Liu's primary significance is in Jacques Guerlain's first aldehyde floral fragrance.
The stage was moved to Yuan Dynasty China, named after Liu, the maidservant who died of love in Puccini's opera "Turandot", but there was no oriental characteristic in the smell.
I think Liu is too conservative.
Of course, Guerlain has always been conservative, yes, Guerlain always follows the tradition, both inside and outside, first-class technology, first-class connotation, Liu is an exception.
Liu is restrained, hiding his inner feelings.
Liu's fragrance is really in line with the character's image, very tender.
But Liu's dullness was palpable. After the meager aldehyde fragrance dissipated, Liu was just a duet of jasmine and roses. The powdery iris was beaten thinly and lightly, and the vanilla vaguely formed a line, which was long and continued the fragrance.
Liu has form, but vague curves.