Star Trek TOS, Phaser Metal Parts, Top Turn Clover

P2 Top Turn Clover, Specially engineered for an easy fit to Art Asylum and Diamond Select toy Phasers when converting to a Hero Prop and, also works all my Top Turn Dials.



  1. Price is Each. INSTALLED EXAMPLES FOR REFERENCE PURPOSE ONLY. 10 Turn Top Dial Sold Separately.

  2. I HAVE MANY METAL PARTS IN STOCK, CLICK ON VISIT STORE IN THE UPPER RIGHT OF THIS PAGE UNDER SELLER INFORMATION. We sell multiple styles of the Ten Turn dial to compliment this Clover including exact reproductions of the 1960s Bourns Dial as used on the historic Greg Jein Phaser.

  3. Hand Machined aluminum, polished, 0.49 dia x 0.12 thick x 0.31 octagon hole per photo's. (ACCEPTS a 5/16 Inch diameter tube/rod nice-n-tight or, use a K and S Engineering M01377 7mm tube and some epoxy putty, all available on eBay)

  4. Fits: All Toy Phasers and specially engineered for a fast-n-easy fit to Art Asylum and Diamond Select Phasers.

  5. You are the Prop Builder so you do the fitting.

  6. Works with all my Ten Turn engraved dials.

  7. Check out the mirror finish and chamfer along the top edge, just gorgeous. The mount hole is the correct octagon for any Phaser but also grips epoxy very very well if you mount to a 3/16 " tube/rod or, a K and S Engineering M01377 7mm tube and some epoxy putty, all available on eBay).

  8. Photos show both top & bottom of part.

  9. The aluminum is NOT ANODIZED and is of a more workable alloy type than others on the market. Why?, I used a special 6063-T5 (HE-6) un-anodized aluminum because it is workable by a prop builder. Anodizing hardens the material surface and that’s not always good because anodizing makes it difficult work the component. Notably anodizing makes it hard to; machine, grain and/or, further polish, the component.

  10. I want you to have options: This component is easy to; mirror polish to brilliance, drill, file, acid weather, rolex grain and, do anything else you can come up with, your the prop builder and I say have some fun! I also do not like anodizing because it does not look Prop Authentic to the 1960 s TV show.

  11. LIFETIME WARRANTY AGAINST FAILURE OF ANY KIND INCLUDING DENTING.


METAL PARTS; Prior to use, all Metal Parts MUST be cleaned to remove machine coolant residue. RESIDUE IS NOT VISIBLE AND DOES NOT FEEL OILY, BUT IT IS THERE! Use dish-washing detergent such as "Dawn" or "Palmolive" to insure a clean part.


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Some Star Trek Prop History For Inquiring Minds: Most of these Prop Makers and Technicians have passed-on. Below are old-timer accounts of convention conversations before conventions were really a fad. (all these are therefore 2nd hand stories)


Mr. Bob Stone was Star Trek's machinist and made all the metal prop parts for all three seasons of the show. Parts were made to order for each episode as in those times (the 1960's) as machining was done by hand and there was no advantage to making short runs (and no studio funding either). Each episode had a specific budget. Speaking of budgets, Bob relied on his Star Trek friend Robert Archer (VP of Budgeting for the show) in getting a little leeway on the $ so he could do the best possible job. According to Bob there was no magic drum of Phaser Nozzles and every job was a mad-dash to meet the filming deadlines. Because parts were made only to order, parts varied quite a bit. These variations can be seen in all the surviving examples of TOS hand props from Phaser to Communicators and Tricorders. Sometimes it was not that a new design was needed but rather that when one Wings it from a sketch, in a hurry using what is on-hand, you get an unintended-new-version of something (in the 1960's the TV audience never could see that). 


Robert Archer and Bob Stone worked closely together so when the show was canceled suddenly in season three, Robert Archer ended up with a nice collection of hand props. Richard Heimer made the molds for hand props. He also did all the casting and forming. This included; Vacuum form bucks, Fiberglass molds and urethane molds. Again, according to him most work is done in the normal Hollywood maddening rush. He shared with his convention friends that there were many molds made from molds when the production schedule demanded this. He also shared that when the show ended he rescued the molds from being discarded by putting them in his garage. 


James Ruggs (b. 1919) was the director of special effects for the show. He handled and repaired many of the props on-set. When the show was canceled in season three he rescued many hand props and even some models from the scrap heap. 


Dick Ruben, Prop & Art Assistant on the show, got his Set-Used Klingon disruptor from James. Mr. Ruggs held on to his rather large Star Trek collection for many years. It is widely known that Greg Jein got his Holy-Grail Hero Phaser from James. In closing a nod to Mr. Ruck, a prop technician, who reported that he repaired some hand props hundreds of times as they were often damaged during filming. He had also shared that the fiberglass Mid-Grade's, and some other props often used basswood strips between the seams to establish uniform dimensions. 


Watch some YouTube Star Trek TOS bloopers to see what he was talking when it comes to repairs and hand props flying apart. 


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