Danish Modern! The W A L L or Table Lamp:
Diameter: 47,5-48 cm
2 vintage sockets E27 made of porcelain
Seal on back of rings: "Made in Denmark"
Rings made of Steel
Back made of Aluminium by Fog & Morup ("Jo" Hammerborg "Discos" 1960s)
The higher the wattage the better it shines.
Condition: Excellent.
The back is a vintage Lamp from the 60s.
Comes with instructions for SETUP and rawplug & other small parts.
Weights boxed 8-9 kilograms.
FREE SHIPPING WORLDWIDE (it cost us $135 USD)
[ : - ) = $ = (o-: ] Bauhaus poster and Book not for sale
The Idea of this wall Design comes from Bauhaus 1919-1923 (Walter Gropius Design movement)
The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a Gesamtkunstwerk ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, modernist architecture, and architectural education. The Bauhaus movement had a profound influence on subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. Staff at the Bauhaus included prominent artists such as Paul Klee, Wassily Kandinsky, and László Moholy-Nagy at various points.
50 years after the Bauhaus creation in 1919-1923 and around the year of 1970 the danish designer Bent Karlby repotencied the Bauhaus idea to put another colors to a 1972 lightning experiment which he called the peacock. Essentially he copied the Bauhaus design to put another colors.
Since the patents after 100 years are gone everyone can copy Disneys MICKEY MOUSE as free as they like in 2024. We took the idea from Gropious after 100 years & 104 years (Blue= 1919 & Red= 1923) and changed the colors to our own. The Back of the light is in White : the Design Lamp of "Jo" Johannes Hammerborg Made by Fog & Morup in the 1960s called "Discos", a renowned lamp in its own right, and very sought after in Denmark. We offer real DANISH MODERN to the world. A POP ART Light which is a very limited edition in the world.
Returns are only available to Europa Union or UK citizens (By EU law)
if the item is in original condition. Buyer pays return.
("\(¬_¬),,,,,"Rest and relaxation are no less important for creative thinking than work". --Walter Gropius (Bauhaus Founder) ,,,,,(¬_¬)/")
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Our city of AARHUS, Denmark has invested 20 million Danish Crowns
winning at a public auction the "ETERNAL RING" Sculpture in the beach.
The construction may have costed only 1.000.000 Danish Crowns (real cost) but the Commune was desperate
to own it as they have already another "RINGS" Sculpture in the city: the Eternal Ring in Colors on top of the Museum of Modern
Art (Museum of Scandinavian Design or AROS Museum) designed by renowned artist Olafur Eliasson
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Pop Art,
center of attention,
piece of conversation,
irreverent, unorthodox,
at daytime: an sculpture,
at night-time: Light Art !
...Allways a favourite !
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If you live in a modern box-like home (...most of us do !)
the lamp ocuppy very little space on a wall.
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THE NOTION OF DEMOCRATIC DESIGN:
"The Æsthetic object is there for ALL ...
...and not just for a Museum ! "
--Ingvar Kamprad
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"You have noticed that everything an Indian does is in a circle, and that is because the Power of the world always works in circles, and everything tries to be round....The sky is round, and I have heard that the earth is round like a ball, and so are the stars. The wind, in its greatest power, whirls. Birds make their nests in circles,for theirs is the same religion as ours... Even the seasons form a great circle in their changing, and always come back again to where they were. The life of a man is a circle from childhood to childhood,and so it is in everything where power moves."-- Black Elk, Oglala Nation
The History of FOG & MøRUP----> Ansgar Fog and E Mørup met in 1902 at the firm of Marinus Kock in Aarhus,
Denmark. They rapidly became firm friends and began to develop the idea of
going into business together. On 22 February 1904 they answered an
advertisement in the newspaper Jyllandsposten calling for 'an energetic
man to take over a well-established ironmongery and consignment
warehouse'.
The warehouse contents encompassed paraffin lamps, gas lamps, gas pipes,
hosepipes, pumps, glasscutters and 'other marketable and profitable
wares'. The pair borrowed the asking price of 3,000 Danish kroner and
started business as 'agents and wholesalers' on 1 July 1904 in three small
rooms with cellars in Fiskergyde in Aarhus. Both Fog and Mørup were then
24 years old.
In 1906 Fog & Mørup moved to Copenhagen and began to specialise in
lighting, taking over electrical dealership Dahls Brothers in 1913, and on
1 April 1915 they opened their first lighting factory at Nørregade 7.
Rapid expansion of the company over the following two decades, together
with the takeover of several other lighting companies, meant that the
factory was moved to larger premises more than once, and the Nørregade
premises became the company's showroom.
It was in the early 1960s that Fog & Morup really emerged as a significant
force in lighting design, when the company began what was to prove a long
and productive relationship with Jo Hammerborg. Hammerborg's sleek and
innovative modernist designs (see examples right and above) became the
trademark style of Fog & Morup throughout the 60s and into the 70s, and
propelled the company into the forefront of Danish modern lighting.
By the early 1970s Fog & Mørup had reached its prime, with sales in 1972
in excess of 50 million Danish kroner and an export market growing at 30
per cent per annum. The company's belief that, 'presented with a
challenge, designers as individuals or in design groups will achieve their
finest work' enabled them to attract many talented architects and
designers including Hammerborg, Sophus Frandsen, Johannes Exner, Claus
Bonderup and Torsten Thorup, Jørgen Bo, Karen and Ebbe Clemmensen, Mogens
Voltelen, Henning Larsen, Andreas Hansen, Børge Rameskov, Hans Due and
Peter Avondoglio.
Perhaps the most widely recognised of Fog & Morup's lights today is the
iconic Semi (above left), designed in 1967 by Bonderup and Thorup, but the
company also produced many other innovative, important and award-winning
lights including Due's Optima (bottom right), as well as collaborating
with other manufacturers such as Holmegaard, Royal Copenhagen and Kaj
Franck's Arabia (right).
Fog and Mørup maintained their predominant position throughout the 1970s,
during which decade they merged with another leading design-oriented
Danish lighting company, Lyfa. Although the companies now shared factory
premises at Ballerup, the two distinct brands were maintained, and their
distinctness was emphasised through careful brand differentiation.
Lyfa was now pitched at the more mature design-conscious buyer while Fog &
Mørup wholeheartedly embraced the younger market with a move into bright
colours and stylish pop-art designs (right and above left). Indeed, the
two companies occasionally issued lights that were identical in design but
were produced in shiny primary colours for Fog & Morup and more sober
metallic finishes under the Lyfa branding. Both companies were
subsequently incorporated into Horn Belysning A/S of Aalstrup, and the
Lyfa and Fog & Mørup brands were abandoned.