OLD and AUTHENTIC LITHOGRAPHY + 2 ORIGINAL STUDY DRAWINGS


by Felix LACAILLE (1856-1923)

1 LARGE LITHOGRAPH ENTITLED "Mutilated" (Superb and moving)
Signature printed in the plate and PENCIL SIGNATURE with year (1915) and justification 1/25 in pencil also
Representing a grieving mother, seated in front of the frame, with military medal, of her husband, who died for France. Next to her stands her daughter, one arm in a sling, the other arm invisible (but does she still have it?) and saying, "I won't be able to blow kisses to my poor daddy anymore!"
A striking detail reinforces the message, cruel but real in so much war, of this work: at the bottom right, a small drawing shows a child lying dead, with both arms severed.
Marked in pencil (bottom left): "BANNED by CENSORSHIP"
On strong paper
 
+ 2 ORIGINAL PENCIL DRAWINGS (study drawings), unsigned
The first represents the bust of a young girl with one arm in a sling (drawing of study, in Indian ink, lithography, no doubt) and the drawing, in pencil, of a table of four people (a woman and three men) (on strong paper) + a profile portrait from another man
The second (in blue pencil) represents an unfinished drawing, in Indian ink and pencil, of an assembly of four people around a table (2 men seated, smiling and discussing, a woman, standing, mending , and a little girl under the table having fun with cats (on strong paper)

1915 for the litho, the drawings are not dated



Félix-Jules Lacaille is a French painter, draftsman and illustrator, born February 27, 1856 in Paris, city where he died September 21, 1923. (Source: Wikipedia).

Dimensions:
Lithograph: 66 x 51 cm (support), 45 x 38 cm (lithograph)
Drawing 1 (the young girl with the scarf and the table): 33 x 24 cm (support), 15 x 9 cm (for the largest of the drawings)
Drawing 2 (the 2 men, the woman and the child): 34 x 25 cm (support), 21 x 17 cm (drawing, out of text)

Sending neat, rolled, in tube by Mondial Relay (by default), or by Colissimo (if requested, with supplement) and by Colissimo International for Abroad
 
Reduced shipping costs in the event of group purchases.
Representing a grieving mother, seated in front of the frame, with military medal, of her husband, who died for France. Next to her stands her daughter, one arm in a sling, the other arm invisible (but does she still have it?) and saying, "I won't be able to blow kisses to my poor daddy anymore!" The first represents the bust of a young girl with one arm in a sling (drawing of study, in Indian ink, lithography, no doubt) and the drawing, in pencil, of a table of four people (a woman and three men) (on strong paper) + a profile portrait from another man The second (in blue pencil) represents an unfinished drawing, in Indian ink and pencil, of an assembly of four people around a table (2 men seated, smiling and discussing, a woman, standing, mending , and a little girl under the table having
Representing a grieving mother, seated in front of the frame, with military medal, of her husband, who died for France. Next to her stands her daughter, one arm in a sling, the other arm invisible (but does she still have it?) and saying, "I won't be able to blow kisses to my poor daddy anymore!" The first represents the bust of a young girl with one arm in a sling (drawing of study, in Indian ink, lithography, no doubt) and the drawing, in pencil, of a table of four people (a woman and three men) (on strong paper) + a profile portrait from another man The second (in blue pencil) represents an unfinished drawing, in Indian ink and pencil, of an assembly of four people around a table (2 men seated, smiling and discussing, a woman, standing, mending , and a little girl under the table having
Representing a grieving mother, seated in front of the frame, with military medal, of her husband, who died for France. Next to her stands her daughter, one arm in a sling, the other arm invisible (but does she still have it?) and saying, "I won't be able to blow kisses to my poor daddy anymore!" The first represents the bust of a young girl with one arm in a sling (drawing of study, in Indian ink, lithography, no doubt) and the drawing, in pencil, of a table of four people (a woman and three men) (on strong paper) + a profile portrait from another man The second (in blue pencil) represents an unfinished drawing, in Indian ink and pencil, of an assembly of four people around a table (2 men seated, smiling and discussing, a woman, standing, mending , and a little girl under the table having