Dolby CP500 Digital Cinema Sound Processor w/Analog/LCD Screen/Self-Contained
  • Working When Pulled, Desktop Tested Before Sale for Power Only
  • No Power Cord Included (If you really need one, ask, I can probably accommodate)
  • If you purchase more than one, I will make sure the inner workings are the same
  • Manual readily available online (Too big to print out, but if you buy 2 or more I will print one if requested)

Dolby Laboratories has continuously established new benchmarks for motion picture sound. The CP500 Digital Cinema Processor maintains that tradition, setting new standards for performance, value, flexibility, and convenience. Entirely self-contained, the CP500 provides both Dolby Digital and Dolby analog processing built in. An easy-to-read LCD screen and uncomplicated front panel soft keys makes it easy to install, operate, and maintain. Software that can be readily programmed, controls any existing or future format. Built-in test instrumentation that includes a real time analyzer make the CP500 easier to align and calibrate than conventional processors. No external PC is required for setup. Once aligned, calibration settings can be password protected to prevent mis-adjustment.

Built-in diagnostic software enables theater staff to verify performance of the complete theater sound system. Calibration settings for a given theater can be stored on a PC, and should the need ever arise, they can be transferred directly to another CP500 or other modules, thereby reducing or eliminating the need for further calibration after repairs. As improvements to the CP500 digital control and processing software are developed, the latest revisions can be downloaded from a PC to the CP500 hardware. Moreover, updates to the audio coding used for DolbyDigital soundtracks, which are included from time to time on Dolby Digital release prints, download automatically into the CP500 the first time such a print is played in the cinema

Construction
Rack-mount chassis frame construction with plug-in modules accessible behind hinged front panel.

Signal Connections
a.  Standard 9 pin D-type connectors for Mic., Optical 1, Optical 2, Serial Data, and Motor Start signals.
b.  Standard 25 pin female D-type connectors for Digital Readers 1 and 2, Accessory Unit,Automation connections, and 6 Channel Analog Inputs.
c.  RCA type phono jacks for Non-sync 1 and 2.
d. Phoenix screw terminal connectors for processor outputs, bypass power, and remote control connections.

Signal Inputs
a.  6 Channel:  Six analog inputs for use with external magnetic preamplifier or external processor, 300 mV operating level. (Requires optional Cat. No. 685.)
b.  Optical:  Two pairs of balanced inputs for two projectors with stereo solar cells (available fromDolby Laboratories mounted on brackets for most projector types). Inputs compatible with LED illuminated reverse-scan analog readers.
c.  Non-sync:  Two stereo inputs for non-sync sources. 50 kOhm input impedance, 50 mV to 2.5 V sensitivity. 2:4 decoder may be used to decode Dolby Surround program sources.
d.  Microphone:  One balanced input for B-chain equalization P.A. mic. or multiplexer and one unbalanced input for house announcement mic.
e.  Dolby Digital Film Reader (CP500-D):  Two inputs for connection to penthouse or inboard readers

Signal Outputs
47 ohms output impedance will drive any load greater than 600 ohms. Maximum output level, +20dBu. Typical operating level, -10 dBu.Operating levels from 25 mV to 0.7 V may be accommodated

Output For Hearing-impaired System
Center-weighted sum of L, R, C for connection to auxiliary system for the hearing impaired.Output impedance is 47 ohms with a fixed output level of 200 mV

Optical Preamplifier
A Cat. No. 661 Optical Preamplifier accepts signals from two projectors with stereo solar cells.Gain and slit loss adjustments are digitally controlled

Noise Reduction
Two channels of Dolby A-type noise reduction and two channels of Dolby SR are provided asstandard. Up to six channels of A-type (CP500-70) and two additional channels of studio SR(CP500-300) can be accommodated.

Four Channel Decoder
Cat. No. 675A DSP Module decodes left, center, right, and surround channels from the two opticaltracks on Dolby analog optical prints. Adjustable delay to optimize front to surround separation

Loudspeaker Equalization
L,C,R: 27 band digital 1/3 octave EQ; digitally controlled bass and trebleLsRs: digital 9-band, full octave EQSW: Digital parametric EQ with 12dB cut capability

Remote Connections
Connections for up to two Dolby Cat. No. 689 remote fader, format selectors and/or Cat. No. 734fader-only remotes are provided. A provision is also made for a temporary auditorium faderconsisting of a 100k potentiometer

Automation
Direct mode allows eight contact closures to ground for selecting formats.Sequential mode allows a single contact closure to ground for sequencing pre-programmedformats.

Distortion
Typically 0.05% in Dolby SR mode (Format 05, with output operating level set to -10 dBu andinput 10dB over Dolby level ).

Dynamic Range
Typically 92 dB with fader set to 7.0.

Dimensions
Four units high rack mount chassis. Standard 178 mm high by 493 mm wide faceplate (7 x 9").Maximum projection behind mounting surface is 360 mm (14.17"). Maximum projection in frontof mounting plate is 32 mm (1.23").

Weight
11.7 kgs (26 lb.) Max.

Power Requirements
100 - 240 VAC, 50-60 Hz Auto Sensing. 2 A max. input current. Single phase. 120 Watts max.

Fuse Requirements
Single 1 1/4" or 5 X 20 mm slow blow fuse according to local safety requirements






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RETURN POLICY: If your item does not fit, we do accept returns within 30 days. Please note, the item must be returned in the exact same condition as it was received. We request that you select "Item does not fit" or "Changed My Mind" when returning an item that does not fit or that you no longer want.  Thank you!