Fantastic Mid Century Ltd Edition

KARLSRUHER MAJOLIKA

Faience Grunpurper Family

Damascus Platter

15" diameter

Reproduction of damascus plate of the Grunpurper family made in the workshops of the Golden Horn, 16th century.

Shallow with a lobed rim, decorated in ochre, green and blue

Made in limited edition for the Gutenberg Book Guild in 1977.

Earthenware multicolored  glaze painting

 Painted manufacturer's mark, stamp of the Karlsruhe Majolica

Condition: perfect without damage 

  • MAJOLIKA KARLSRUHE produced a wide range of artisan ceramics and was one of Germany's leading producers of ceramics generally. The quality of production was excellent.

    Top designers prior to WWII included Ludwig König and Max Läuger. The factory was badly damaged by bombs in 1944 and did not return to the full-time production of decorative goods until the 1950's, when business resumed much as in pre-war days, with both company-employed and freelance designers.

     One of the foremost post-war designers was Friedegart Glatzle, who joined MAJOLIKA KARLSRUHE in 1951, and who over the next 30 years produced a huge range of designs.

    Other designers of note during this period included luminaries Eva Fritz-Lindner and Werner Meschede.

    To this day the company provides artists with their own studio space and commissions work from them.

    Product examples can be seen at the Badisches Landesmuseum in Karlsruhe. Most MAJOLIKA KARLSRUHE pieces bear the company's name and symbol—the arms of Baden above a double-joined 'M' for Majolika-Manufaktur.

    Items are made with a red-orange clay and are marked with a form number.

    FRIDEGART GLATZLE (B.1920) received her high school diploma in 1940 and went on to attend the Werkschule Albrecht Leo Merz in Stuttgart from 1946 to 1947. After her apprenticeship as a potter from 1947 to 1949 in the Hinz pottery in Leinfelden, she passed her journeyman’s examination in Stuttgart in 1950 while studying at the technical school for ceramics in Höhr-Grenzhausen, from which she subsequently graduated in 1951. She was employed by the State Majolica Manufactory in Karlsruhe that same year and, with over 1200 mold designs, decisively determined the appearance of series production there over the following three decades. In addition, she created an extensive studio collection of hand-glazed works, including numerous unique pieces.
     

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    # 6

    18 x 18 x 6

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