Test Pressing of Spiritual Jazz Vol 1 disc 1 by Grand Vinyl 9/18/2019 Brand New never played or out of sleeve (no shrink)
Only disc 1 of 2 . These Artists side A - James Tatum Trio Plus, Lloyd Miller, Morris Wilson Beau Bailey Quintet,
Mor Thiam,
Side B - Ndikho Xaba & The Natives, Salah Ragab, The Positive Force with Ade Olatunji

This is an incredible compilation. In 1964 Trane recorded "A Love Supreme" and that started Spiritual Jazz these are his disciples some you never heard of which make this collection Essencial 


Spiritual jazz (or astral jazz) is a sub-genre of jazz that originated in the United States during the 1960s. The genre is hard to characterize musically but draws from freeavant-garde and modal jazz and thematically focuses on transcendence and spirituality.John Coltrane's 1965 album A Love Supreme is considered landmark in the genre.

SPIRITUAL JAZZ, SOUL JAZZ, BLACK JAZZ, FREE JAZZ: these terms emerged in the late 60s / early 70s to describe a moment in music that was being increasingly defined by the rife socio-political climes surrounding the jazz world. Some of these recordings have gone on to such adoration, they eclipse the decades of foundational jazz that precede it; others languish in obscurity and are quickly forgotten, only to be dredged up by discerning sound seekers like the gang at UK’s Jazzman Records. This first volume of the Spiritual Jazz series was originally released in 2008, collecting 12 sides of avant-garde and politically-charged soul jazz by scene fixtures from the American underground and beyond. From Egyptian drummer Salah Ragab to third-string Arkestra bassist Ronnie Boykins, none of these artists will likely be familiar even to the most seasoned heads, let alone household names. As such, many of the original pressings from whence these recordings originally appeared are now impossibly rare - Jazzman does the deep digging (and licensing) here so you don’t have to. The series has since grown to become one of the most reliable surveys of this music and its various strains plucked from the worldwide jazz diaspora, and volume 1 is a near-perfect primer for anyone humbly looking to expand their jazz horizons. Check out James Tatum Trio Plus’ neutralizing “Introduction,” Morris Wilson Beau Bailey Quintet’s funky “Paul's Ark,” Hastings Street Jazz Experience’s widescreen “Ja Mil” or The Frank Derrick Total Experience’s self-explanatory “No Jive” for a taste. Limited double vinyl repress with remastered audio and extensive liner notes executed in signature Jazzman style, recommended.
The Jazzman label hits a whole new level of brilliance – as they turn their funk-trained crate digging skills to the world of spiritual jazz! The collection's an amazing batch of ultra-rare tunes – tracks that take inspiration from the John Coltrane/Archie Shepp work on Impulse Records in the 60s, then run with those roots in bold new directions – soaring, spiritual aims in jazz that reach for new freedoms, but never lapse into the totally-outside modes of free jazz! Instead, there's a really great balance here between structure and struggle – as many tunes often have a good rhythmic pulse, usually modal and soulful, then let the horn solos stretch out more in their own sounds and directions. The mix is amazing, as is the selection of tunes – rare numbers pulled mostly from American independent jazz releases of the 60s and 70s – most of which are as obscure as the funky 45s we normally get from Jazzman. As with the label's US funk compilations, there's full notes on all the music – a heck of a lot of detail on these artists – and tracks on the set include "Paul's Ark" by Morris Wilson Beau Bailey Quintet, "Ayo Ayo Nene" by Mor Thiam, "Nomusa" by Ndikho Xaba & The Natives, "The Afrikan In Winter" by The Positive Force, "Neveen" by Salah Ragab, "Ja Mil" by Hastings Street Jazz Experience, "Be There" by Leon Gardner, "Psych City" by Ohio Penitentiary 511 Jazz Ensemble, "Introduction" by James Tatum Trio Plus, and "No Jive" by Frank Derrick Total Experience.