S15, 528-08, 1900s, Cabinet Card, French Doll, Tombola, "Costume de La Frise"

You are bidding on an original Antique 1900s Cabinet Card Photograph, French Doll, Tombola, "Costume de La Frise". One of a Kind.


To see all of my "Cabinet Cards" click here.

More Info on Bisque Doll:
A bisque doll or porcelain doll is a doll made partially or wholly out of bisque or biscuit porcelain. Bisque dolls are characterized by their realistic, skin-like matte finish. They had their peak of popularity between 1860 and 1900 with French and German dolls. Bisque dolls are collectible, and antique dolls can be worth thousands of dollars. Antique German and French bisque dolls from the 19th century were often made as children's playthings, but contemporary bisque dolls are predominantly made directly for the collectors market.
 
Colloquially the terms porcelain doll, bisque doll and china doll are sometimes used interchangeably. But collectors, when referring to antique dolls, make a distinction between china dolls, made of glazed porcelain, and bisque dolls, made of unglazed porcelain. When referring to contemporary dolls, the terms porcelain and bisque are sometimes used interchangeably. (ref. Wikipedia)

 
Photographer: N/A.

Subjects: Doll, Bisque Doll, Children, Hospital, Nurse, Clothes, Fashion, Toy

Card size: 9.25" x 11.75", Photo Size: 5" x 7"; #S15, 528-08
 

The Cabinet Card was a style of photograph which was widely used for photographic portraiture after 1870. It consisted of a thin photograph mounted on a card typically measuring 108 by 165 mm (4+1⁄4 by 6+1⁄2 inches).

The carte de visite was displaced by the larger cabinet card in the 1880s. In the early 1860s, both types of photographs were essentially the same in process and design. Both were most often albumen prints, the primary difference being the cabinet card was larger and usually included extensive logos and information on the reverse side of the card to advertise the photographer’s services. However, later into its popularity, other types of papers began to replace the albumen process. Despite the similarity, the cabinet card format was initially used for landscape views before it was adopted for portraiture.

Some cabinet card images from the 1890s have the appearance of a black-and-white photograph in contrast to the distinctive sepia toning notable in the albumen print process. These photographs have a neutral image tone and were most likely produced on a matte collodion, gelatin or gelatin bromide paper.

Sometimes images from this period can be identified by a greenish cast. Gelatin papers were introduced in the 1870s and started gaining acceptance in the 1880s and 1890s as the gelatin bromide papers became popular. Matte collodion was used in the same period. A true black-and-white image on a cabinet card is likely to have been produced in the 1890s or after 1900. The last cabinet cards were produced in the 1920s, even as late as 1924.

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