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All About Glass: The Voice of the Glass Collecting Community. Vol. 12, no. 2, July 2014. Articles include:

Soda Lime and Silver Plate. By Dean Six.

Raised Open Back Frog Salt Cellar (Updated). By David Schepps.

The Bryce Bros. Glass Flotilla of '86. By Sid Lethbridge.

H. C. Fry's Opalescent Heat Resistant Ovenware: 1921-1933. By Alfredo Villanueva Collado.

A Parker-Davis Jugate Crystlegraph Paperweight: A New Acquisition. By Tom Felt.

Irradiated Milk Glass Shakers. By Scott Beale.

Cambridge Celestial Reproduced? By Tom Felt.

Discovering Federal's Mid-Century Decorated Glassware. By Kitty Hanson.

Cracker Jack Prizes: Vintage Camphor Glass Charm Figurine (Updated) - Bohemia/Czechoslovakia, 1910-1938. By David Schepps.

From the Archives: Fry Visible Pump.

And more!

32 pages, including color throughout. Domestic shipping is $2.00 for each issue. For overseas shipping costs, please contact the seller. To receive future issues of our acclaimed quarterly magazine, please consider becoming a member of the West Virginia Museum of American Glass.

About the West Virginia Museum of American Glass, Ltd. (WVMAG)

The West Virginia Museum of American Glass, Ltd. is a non-profit museum with a mission to share the diverse and rich heritage of glass as a product and historical object as well as telling of the lives of glass workers, their families and communities, and of the tools and machines they used in glass houses.

WVMAG, Ltd. is located in Weston, West Virginia. The Museum includes representative samples of all glass products...from bottles to lightening rod balls, from telegraph insulators to glass used in automobiles, from pressed to blown tableware. We preserve the history of the places and people who made these products.

Our Museum examines the rich history of some of America's most famous glass factories, while at the same time carefully understanding the impact that the hundreds of smaller and often time forgotten glass houses made on the history of the glass industry.

The WVMAG displays many of the diverse and beautiful objects produced by factories during the past century. The museum attempts to compare and contrast similar pieces produced by once competing companies. No other public collection offers such contrasts on a large scale.