2006 Tokyo Ginza : POLA Museum annex

2006　Kawabata art gallery Private exhibition

PRIZE, SELECTED EXHIBIT

1986 Tokyo : Musashino-city Art Exhibition : Mayor award

1988 New Zealand : Auckland Art Exhibition : accepted exhibit

1988 Tokyo : Ueno-No-Mori Museum "Exhibition of paint nature of Japan" : accepted exhibit

1989 Tokyo : 17th Salon des Beaux Art: accepted exhibit

1989 Finland : Espoo-city Salon des Beaux Art : Silver award

2002 Tokyo : Shinsei-kai Exhibition : Gold award

2002 Tokyo : Sessyu International Exhibition : non-examination acceptance

2003 Tokyo : Shinsei-kai Exhibition : Special award

2004 Tokyo : Shinsei-kai Exhibition : Tokyo Art Club award

UNDER STUDIED

Reiichi Tsuchiya : Nitten councilor. "Nitten" is a painting art organizations

Ryo Ishii : Inten member. "Inten" is an institution of Japanese-style painting

The message from Ayaki Izumi.

WELCOME IN THE UNIVERSE OF JAPANESE-STYLE PAINTING

The Japanese-style painting of today results from the group of Eastern paintings and its character was polished with time in contact with our culture of which it forms part now.

The Westerners have often a limited vision of this painting, in black and white exclusively.

Whereas there exists about it of many kinds where the colors dominate.

By respecting the tradition, I try to innovate it energetically and I wish that you will feel my attempt.

NIHONGA / JAPANESE-STYLE PAINTING (Japanese painting)

"Japanese-style painting" is the pictures using traditional skill and material of Japan.

What mainly ground a natural minerals is used as paints, and glue is used as adhesives.

Mineral colors are grind or heat to change the tone of their natural color.

Metal foil, powder, shell powder, soil, others are used.

It's paint on various things, such as Japanese paper (very long and strong fiber) , silk, board and others.

IWA-ENOGU (mineral pigments)

Prior to the introduction of IWAENOGU, the materials used are made from natural ores.

There are a number of different grades of powder, which vary in coarseness, from that of very fine sand to clay.

Iwaenogu materials are sold commercially in Japan.

The finest of these is known as BYAKU(whitish).

There are many other types - almost too many to count.

The powders are mixed with glue before use.

These materials are also called GANSAI, rock-paint natural pigments.
          For example,
            blue : azurite
            red : mercury sulfide, coral
            green : malachite
            white : powder of oyster shell, crystal

DEI

The DEI is used to give the metallic aspect of gold, silver or platium.

HAKU (foil/ leaf)

          The very thin foils of pressed metal.
That is in the market by 10 to 13cm square.
             For example: Pure gold, platinum, silver, copper or aluminum.

              TECHNIQUE OF THE HAKU

            2 or 3 drops of oil on a newspaper fold in four.
             Presser with a tow to spread the oil.
             Put a thin paper on the newspaper and to let it moisten the oil.
             Transfer this paper on the HAKU with a pincette of bamboo.
             Then put a little NIKAWA with a brush on the painting support.
             Take the paper and the HAKU, and to put then with precision without making bubble, well positioned, to withdraw the lubricated paper finely.

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