Item Description

☆ Special book with original print Pierre Segels Poems
Signed with autograph
☆ This work has a Japanese regular auction certificate.
☆ Antoni Clave

April 5, 1913 Born in Barcelona, ​​Catalonia, Spain.
In 1926, attended the night school of the Barcelona School of Fine Arts.
1930 Started to draw weekly magazine illustrations and advertising posters
In 1932, quit art school. Winner of the second prize in the poster contest sponsored by the Barcelona Savings Bank
In 1937, following the Spanish Civil War, he flew to the Aragone front in front of Catalonia and was assigned to an infantry company as a private soldier of the Republic Government.
1938: Army theater decoration and stage equipment in Barcelona
1939 Stands on the Republic side during the Spanish Civil War and exiles to France. She was housed in a camp in Perpignan, but she exhibited her drawings, painted in a camp released one month later, at the Maison Vivin coffee shop in Perpignan, and all 40 items were sold out. Moved to Paris and continued manga for children's publishers. Create a lithograph for the first time.
In 1941, he settled in the atelier of No. 45 Boissonade Avenue in Montparnasse, Paris.
In 1942, the first exhibition in Paris (Castelyucho Gallery) was held in collaboration with the birth of his son Jack.
In 1944, on the same day of liberation of Paris, he visited Picasso's home on the Avenue des Grands Zogustan. Received the Paris National Art Association Special Award.
1946 In charge of stage equipment such as the Champs-Elysées and the Opera. Attracted by Rembrandt, Goya, Bonnard, Rouault and Picasso. Exhibiting at the "Spanish Painters Exhibition" in Prague, his encounter with Picasso, in particular, had a great influence on him.
In 1948, he created illustrations for Candide by Voltaire.
In 1949, he was in charge of the stage equipment and costumes for Carmen in the Loran Petite Paris Valley.
In 1950, he began to draw the original picture for the illustration of Gargantua's Story by Loveley. With this work as an opportunity, Krabe's interest in the Middle Ages is his new theme.
In 1954, his prints received the UNESCO Award at the Venice Biennale.
From around 1956, he started using collage with oil paintings. Member of Salon Doutonne.
Won the UNESCO Award at the 28th Venice International Biennale.
In 1957, received the Bridgestone Art Museum Award at the 1st Tokyo International Print Biennial.