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Description: This rare print originates from: 'Historie der Kerken en Ketteren van den beginne des Nieuwen Testaments tot aan het Jaar onses Heeren 1688. Onzydig in 't Hoogduytsch beschreeven, door den Hoog-geleerden Heer Godfried Arnold, Voor deezen Hoog-Leeraar in de Historien tot Giesen. In het Neederduyts vertaald. Vercierd met verscheyde Koopere Plaaten door den Heer Romeyn de Hooghe.' (transl.: History of Churches and Heretics from the start of the New Testament until the year of our lord 1688 ...), by Godfried Arnold, Dutch edition published by Sebastiaan Petzold, Amsterdam 1701. This edition contains portraits of heretic figures, etched by the reknown Romeyn de Hooghe.
Artists and Engravers: Gottfried Arnold (pseud. Christophorus Irenaeus) was an important representative of the so-called radical Pietism, publicist, church historian and chants writer (so he was believed to have written the well-known Church song 'O Durchbrecher aller Bande'). Arnold studied theology in Wittenberg. From the Lutheran Orthodoxy he converted, through writings of Spener, to Pietism, associating later into a circle around the court preacher Sprögel, who was influenced by Jakok Böhm. Many medieval mystics were later re-issued by him. In addition he was clearly influenced by Grotius and the early enlightenment. His quest for the 'true' Christianity rightly brought him in the early Church. So he arranged an edition containing the sermons of the desert father Macarius. Arnold was a skilled patristicus, although he did not escape from the creation of an ideal image of the Christian life in the early Church, in his view a flowering time which ended with the reign of Constantine. His first study of the early Church ('Die erste Liebe der Gemeinen Jesu Christi') provided him a professor position in Gießen, a post which he soon left, disappointed by what he called the 'Ruhmsüchtige Vernunftwesen des akademischen Lebens'. He continued as an individual scientist and he published books and poems. His main work is 'Unparteiischen Kirchen- und Ketzerhistorie' (1699-1700), of which this is the Dutch translation. He adapts in this study the reformatory decay theory, where the censure lies no longer with Constantine, but the post-Apostolic time. The decay is temporarily lifted with the Reformation, but occurres again soon, so that even the contemporary institutional Protestantism lies under the fire of his criticism. On the other hand he favours the 'Church of the spirit' that existed in all times (invisible) and is characterised by avoiding the world and asceticism. Not the orthodoxy, but the subjectivity of religious man is central to his theological thinking. His studies earned him great appreciation but also a storm of criticism. His work marks the transition between a confessional way of historiography to the modern, pragmatic historiography. Here after his life took a surprising twist. Not only did he marry at an older age, he also accepted a church position in Allstedt. A few years later he became pastor and superintendent in Werben. This career resulted in a moderation of his radical ideas. In the view of Hirsch Arnold was the most important theologic scientist in the period at the end of the 17th. and early 18th c. Romeyn de Hooghe (1645-1708) was an important and prolific late Dutch Baroque engraver and caricaturist. De Hooghe was skilled as an etcher, draughtsman, painter, sculptor and medalist. He is best known for political caricatures of Louis XIV and propagandistic prints supporting William of Orange. During his career, de Hooghe produced over 3500 prints. He also illustrated books, and his illustrations can be found in some of the most important texts of his period.
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Subject: Plate: 'Eutyches.' (Eutyches).' Eutyches (c. 380 - c. 456) was a presbyter and archimandrite at Constantinople. He first came to notice in 431 at the First Council of Ephesus, for his vehement opposition to the teachings of Nestorius; his condemnation of Nestorianism as heresy precipitated his being denounced as a heretic himself.
Condition: Excellent. General age related toning. Paper edges occasionally a bit browned. Please study scan carefully.
Size (in cm): The overall size is ca. 20 x 31 cm. The image size is ca. 15.5 x 26 cm.
Size (in inch): The overall size is ca. 7.9 x 12.2 inch. The image size is ca. 6.1 x 10.2 inch.
Medium: Copperplate etching on a verge type paper, with watermark present in most sheets from this work. Rear of sheet blank.
Location: A126-08
SKU: TPC 22840.1
Section: DE-HOOGHE-1701
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