Image information:

General Pierre Beauregard, CSA
Commander of Confederate forces in the West

"We have always been enemies. I cannot pretend I am sorry he is gone. I am no hypocrite." Beauregard on declining to head the funeral procession of Jefferson Davis

Within two weeks of the First Battle of Manassas (Bull Run), Pierre Gustave Toutant Beauregard and President Davis became bitter enemies. After Fort Sumter and the First Battle of Manassas (Bull Run) he was a lionized in the South. Beauregard's image was everywhere. A song, the "Manassas Quick Step", was composed in his honor.

Beauregard was charismatic, dashing and even in battle maintained the polished appearance that distinguished him. The Louisiana French Creole was also contentious. Beauregard believed that his success warranted a promotion in rank. Davis, who attended West Point, felt Beauregard won the First Battle of Manassas despite major mistakes. Their relationship went downhill from there.

After the war, Beauregard pursued a position in the Brazilian army (1865) and contemplated offers to command the armies of Romania (1866) and Egypt (1869). He did become the chief engineer and superintendent of the New Orleans, Jackson and Great Northern Railroad. 

Beauregard did have a positive post-war relationships with other high ranking Confederates. In 1877, Beauregard became a supervisor of the Louisiana Lottery. Along with former Confederate general Jubal Early, Beauregard presided over the lottery drawings. He was the grand marshal of the festivities to lay the cornerstone of Robert E. Lee's statue in Richmond. When John Bell Hood and his wife died in 1879, leaving ten destitute orphans, Beauregard used his influence to get Hood's memoirs published, with all proceeds going to the children.

This image of him in civilian clothes was probably taken shortly after the war.

What others are saying:

Bob Zeller: (Author of Lincoln in 3D, Blue & Gray and Black and White, Civil War In Depth I & II) From the dawn of the photograph until the advent of practical color photography, images were hand-painted to add the color that was missing in the early photographic processes. This lost art has been admirably revived by Civil War In 3d in their meticulous tinting of stereo views of the Civil War. Following in the time-honored tradition of the anonymous artists who added color to Gardner's legendary wartime photographs and the Anthony War for the Union stereo series, Civil War In 3D reminds us with their work that the Civil War was not fought in a black-and-white world.

Stephen M. Cobaugh:  "I just received my order of stereoviews in the mail. All I can say is WOW! As you know, I'm a Civil War reenactor, but also a professional photographer and graphic designer. The quality of your products is extraordinary and is superior to anything I've seen, especially the color enhancements. It's a interesting reminder of the fact that the war was in color for those who experienced it. It's only modern people who picture it in the sense of black and white or sepia tone." 

Stephen M. Cobaugh is a writer, director and documentary film producer. Currently he is working on the story of the Ninety Third Pennsylvania Regiment with his film: “Brothers Ever Shall We Be”

Awards:  Civilwarin3d.com was awarded September 2010 "Must See 3D" by 3-D Review Online Magazine "for their outstanding restoration work in bringing these cards to the collecting world.” “CivilWarIn3D.com provided 3-D Review with several sample cards. We were amazed at the quality. Using magnifying glasses, we expected to find halftone dots when we inspected the details of the stereoviews. The cards are truly photographic in quality and extremely sharp in detail.”  We are sure that you will be equally impressed!

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Background of the collection:

Civil War In 3D images' were obtained from the Library of Congress, National Archives and other quality sources.  Each image has been carefully restored to remove 150 years of wear, scratches, cracks and imperfections.  Then each image has spent numerous hours being hand colored to recreate, as close as possible, the original scene as it may have appeared on the day it was taken.  Due to the quality of work and loving restoration that has been done, Civil War In 3D images have been accepted into the collections of photography and historical museums. 

Hand coloring of images is a technique that dates to the very beginning of photography.  There are many examples of period stereo view cards that were colored.  With modern digital technology, the ability to color a photograph allows the image to move from a black and white photo with splashes of color, to photographs that duplicate as near as possible, life-like full color images.

Each image was created from a scan of the original negative producing a brilliant digital image up to 100Mb in size for each half (total of up to 200 Mb for both images) of the image.  After restoration and coloring, the size of the combined images grew to a staggering 1Gb in size before being commercially printed.  By using commercial printing and mounting, we have produced a quality image that will last and become a valued part of your collection.

After printing, each image is professionally mounted onto standard 'Holmes' size stereo card measuring 3 1/2" x 7".  Each card uses a matte board  to produce a durable card nearly identical to the original cards.  Other reproduction cards are printed on a slightly heavy paper on a home printer and do not have the image quality of professional photo paper, or the "feel" of a commercially mounted card.  A one inch stack of these other cards would hold 97 images, while ours, with our superior mount, would only hold 16!  We pride ourselves in trying to recreate the original card with the best modern technology.  

Restoration and coloring copyright 2009-2013 by Civil War In 3D.  Printed card does not contain watermark (text on image).  Please indicate your preference of Color, Sepia or Black and White when ordering.  Unless a preference is given, the color image with a Matte Finish will be shipped.