Greek City of Pergamon in Asia Minor
Bronze 10mm (0.94 grams) Struck circa 300 B.C.
Reference: Sear 3958 variant (ΠΕР below)
Head of young Hercules right, clad in lion's skin.
ΠΕРΓ before head of Athena right, in crested helmet.

 Situated in the Kaikos valley, about 15 miles from the coast, Pergamon was a city of uncertain origin and of no great importance before the time of Alexander the Great. In the 3rd century B.C. it became the center of the independent kingdom ruled by the Attalid dynasty founded by Philetairos. The city was extended and beautified as the prosperity of the kingdom increased, and by the late Hellenistic times Pergamon ranked as one of the great cultural centers of the Greek world. After the end of the kingdom, 133 B.C., Pergamon became capital of the Roman province of Asia.

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Hercules is the Roman name for the Greek divine hero Heracles , who was the son of Zeus (Roman equivalent Jupiter ) and the mortal Alcmene . In classical mythology , Hercules is famous for his strength and for his numerous far-ranging adventures.

The Romans adapted the Greek hero's iconography and myths for their literature and art under the name Hercules. In later Western art and literature and in popular culture , Hercules is more commonly used than Heracles as the name of the hero. Hercules was a multifaceted figure with contradictory characteristics, which enabled later artists and writers to pick and choose how to represent him. This article provides an introduction to representations of Hercules in the later tradition .

Labours

Hercules is known for his many adventures, which took him to the far reaches of the Greco-Roman world . One cycle of these adventures became canonical as the "Twelve Labours," but the list has variations. One traditional order of the labours is found in the Bibliotheca as follows:

1. Slay the Nemean Lion .
2. Slay the nine-headed Lernaean Hydra .
3. Capture the Golden Hind of Artemis .
4. Capture the Erymanthian Boar .
5. Clean the Augean stables in a single day.
6. Slay the Stymphalian Birds .
7. Capture the Cretan Bull .
8. Steal the Mares of Diomedes .
9. Obtain the girdle of Hippolyta , Queen of the Amazons .
10. Obtain the cattle of the monster Geryon .
11. Steal the apples of the Hesperides .
12. Capture and bring back Cerberus .

The Latin name Hercules was borrowed through Etruscan , where it is represented variously as Heracle , Hercle, and other forms. Hercules was a favorite subject for Etruscan art , and appears often on bronze mirrors . The Etruscan form Herceler derives from the Greek Heracles via syncope . A mild oath invoking Hercules (Hercule! or Mehercle!) was a common interjection in Classical Latin .

Hercules had a number of myths Cacus, who was terrorizing the countryside of Rome. The hero was associated with the Aventine Hill through his son Aventinus . Mark Antony considered him a personal patron god, as did the emperor Commodus . Hercules received various forms of religious veneration , including as a deity concerned with children and childbirth , in part because of myths about his precocious infancy, and in part because he fathered countless children. Roman brides wore a special belt tied with the "knot of Hercules", which was supposed to be hard to untie.^[4] The comic playwright Plautus presents the myth of Hercules' conception as a sex comedy in his play Amphitryon ; Seneca wrote the tragedy Hercules Furens about his bout with madness. During the Roman Imperial era , Hercules was worshipped locally from Hispania through Gaul.

Medieval mythography

After the Roman Empire became Christianized , mythological narratives were often reinterpreted as allegory , influenced by the philosophy of late antiquity . In the 4th century, Servius had described Hercules' return from the underworld as representing his ability to overcome earthly desires and vices, or the earth itself as a consumer of bodies. In medieval mythography, Hercules was one of the heroes seen as a strong role model who demonstrated both valor and wisdom, with the monsters he battles as moral obstacles. One glossator noted that when Hercules became a constellation , he showed that strength was necessary to gain entrance to Heaven.

Medieval mythography was written almost entirely in Latin, and original Greek texts were little used as sources for Hercules' myths.

Renaissance mythography

The Renaissance and the invention of the printing press brought a renewed interest in and publication of Greek literature. Renaissance mythography drew more extensively on the Greek tradition of Heracles, typically under the Romanized name Hercules, or the alternate name Alcides . In a chapter of his book Mythologiae (1567), the influential mythographer Natale Conti collected and summarized an extensive range of myths concerning the birth, adventures, and death of the hero under his Roman name Hercules. Conti begins his lengthy chapter on Hercules with an overview description that continues the moralizing impulse of the Middle Ages:

Hercules, who subdued and destroyed monsters, bandits, and criminals, was justly famous and renowned for his great courage. His great and glorious reputation was worldwide, and so firmly entrenched that he'll always be remembered. In fact the ancients honored him with his own temples, altars, ceremonies, and priests. But it was his wisdom and great soul that earned those honors; noble blood, physical strength, and political power just aren't good enough.

In Greek religion and mythology , Athena or Athene, also referred to as Pallas Athena/Athene , is the goddess of wisdom, courage, inspiration, civilization, law and justice, just warfare, mathematics, strength, strategy, the arts, crafts, and skill. Minerva is the Roman goddess identified with Athena.
 

Athena is also a shrewd companion of heroes and is the goddess of heroic endeavour. She is the virgin patroness of Athens . The Athenians founded the Parthenon on the Acropolis of her namesake city, Athens (Athena Parthenos), in her honour.

Athena's veneration as the patron of Athens seems to have existed from the earliest times, and was so persistent that archaic myths about her were recast to adapt to cultural changes. In her role as a protector of the city (polis), many people throughout the Greek world worshiped Athena as Athena Polias (Ἀθηνᾶ Πολιάς "Athena of the city"). The city of Athens and the goddess Athena essentially bear the same name, "Athenai" meaning "[many] Athenas".

Patroness

Athenian tetradrachm representing the goddess Athena

Athena as the goddess of philosophy became an aspect of the cult in Classical Greece during the late 5th century B.C. She is the patroness of various crafts, especially of weaving , as Athena Ergane, and was honored as such at festivals such as Chalceia . The metalwork of weapons also fell under her patronage. She led battles (Athena Promachos or the warrior maiden Athena Parthenos) as the disciplined, strategic side of war, in contrast to her brother Ares, the patron of violence, bloodlust and slaughter—"the raw force of war". Athena's wisdom includes the cunning intelligence (metis) of such figures as Odysseus . Not only was this version of Athena the opposite of Ares in combat, it was also the polar opposite of the serene earth goddess version of the deity, Athena Polias.

Athena appears in Greek mythology as the patron and helper of many heroes, including Odysseus , Jason , and Heracles . In Classical Greek myths, she never consorts with a lover, nor does she ever marry,earning the title Athena Parthenos. A remnant of archaic myth depicts her as the adoptive mother of Erechtheus /Erichthonius through the foiled rape by Hephaestus . Other variants relate that Erichthonius, the serpent that accompanied Athena, was born to Gaia : when the rape failed, the semen landed on Gaia and impregnated her. After Erechthonius was born, Gaia gave him to Athena.

Though Athena is a goddess of war strategy, she disliked fighting without purpose and preferred to use wisdom to settle predicaments.The goddess only encouraged fighting for a reasonable cause or to resolve conflict. As patron of Athens she fought in the Trojan war on the side of the Achaeans.

Mythology

Lady of Athens

Athena competed with Poseidon to be the patron deity of Athens, which was yet unnamed, in a version of one founding myth . They agreed that each would give the Athenians one gift and that the Athenians would choose the gift they preferred. Poseidon struck the ground with his trident and a salt water spring sprang up; this gave them a means of trade and water—Athens at its height was a significant sea power, defeating the Persian fleet at the Battle of Salamis —but the water was salty and not very good for drinking.

Athena, however, offered them the first domesticated olive tree . The Athenians (or their king, Cecrops ) accepted the olive tree and with it the patronage of Athena, for the olive tree brought wood, oil, and food. Robert Graves was of the opinion that "Poseidon's attempts to take possession of certain cities are political myths" which reflect the conflict between matriarchal and patriarchal religions.

Other sites of cult

Athena also was the patron goddess of several other Greek cities, notably Sparta, where the archaic cult of Athena Alea had its sanctuaries in the surrounding villages of Mantineia and, notably, Tegea . In Sparta itself, the temple of Athena Khalkíoikos (Athena "of the Brazen House", often latinized as Chalcioecus) was the grandest and located on the Spartan acropolis; presumably it had a roof of bronze. The forecourt of the Brazen House was the place where the most solemn religious functions in Sparta took place.

Tegea was an important religious center of ancient Greece, containing the Temple of Athena Alea . The temenos was founded by Aleus , Pausanias was informed. Votive bronzes at the site from the Geometric and Archaic periods take the forms of horses and deer; there are sealstone and fibulae . In the Archaic period the nine villages that underlie Tegea banded together in a synoecism to form one city. Tegea was listed in Homer 's Catalogue of Ships as one of the cities that contributed ships and men for the Achaean assault on Troy .

Judgment of Paris

Aphrodite is being surveyed by Paris, while Athena (the leftmost figure) and Hera stand nearby. El Juicio de Paris by Enrique Simonet , ca. 1904

All the gods and goddesses as well as various mortals were invited to the marriage of Peleus and Thetis (the eventual parents of Achilles ). Only Eris , goddess of discord, was not invited. She was annoyed at this, so she arrived with a golden apple inscribed with the word καλλίστῃ (kallistēi, "for the fairest"), which she threw among the goddesses. Aphrodite, Hera, and Athena all claimed to be the fairest, and thus the rightful owner of the apple.

The goddesses chose to place the matter before Zeus, who, not wanting to favor one of the goddesses, put the choice into the hands of Paris, a Trojan prince. After bathing in the spring of Mount Ida (where Troy was situated), the goddesses appeared before Paris. The goddesses undressed and presented themselves to Paris naked, either at his request or for the sake of winning.

Paris is awarding the apple to Aphrodite, while Athena makes a face. Urteil des Paris by Anton Raphael Mengs , ca. 1757

Still, Paris could not decide, as all three were ideally beautiful, so they resorted to bribes. Hera tried to bribe Paris with control over all Asia and Europe , while Athena offered wisdom, fame and glory in battle, but Aphrodite came forth and whispered to Paris that if he were to choose her as the fairest he would have the most beautiful mortal woman in the world as a wife, and he accordingly chose her. This woman was Helen , who was, unfortunately for Paris, already married to King Menelaus of Sparta . The other two goddesses were enraged by this and through Helen's abduction by Paris they brought about the Trojan War .

The Parthenon , Temple of Athena Parthenos

Masculinity and feminism

Athena had an "androgynous compromise" that allowed her traits and what she stood for to be attributed to male and female rulers alike over the course of history (such as Marie de' Medici, Anne of Austria, Christina of Sweden, and Catherine the Great)

J.J. Bachofen advocated that Athena was originally a maternal figure stable in her security and poise but was caught up and perverted by a patriarchal society; this was especially the case in Athens. The goddess adapted but could very easily be seen as a god. He viewed it as "motherless paternity in the place of fatherless maternity" where once altered, Athena's character was to be crystallized as that of a patriarch.

Whereas Bachofen saw the switch to paternity on Athena's behalf as an increase of power, Freud on the contrary perceived Athena as an "original mother goddess divested of her power". In this interpretation, Athena was demoted to be only Zeus's daughter, never allowed the expression of motherhood. Still more different from Bachofen's perspective is the lack of role permanency in Freud's view: Freud held that time and differing cultures would mold Athena to stand for what was necessary to them.

Pergamon, Pergamum or Pérgamo (in Greek , Πέργαμος) was an ancient Greek city in modern-day Turkey , in Mysia , today located 16 miles (26 km) from the Aegean Sea on a promontory on the north side of the river Caicus (modern day Bakırçay ), that became the capital of the Kingdom of Pergamon during the Hellenistic period , under the Attalid dynasty , 281–133 BC. Today, the main sites of ancient Pergamon are to the north and west of the modern city of Bergama .

 History

The Kingdom of Pergamon (colored olive), shown at its greatest extent in 188 BC

The Attalid kingdom was the rump state left after the collapse of the Kingdom of Thrace .

The Attalids, the descendants of Attalus, father of Philetaerus who came to power in 281 BC following the collapse of the Kingdom of Thrace, were among the most loyal supporters of Rome in the Hellenistic world. Under Attalus I (241-197 BC), they allied with Rome against Philip V of Macedon , during the first and second Macedonian Wars , and again under Eumenes II (197-158 BC), against Perseus of Macedon , during the Third Macedonian War . For support against the Seleucids , the Attalids were rewarded with all the former Seleucid domains in Asia Minor .

The Attalids ruled with intelligence and generosity. Many documents survive showing how the Attalids would support the growth of towns through sending in skilled artisans and by remitting taxes. They allowed the Greek cities in their domains to maintain nominal independence. They sent gifts to Greek cultural sites like Delphi , Delos , and Athens . They defeated the invading Celts . They remodeled the Acropolis of Pergamo after the Acropolis in Athens. When Attalus III (138-133 BC) died without an heir in 133 BC he bequeathed the whole of Pergamon to Rome, in order to prevent a civil war.

According to Christian tradition, the first bishop of Pergamon, Antipas , was martyred there in ca. 92 AD. (Revelation 2:13)

The Ottoman Sultan Murad III had two large alabaster urns transported from the ruins of Pergamon and placed on two sides of the nave in the Hagia Sophia in Istanbul .^[1]

 Notable structures

 Upper Acropolis

The Great Altar of Pergamon, on display in the Pergamonmuseum in Berlin , Germany

Model of the Acropolis in the Pergamonmuseum in Berlin

Sketched reconstruction of ancient Pergamon

The Great Altar of Pergamon is in the Pergamon Museum , Berlin. The base of this altar remains on the upper part of the Acropolis. It was perhaps to this altar, believed dedicated to Zeus, that John of Patmos referred to as "Satan's Throne" in his Book of Revelation (Revelation 2:12-13).

Other notable structures still in existence on the upper part of the Acropolis include:

• The Hellenistic Theater with a seating capacity of 10,000. This had the steepest seating of any known theater in the ancient world.^[2]
• The Sanctuary of Trajan (also known as the Trajaneum )
• The Sanctuary of Athena
• The Library a.k.a. Athenaeum ^{[citation needed]}
• The Royal palaces
• The Heroön - a shrine where the kings of Pergamon, particularly, Attalus I and Eumenes II, were worshipped.^[3]
• The Temple of Dionysus
• The Upper Agora
• The Roman baths complex

Pergamon's library on the Acropolis (the ancient Library of Pergamum ) is the second best in the ancient Greek civilization.^[4] When the Ptolemies stopped exporting papyrus , partly because of competitors and partly because of shortages, the Pergamenes invented a new substance to use in codices , called pergaminus or pergamena (parchment) after the city. This was made of fine calfskin , a predecessor of vellum . The library at Pergamom was believed to contain 200,000 volumes, which Mark Antony later gave to Cleopatra as a wedding present.

 Lower Acropolis

The lower part of the Acropolis has the following structures:

• the Upper Gymnasium
• the Middle Gymnasium
• the Lower Gymnasium
• the Temple of Demeter
• the Sanctuary of Hera
• the House of Attalus
• the Lower Agora and
• the Gate of Eumenes

 At foot of Acropolis

 Sanctuary of Asclepius

Three kilometers south of the Acropolis, down in the valley, there was the Sanctuary of Asclepius (also known as the Asclepieion ), the god of healing. In this place people with health problems could bathe in the water of the sacred spring, and in the patients' dreams Asclepius would appear in a vision to tell them how to cure their illness. Archeology has found lots of gifts and dedications that people would make afterwards, such as small terracotta body parts, no doubt representing what had been healed. Notable extant structures in the Asclepieion include:

• the Roman theater
• the North Stoa
• the South Stoa
• the Temple of Asclepius
• a circular treatment center (sometimes known as the Temple of Telesphorus)
• a healing spring
• an underground passageway
• a library
• the Via Tecta (or the Sacred Way, which is a colonnaded street leading to the sanctuary) and
• a propylon .

 Serapis Temple

Pergamon's other notable structure is the Serapis Temple (Serapeum) which was later transformed into the Red Basilica complex (or Kizil Avlu in Turkish), about one kilometer south of the Acropolis. It consists of a main building and two round towers. In the first century AD, the Christian Church at Pergamon inside the main building of the Red Basilica was one of the Seven Churches to which the Book of Revelation was addressed (Revelation 2:12). The forecourt is still supported by the 193 m wide Pergamon Bridge , the largest bridge substruction of antiquity.^[5]

The history of Ancient Greek coinage can be divided (along with most other Greek art forms) into four periods, the Archaic , the Classical , the Hellenistic and the Roman . The Archaic period extends from the introduction of coinage to the Greek world during the 7th century BC until the Persian Wars in about 480 BC. The Classical period then began, and lasted until the conquests of Alexander the Great in about 330 BC, which began the Hellenistic period, extending until the Roman absorption of the Greek world in the 1st century BC. The Greek cities continued to produce their own coins for several more centuries under Roman rule. The coins produced during this period are called Roman provincial coins or Greek Imperial Coins. Ancient Greek coins of all four periods span over a period of more than ten centuries.

Weight standards and denominations

Above: Six rod-shaped obeloi (oboloi) displayed at the Numismatic Museum of Athens , discovered at Heraion of Argos . Below: grasp^[1] of six oboloi forming one drachma

Electrum coin from Ephesus , 620-600 BC, known as Phanes' coin . Obverse: Stag grazing, ΦΑΝΕΩΣ (retrograde). Reverse: Two incuse punches.

The basic standards of the Ancient Greek monetary system were the Attic standard, based on the Athenian drachma of 4.3 grams of silver and the Corinthian standard based on the stater of 8.6 grams of silver, that was subdivided into three silver drachmas of 2.9 grams. The word drachm (a) means "a handful", literally "a grasp". Drachmae were divided into six obols (from the Greek word for a spit ), and six spits made a "handful". This suggests that before coinage came to be used in Greece, spits in prehistoric times were used as measures of daily transaction. In archaic/pre-numismatic times iron was valued for making durable tools and weapons, and its casting in spit form may have actually represented a form of transportable bullion , which eventually became bulky and inconvenient after the adoption of precious metals. Because of this very aspect, Spartan legislation famously forbade issuance of Spartan coin, and enforced the continued use of iron spits so as to discourage avarice and the hoarding of wealth. In addition to its original meaning (which also gave the euphemistic diminutive "obelisk", "little spit"), the word obol (ὀβολός, obolós, or ὀβελός, obelós) was retained as a Greek word for coins of small value, still used as such in Modern Greek slang (όβολα, óvola, "monies").

The obol was further subdivided into tetartemorioi (singular tetartemorion) which represented 1/4 of an obol, or 1/24 of a drachm. This coin (which was known to have been struck in Athens , Colophon , and several other cities) is mentioned by Aristotle as the smallest silver coin.^:237 Various multiples of this denomination were also struck, including the trihemitetartemorion (literally three half-tetartemorioi) valued at 3/8 of an obol.^:

Denominations of silver drachma
Image	Denomination	Value	Weight
	Dekadrachm	10 drachmas	43 grams
	Tetradrachm	4 drachmas	17.2 grams
	Didrachm	2 drachmas	8.6 grams
	Drachma	6 obols	4.3 grams
	Tetrobol	4 obols	2.85 grams
	Triobol (hemidrachm)	3 obols	2.15 grams
	Diobol	2 obols	1.43 grams
	Obol	4 tetartemorions	0.72 grams
	Tritartemorion	3 tetartemorions	0.54 grams
	Hemiobol	2 tetartemorions	0.36 grams
	Trihemitartemorion	3/2 tetartemorions	0.27 grams
	Tetartemorion		0.18 grams
	Hemitartemorion	½ tetartemorion	0.09 grams

Archaic period

Archaic coinage

Uninscribed electrum coin from Lydia , 6th century BCE. Obverse: lion head and sunburst Reverse: plain square imprints, probably used to standardise weight

Electrum coin from Ephesus , 620-600 BC. Obverse: Forepart of stag. Reverse: Square incuse punch.

The first coins were issued in either Lydia or Ionia in Asia Minor at some time before 600 BC, either by the non-Greek Lydians for their own use or perhaps because Greek mercenaries wanted to be paid in precious metal at the conclusion of their time of service, and wanted to have their payments marked in a way that would authenticate them. These coins were made of electrum , an alloy of gold and silver that was highly prized and abundant in that area. By the middle of the 6th century BC, technology had advanced, making the production of pure gold and silver coins simpler. Accordingly, King Croesus introduced a bi-metallic standard that allowed for coins of pure gold and pure silver to be struck and traded in the marketplace.

Coins of Aegina

Silver stater of Aegina, 550-530 BC. Obv. Sea turtle with large pellets down center. Rev. incuse square with eight sections. After the end of the Peloponnesian War , 404 BC, Sea turtle was replaced by the land tortoise .

Silver drachma of Aegina, 404-340 BC. Obverse: Land tortoise . Reverse: inscription AΙΓ[INAΤΟΝ] ([of the] Aeg[inetans]) "Aegina" and dolphin.

The Greek world was divided into more than two thousand self-governing city-states (in Greek , poleis), and more than half of them issued their own coins. Some coins circulated widely beyond their polis, indicating that they were being used in inter-city trade; the first example appears to have been the silver stater or didrachm of Aegina that regularly turns up in hoards in Egypt and the Levant , places which were deficient in silver supply. As such coins circulated more widely, other cities began to mint coins to this "Aeginetan" weight standard of (6.1 grams to the drachm), other cities included their own symbols on the coins. This is not unlike present day Euro coins, which are recognisably from a particular country, but usable all over the Euro zone .

Athenian coins, however, were struck on the "Attic" standard, with a drachm equaling 4.3 grams of silver. Over time, Athens' plentiful supply of silver from the mines at Laurion and its increasing dominance in trade made this the pre-eminent standard. These coins, known as "owls" because of their central design feature, were also minted to an extremely tight standard of purity and weight. This contributed to their success as the premier trade coin of their era. Tetradrachms on this weight standard continued to be a widely used coin (often the most widely used) through the classical period. By the time of Alexander the Great and his Hellenistic successors , this large denomination was being regularly used to make large payments, or was often saved for hoarding.

Classical period

A Syracusan tetradrachm (c. 415–405 BC)
Obverse: head of the nymph Arethusa , surrounded by four swimming dolphins and a rudder
Reverse: a racing quadriga , its charioteer crowned by the goddess Victory in flight.

Tetradrachm of Athens, (5th century BC)
Obverse: a portrait of Athena , patron goddess of the city, in helmet
Reverse: the owl of Athens, with an olive sprig and the inscription "ΑΘΕ", short for ΑΘΕΝΑΙΟΝ, "of the Athenians "

The Classical period saw Greek coinage reach a high level of technical and aesthetic quality. Larger cities now produced a range of fine silver and gold coins, most bearing a portrait of their patron god or goddess or a legendary hero on one side, and a symbol of the city on the other. Some coins employed a visual pun: some coins from Rhodes featured a rose, since the Greek word for rose is rhodon. The use of inscriptions on coins also began, usually the name of the issuing city.

The wealthy cities of Sicily produced some especially fine coins. The large silver decadrachm (10-drachm) coin from Syracuse is regarded by many collectors as the finest coin produced in the ancient world, perhaps ever. Syracusan issues were rather standard in their imprints, one side bearing the head of the nymph Arethusa and the other usually a victorious quadriga . The tyrants of Syracuse were fabulously rich, and part of their public relations policy was to fund quadrigas for the Olympic chariot race , a very expensive undertaking. As they were often able to finance more than one quadriga at a time, they were frequent victors in this highly prestigious event.

Syracuse was one of the epicenters of numismatic art during the classical period. Led by the engravers Kimon and Euainetos, Syracuse produced some of the finest coin designs of antiquity.

Hellenistic period

Gold 20-stater of Eucratides I , the largest gold coin ever minted in Antiquity.

Drachma of Alexandria , 222-235 AD. Obverse: Laureate head of Alexander Severus , KAI(ΣΑΡ) MAP(ΚΟΣ) AYP(ΗΛΙΟΣ) ΣЄY(ΑΣΤΟΣ) AΛЄΞANΔPOΣ ЄYΣЄ(ΒΗΣ). Reverse: Bust of Asclepius .

The Hellenistic period was characterized by the spread of Greek culture across a large part of the known world. Greek-speaking kingdoms were established in Egypt and Syria , and for a time also in Iran and as far east as what is now Afghanistan and northwestern India . Greek traders spread Greek coins across this vast area, and the new kingdoms soon began to produce their own coins. Because these kingdoms were much larger and wealthier than the Greek city states of the classical period, their coins tended to be more mass-produced, as well as larger, and more frequently in gold. They often lacked the aesthetic delicacy of coins of the earlier period.

Still, some of the Greco-Bactrian coins, and those of their successors in India, the Indo-Greeks , are considered the finest examples of Greek numismatic art with "a nice blend of realism and idealization", including the largest coins to be minted in the Hellenistic world: the largest gold coin was minted by Eucratides (reigned 171–145 BC), the largest silver coin by the Indo-Greek king Amyntas Nikator (reigned c. 95–90 BC). The portraits "show a degree of individuality never matched by the often bland depictions of their royal contemporaries further West" (Roger Ling, "Greece and the Hellenistic World").

The most striking new feature of Hellenistic coins was the use of portraits of living people, namely of the kings themselves. This practice had begun in Sicily, but was disapproved of by other Greeks as showing hubris (arrogance). But the kings of Ptolemaic Egypt and Seleucid Syria had no such scruples: having already awarded themselves with "divine" status, they issued magnificent gold coins adorned with their own portraits, with the symbols of their state on the reverse. The names of the kings were frequently inscribed on the coin as well. This established a pattern for coins which has persisted ever since: a portrait of the king, usually in profile and striking a heroic pose, on the obverse, with his name beside him, and a coat of arms or other symbol of state on the reverse.

Minting

All Greek coins were handmade , rather than machined as modern coins are. The design for the obverse was carved (in incuso ) into a block of bronze or possibly iron, called a die . The design of the reverse was carved into a similar punch. A blank disk of gold, silver, or electrum was cast in a mold and then, placed between these two and the punch struck hard with a hammer, raising the design on both sides of the coin.

Coins as a symbol of the city-state

Coins of Greek city-states depicted a unique symbol or feature, an early form of emblem , also known as badge in numismatics, that represented their city and promoted the prestige of their state. Corinthian stater for example depicted pegasus the mythological winged stallion, tamed by their hero Bellerophon . Coins of Ephesus depicted the bee sacred to Artemis . Drachmas of Athens depicted the owl of Athena . Drachmas of Aegina depicted a chelone . Coins of Selinunte depicted a "selinon" (σέλινον - celery ). Coins of Heraclea depicted Heracles . Coins of Gela depicted a man-headed bull, the personification of the river Gela . Coins of Rhodes depicted a "rhodon" (ῥόδον^[8] - rose ). Coins of Knossos depicted the labyrinth or the mythical creature minotaur , a symbol of the Minoan Crete . Coins of Melos depicted a "mēlon" (μήλον - apple ). Coins of Thebes depicted a Boeotian shield.

Corinthian stater with pegasus

Coin of Rhodes with a rose

Didrachm of Selinunte with a celery

Coin of Ephesus with a bee

Stater of Olympia depicting Nike

Coin of Melos with an apple

Obolus from Stymphalia with a Stymphalian bird

Coin of Thebes with a Boeotian shield

Coin of Gela with a man-headed bull, the personification of the river Gela

Didrachm of Knossos depicting the Minotaur

Commemorative coins

 

Dekadrachm of Syracuse ^{[disambiguation needed]}. Head of Arethusa or queen Demarete. ΣΥΡΑΚΟΣΙΟΝ (of the Syracusians), around four dolphins

The use of commemorative coins to celebrate a victory or an achievement of the state was a Greek invention. Coins are valuable, durable and pass through many hands. In an age without newspapers or other mass media, they were an ideal way of disseminating a political message. The first such coin was a commemorative decadrachm issued by Athens following the Greek victory in the Persian Wars . On these coins that were struck around 480 BC, the owl of Athens, the goddess Athena 's sacred bird, was depicted facing the viewer with wings outstretched, holding a spray of olive leaves, the olive tree being Athena's sacred plant and also a symbol of peace and prosperity. The message was that Athens was powerful and victorious, but also peace-loving. Another commemorative coin, a silver dekadrachm known as " Demareteion", was minted at Syracuse at approximately the same time to celebrate the defeat of the Carthaginians . On the obverse it bears a portrait of Arethusa or queen Demarete.

Ancient Greek coins today

Collections of Ancient Greek coins are held by museums around the world, of which the collections of the British Museum , the American Numismatic Society , and the Danish National Museum are considered to be the finest. The American Numismatic Society collection comprises some 100,000 ancient Greek coins from many regions and mints, from Spain and North Africa to Afghanistan. To varying degrees, these coins are available for study by academics and researchers.

There is also an active collector market for Greek coins. Several auction houses in Europe and the United States specialize in ancient coins (including Greek) and there is also a large on-line market for such coins.

Hoards of Greek coins are still being found in Europe, Middle East, and North Africa, and some of the coins in these hoards find their way onto the market. Coins are the only art form from the Ancient world which is common enough and durable enough to be within the reach of ordinary collectors.