einen wunderschönen
silbernen
Bergkristall-Ring*
im Design des bekannen finnischen Schmuckdesigners
Karl Laine**
Ein herrlicher Bergkristall funkelt in der
von der finnischen Landschaft inspirierten Silberfassung.
Der Ring hat neben der Feingehaltspunze 925 und der für Karl Laine (KL) noch die für Finnland typische Punzen:
Eine Art Harke/Wellen Z7 (=1977) und Finland
Der Ring war, wie viele Karl Laine Ringe einmal größenverstellbar.
Die offenen Ringschiene ist aber bei diesem Ring professionell verlötet worden,
ist aber kaum zu sehen, siehe die Fotos!
„Morgentau in Spinnweben und felsiger Boden, wo der Frost seine Spuren hinterlassen hat. Die ruhige Betrachtung der Natur legte den Grundstein für Karl Laines kreatives Schaffen. ... Zunächst stellte er Schmuck aus Bronze her, später kam auch Silber ins Spiel. Er nutzte die Oberflächen der Metalle, die Widersprüche zwischen matt und glänzend. Die Kontraste faszinierten ihn. Er schuf ein neues Design aus einer Kombination aus Wind und Wasser, eckig und rund. Laine gründete Ende der 1960er Jahre das Unternehmen Sten & Laine. Schon zu Beginn öffnete sich für ihn der Markt in Schweden. Die großen Flächen und die ruhige Formensprache seiner Schmuckstücke erregten dann auch in Deutschland Aufmerksamkeit. „
Zitat aus finnfeelings.fi**
Hans Sten und Karl Laine, Finnfeelings**
Die Marke Finnfeelings wurde Anfang der 1960er Jahre von
Hans Sten und Karl Laine gegründet.
Die KL-Marke von Karl Laine findet sich meist außen am Schmuck, nicht bei den
Finnlandmarken !
!!!! sehen Sie sich die Fotos an !!!!
!!!! ein einziges Feuerwerk !!!!
alt und getragen, aber sehr guter Zustand
(Siehe Fotos! Sie sind wesentlicher Bestandteil meiner Artikelbeschreibnung)
(11110412-NEG240411-400)
Feine
Silberschmiedearbeit!
Details:
Größe: Durchmesser ca. 17 mm, Ringkopf ca. 13 mm,
Solitär ca. 7 mm
Material Silber, Bergkristall
Punze: KL (= KarlLaine) 925 Harke/Wellen ? Z7 Finland
Gewicht: ca. 4,0 GRAMM
Zustand: alt und getragen, aber sehr guter Zustand,
sie die Fotos, die wesentlicher Teil meiner Artikelbeschreibung sind
SW Karl laine Sten & Laine finnischer Schmuck fnish jewelry skandinaviy jewellery skandinavischer Schmuck Finschmuck finjewellery finjewelry bergkristall Finnland Finland Natur Wald Moos Öko Ökologie finnische Landschaft skaninavische Landschaft Naturerfahrung Naturerleben finnishce Wälder finnishcer Meerbusen Meer Seen Seenlandschaft
*!! Bitte beachten Sie, dass Sie nur das ersteigern, was hier beschrieben ist, also nicht auch noch das, was auf den Fotos vielleicht noch zu sehen ist, also Assecoires, Schatullen, Porzellan u.ä.
Versandrisiko trägt der Käufer! Ich empfehle daher registrierten Versand!
Wenn Sie Fragen haben, stellen Sie diese bitte bevor Sie bieten!
If you have questions, please ask me in advance!
________________________________________________________________________________
Aus Wiki:
Fashion in the 1970s was about
individuality. In the early 1970s, Vogue proclaimed "There are no rules in
the fashion game now"[1] due to overproduction flooding the market with
cheap synthetic clothing. Common items included mini skirts, bell-bottoms popularized
by hippies, vintage clothing from the 1950s and earlier, and the androgynous
glam rock and disco styles that introduced platform shoes, bright colors,
glitter, and satin.[2]
New technologies brought advances in
production through mass production, higher efficiency, generating higher
standards and uniformity. Generally the most famous silhouette of the mid and
late 1970s for both genders was that of tight on top and loose on bottom. The
1970s also saw the birth of the indifferent, anti-conformist casual chic
approach to fashion, which consisted of sweaters, T-shirts, jeans and
sneakers.[3] The French designer Yves Saint Laurent and the American designer
Halston both observed and embraced the changes that were happening in the
society, especially the huge growth of women's rights and the youth
counterculture. They successfully adapted their design aesthetics to
accommodate the changes that the market was aiming for.
Top fashion models in the 1970s were
Lauren Hutton, Margaux Hemingway, Beverly Johnson, Gia Carangi, Janice
Dickinson, Cheryl Tiegs, Jerry Hall, and Iman.
Women
Early 1970s (1970–1972)
Hippie Look
The 1970s began with a continuation of the hippie look from the 1960s,
giving a distinct ethnic flavor. Popular early 1970s fashions for women
included Tie dye shirts, Mexican 'peasant' blouses,[4] folk-embroidered
Hungarian blouses, ponchos, capes,[5] and military surplus clothing.[6] Bottom
attire for women during this time included bell-bottoms, gauchos,[5][7] frayed
jeans, midi skirts, and ankle-length maxi dresses. Hippie clothing during this
time was made in extremely bright colors,[8] as well as Indian patterns, Native
American patterns, and floral patterns.[9]
Women's hippie accessories of the early 1970s included chokers, dog collars,
handcrafted neck ornaments, and accessories made from natural elements like
wood, shells, stones, feathers, Indian beads and leather. All of these replaced
standard jewelry.[5] Unisex hippie accessories included headbands, floppy hats,
balumba balls, flowing scarves,[6] Birkenstocks,[10] earth shoes,[11] authentic
beaded and fringed Native American buckskin moccasins, including knee-high boot
versions, and sandals, including tire-soled versions and huaraches. The
back-to-nature direction of the times meant that there was also a lot of going
barefoot.
Glamour
By the early 1970s, miniskirts had
reached an all-time popularity. This young English woman is wearing a fringed
suede miniskirt, 1971.
Although the hippie look was widespread, it was not adopted by everyone.
Many women still continued to dress up with more glamorous clothes, inspired by
1940s movie star glamour. Other women just adopted simple casual fashions, or
combined new garments with carefully chosen secondhand or vintage clothing from
the 1930s, 1950s and 1960s.[12]
Glamorous women's accessories of the early 1970s included cloche hats or
turbans, pearl earrings, necklaces, bracelets, feather boas, black-veiled hats,
clogs, wedgies, cork-soled platforms, and chunky high heels.[5] Golden chains,
gold-button earrings and rhinestone clips started to become popular again in
1973 after several years of homemade jewelry.[5][13]
Other Early 70s Trends
More simple early 1970s trends for women included fitted blazers (coming
in a multitude of fabrics along with wide lapels), long and short dresses, mini
skirts, maxi evening gowns, hot pants (extremely brief, tight-fitting shorts)
paired with skin-tight T-shirts,[8] his & hers outfits (matching outfits
that were nearly identical to each other), and flared pants. Pastel colors were
most commonly used for this style of clothing, such as mauve, peach, apple
green, pink, yellow, white, wheat, camel, gray, and baby blue.[5] Rust,
tangerine, copper, forest green, and pistachio became more popularized from
1973 onwards.[5] Sweaters were a huge phenomenon in the early 1970s, often
outfits being judged entirely by the sweater. This fragmented into more styles,
such as sweater coats, sweater dresses, floor-length sweaters, and even sweater
suits. Many of them were trimmed with fur, especially faux. Chunky,
shawl-collared, belted cardigans, often in brown and white, were also
commonplace.[5] On the feet, platform shoes were widespread in a variety of
styles,[14] including clog-like forms and sandals, with relatively wide straps.
The young paired these with colorful, often brightly striped knee-socks, some
with separate toes like gloves for the feet, called toe socks.[15]
In the early 1970s boots were at the height of their popularity,
continuing onward from the mid-1960s. Women had boots for every occasion, with
a wide variety of styles being sold in stores for affordable prices. Despite
the wide variety, the most popular boots were Go-go boots, crinkle boots (boots
with a shiny wet look that was wrinkled), stretch boots, and granny boots
(1920s style lace-up boots that ended just below the knees).[16]
Mid 1970s (1973–1976)
Casual looks
By 1974, the T-shirt was no longer considered underwear, and was by then
made in elaborate designs such as slogans, sports teams, and other styles.[5]
Around the same time the looser, more flowy shirts of the early 1970s had given
way to fitted tops.
By the mid-1970s, the hippie look had completely disappeared, although
casual looks continued.[17] In the mid-1970s women wore sweaters,[18] T-shirts,
cardigans, kimono, graphic T-shirts and sweaters,[8] jeans, khakis, gauchos,[7]
workmen's clothes, and vintage clothing.[5] Around 1976, casual fashion adopted
a Parisan peasant look. This included capes, turbans, puffy skirts and shirts
with billowing sleeves.[5]
In the mid-1970s, accessories were generally not worn, adopting a
minimalistic approach to fashion akin to that of the 1950s. The most commonly
seen form of jewelry was a simple, thin, unobtrusive gold neckchain, sometimes
in silver, worn under the collar against the skin by both men and women
throughout the decade but becoming really ubiquitous starting in the
mid-seventies. White pukka shell necklaces were also worn by both sexes. Small
leather shoulder bags were worn by women everywhere, and popular shoes included
Mary Janes, knee-high boots with rounded toes, including Dingo boots and Frye
boots[19] (often with pants tucked in),[20] platform shoes and sandals,
wedge-heeled espadrilles that often had long cords to wrap around the
ankle,[21] Birkenstocks,[10] Famolares,[22] and loafers.[5][8] Despite the lack
of accessories, the mood ring was a big fad in the mid-1970s.[23]
Active wear
Clean-cut, all-American active wear for women became increasingly
popular from 1975 onwards. The biggest phenomenon of this trend was the
jumpsuit, popular from 1975 onwards. Jumpsuits were almost always flared in the
legs, and sleeves varied from being completely sleeveless to having extremely
long bell-sleeves.[5] Other sportswear trends included tracksuits, tunic
shirts, crop tops, tube tops, sweatshirts, hip-huggers,[24] low rise pants, and
leisure suits.[5][8] This continued into the 1980s.
Accessories were less of an importance during this time, but two very
desirable accessories included sneakers and tennis headbands.[8][24]
Tailored styles
As the divorce rate rose and the marriage rate declined in the mid-70s,
women were forced to work in order to support the nuclear family. The
progressive addition of women to the work force altered shopping styles and
fashion. Working women shopped on weekends and in the evenings. Feminized men's
business suits such as tailored jackets, midi-skirts, and fitted blouses were
their go-to choice as to "dress for success."[25]
Starting in 1975, women's semi-formal wear became more tailored and
sharp. This included a lot of layering, with women wearing two blouses at once,
multiple sweaters, pants underneath tunic dresses, and jumpers worn over long,
fitted dresses. The 1970s also featured some of the most scandalous dresses
worn publicly in American history up to that point.[8] Other clothes worn in
this style include suede coats, peacoats, blazers, cowl-neck sweaters, pencil
skirts, backless dresses, extremely low-cut dresses, palazzo pants,[8] tube
dresses,[5] evening gowns, jacket dresses,[9] and pinstriped pantsuits.[5][8]
Women's dresses in the mid-1970s were dominated by pastel colors, but Asian
patterns were also common.[9]
Accessories for the more formal styles included high-heels (both low and
high, mostly thick-heeled), turbans, and leather shoulder bags.[8] Boots
continued their popularity in the mid-1970s. This trend expanded to other
styles, most notably the wedge heel (arguably the most popular women's shoe of
the mid-1970s). Boots became rounder, chunkier, heavier, and thicker, and were
more expensive than they were in the early 1970s. Popular boots of the
mid-1970s included wedge boots, ankle boots, platform boots, and cowboy
boots.[16] The A/W Haute Couture Collection "Opium Collection" by the
French designer Yves Saint Laurent was inspired by the Chinese culture and
history.
Disco look
The disco music genre spawned its own fashion craze in the mid- to late
1970s. Young people gathered in nightclubs dressed in new disco clothing that
was designed to show off the body and shine under dance-floor lights. Disco
fashion featured fancy clothes made from man-made materials. The most famous
disco look for women was the jersey wrap dress, a knee-length dress with a cinched
waist. It became an extremely popular item, as it flattered a number of
different body types and sizes, and could be worn both to the office by day,
and to nightclubs and discos by night.[26]
Disco fashion was generally inspired by clothing from the early 1960s.
Disco clothes worn by women included tube tops, sequined halterneck shirts,
blazers, spandex short shorts, loose pants, form-fitting spandex pants, maxi
skirts and dresses with long thigh slits, jersey wrap dresses, and evening
dresses.[9] Shoes ranged from knee-high boots to kitten heels, but the most
commonly worn shoes were ones that had thick heels and were often made with
transparent plastic.
The Big Look or Soft Look
The leading high-fashion trend of the mid-seventies,[27][28] extending
from 1973 and 1974 through the first half of 1978, was known as the Big Look or
Soft Look, with big meaning voluminous.[29][30][31] This was a loosening and
increase in scale of the popular, casual peasant styles of the late sixties and
early seventies[32] and a reduction and elimination of internal structure like
linings and padding to achieve what was known as an unconstructed look and
feel.[33][34][35][36] Introduced by designer Kenzo Takada in 1973,[37][38][39]
carried further by Karl Lagerfeld in 1974,[40][41][42] adapted for the US[43]
by Geoffrey Beene shortly thereafter,[44][45] and endorsed in silhouette the
same year by the most influential designer of the time, Yves Saint Laurent,[46]
it came to influence everyone[47] from Calvin Klein[48] to Mary McFadden[49] to
Givenchy[50] to Perry Ellis, who was probably the look's biggest US
exponent.[51][52]
The Big Look relied on loose, billowy, oversized shapes;[53][54][55][56]
comfortable, thin, gossamer-weight,[57] natural-fiber[58][59] fabrics like
cotton gauze, crepe de chine, and challis,[60][61] often left naturally
wrinkled;[62] a mostly neutral or earthtone, forest-tone, or wine-tone color
palette, with prints small, muted, and often floral;[63][64] layering;[65][66]
drawstrings,[67][68][69][70] wrapping/tying,[71] and rope-cords[72] as opposed
to hardware like buttons, zippers, and belts;[73] capes, serapes, and
shawls[74] more than structured coats;[75][76][77][78][79] oversized, unlined
jackets and vests;[80][81][82] extensive use of hoods[83][84] and
cowlnecks;[85][86] full sleeve cuts like raglan, dolman, batwing, and bishop;
big, rustic-textured sweaters;[87] blouson tops;[88] full, often ruffled
blouses cut so large that they slid off the shoulder;[89][90][91]
camisoles;[92] smock tops and smock dresses;[93][94] tent dresses;[95][96][97]
full sundresses;[98][99] and mostly longer lengths in skirts, high-fashion
versions generally ranging from mid-calf to ankle,[100] though mini-tunics and
mini-blousons were also part of the picture.[101][102][103][104][105]
Occasional slits or slashes allowed for some show of leg amid all the billowing
fabric.[106] Skirts were almost entirely dirndls,[107][108][109] with tiered or
flounced versions called gypsy skirts or peasant skirts particularly
popular.[110][111] Skirts were also sometimes layered, with, say, a white
underskirt beneath a hiked-up, floral-print top skirt.[112][113][114][115] Pant
shapes varied from full dungarees[116] to full culottes[117] and gauchos[118]
to full shorts called paper bag shorts, but most were tapered from full,
pleated or drawstring-closed waists to narrow ankles,[119] a style called
"pegged" at the time,[120] sometimes cut too long so they bunched up
at the ankle.[121] Dhotis, zouaves, and harem pants were also frequently
shown.[122][123][124] Comfort and ease were watchwords during this
period,[125][126][127] reflected in the Big Look's ubiquitous rolled-up
sleeves.[128][129][130]
Accessories worn with the Big Look were minimal,[131][132] things like
unobtrusive hemp-cord necklaces maybe strung with a very few earthy-looking
beads,[133] stickpins to hold layers of shawls together,[134][135] and tasseled
fiber cords worn instead of belts, the ends dangling over tunic hems and layers
of skirts.[136] When proper belts were worn, they tended to be in leather,
narrow, and sometimes long enough to be double-wrapped.[137] On the legs, you
might find more of the kind of layering seen above, called the "layered
leg": thick, warm tights, socks, stockings, and legwarmers in substantial
knits in earthy colors for fall/winter,[138][139][140][141] and perhaps white
anklets and occasionally even layered cotton socks worn in spring/summer, even
with sandals.[142][143][144] Footwear was almost entirely either very bare
sandals;[145][146][147][148] rope-soled, canvas espadrilles, often wrapping
around the ankle;[149][150][151] or very full-shafted boots known as baggy
boots or Cossack boots,[152][153][19] usually knee-high but in a range of
heights from ankle to thigh,[154][155][156] with the fullness intended to bunch
up in horizontal wrinkles at the ankle for what was referred to as a
"crushed" look.[157] Heels, often stacked during this period,[158]
could be any height from flat to high, the shape ranging from wedges to blocks
to more tapered, but never stilettos.[159][160] Makeup and hairstyles tended to
be natural-looking,[161][162][163] though smoky blush was common.[164] Hair
combs and flowers tucked into the hair were widespread,[165][166] but headwear
was minimal, consisting mostly of the occasional squishy beret or knit cap worn
during winter[167][168][169] and a brief vogue for tilted straw boaters in
early 1978.[170]
Though the thin fabrics,[171][172][173] sliding-off-the-body volume,
spaghetti straps, occasional straplessness,[174] and slits/slashes in skirts
and tops could reveal the body to some extent,[175] the voluminous shapes and
multiple layers of the Big Look resulted in some calling it shapeless, droopy, and
rumpled.[176][177][178][179][180] Others pointed out the impracticality of
flyaway capes and shawls in difficult weather[181][182] and considered the
extensive fabric required for these styles extravagant.[183][184] Nonetheless,
its comfort and ease did suit women's lives[185][186][187][188] and its
rejection of man-focused coquetry reflected the powerful feminist influence in
society at the time[189][190][191] and resulted in the look dominating high
fashion for several years[192][193] and also influencing popular tastes, as it
seemed an outgrowth of the moves toward natural fibers[194] and comfort that
were already widespread in society.[195][196]
Late 1970s (1977–1979)
Relaxed look
In 1977, mass-market fashion became more baggy as the Big Look that had
been dominant in high fashion since 1974 filtered down to the public. This
caused much controversy, as women with trim figures bemoaned not being able to
flaunt them while heavier women complained the looser clothes made them look
even larger. To make up for this, it became fashionable to show more skin. This
resulted in shirts being unbuttoned, sleeves being rolled up, and tops being
strapless, transparent, and lacy. Shiny satin and gold colors were also used to
make up for the lack of tighter clothing. By 1977, pants were only flared
slightly and sometimes not flared at all.[8]
Women's fashions in the late 1970s included cowl-neck shirts and
sweaters, pantsuits, leisure suits, tracksuits,[5] sundresses worn with tight
T-shirts,[4] strapless tops, lower-cut shirts, cardigans,[8] velour shirts,
tunics, robes, crop tops, tube tops, embroidered vests and jeans, knee-length
skirts,[9] loose satin pants,[5] designer jeans,[197] culottes, daisy dukes,
and tennis shorts.[8] This continued into the 1980s.
Accessories included scarves,
gold jewelry, flowers, ankle boots, 1940s style hats (often tilted), skinny and
wide belts, boas, braceleted gloves, spike-heeled sandals, mules,
ankle-strapped shoes, waist cinchers, and obi wraps. Color had almost completely
faded from fashion in the late 1970s, with earthy tones like browns, light
blues, tans, grays, whites, and blacks making a comeback.[5][8]
The frenzy for boots had cooled down by the late 1970s, but they
remained popular, especially in the winter. They became less flamboyant by that
point in time, and they mostly came in black, brown, or burgundy. The most
popular boots were either knee-high or reached the mid-calf, and were made in
leather, suede, urethane, or rubber. The toes were rounded, and zippers were on
the side. The heels were usually only 2–4 inches, and the heels were sometimes
even flat. Women continued to wear wedge heels and ankle boots, as well as
knee-high boots with thick kitten heels.[16]
In Pakistan, Afghanistan and Iran, many liberal women wore short
skirts,[198][199] flower printed hippie dresses, flared trousers,[200] and went
out in public without the hijab. This changed following the military
dictatorship in Pakistan, the mujahideen government in Afghanistan, and Iranian
revolution of 1979, when traditional conservative attire including the abaya,
jilbab and niqab made a comeback.[201][202][203]
One-piece swimsuits
In 1977, American actress Farrah Fawcett popularized the one-piece
swimsuit which in turn launched the trend for the maillot. This was, when it
resurged in the 1970s, a sexy, tight swimsuit, with deep neckline and high-cut
legs, worn by young women and girls in lieu of the bikini, although it did not
entirely replace the latter. This continued into the 1980s.
The Pantsuit
By the late 1970s the pantsuit had become acceptable business wear for
executive women. This was due to the success of Yves Saint Laurent's "Le
smoking" tuxedo with silk lapels designed to allow any ash falling from
cigarettes to slide off, keeping the jacket clean.[204] Business Insider
pointed out that wearing the pantsuit was more of a political statement than a
fashion one. "So, dressing in a YSL trouser suit declared the wearer was
irreverent, daring, and on the cutting edge of fashion, whilst suggesting their
alignment with burgeoning feminist politics – le smoking effectively demanded:
'If men can wear this, why can't I?'" With the increase of women entering
the workface, they were in search for a new symbol that proved they were as serious
and powerful as the men they shared elevators with. The only solution to
convince male-dominated workspaces was to copy their tailored suits. The jacket
could be either short and shapely or long and lean.
Movies like Annie Hall fought gender ideals by portraying a woman who
wore men's clothing on the daily basis. This movie took a big inspiration from
the decade and because of its success, continues to influence fashion. Skirts,
when worn, were often knee-length and could possibly have a front or side slit
that put a subtle emphasis on the legs. To offset the more traditionally
masculine look of "business suit style", women like Margot Kidder in
Superman experimented with hats, high heels, ruffles that peaked out from the
jacket and large jewelry to keep a confident, yet feminine, look intact.[205]
Designer Jeans
In 1978, the first designer jeans were introduced[206] and
immediately[207] became popular,[208][209] designers like Calvin Klein, Gloria
Vanderbilt, and Fiorucci advertising their name[210] on the back of the
fashionable cigarette-leg, usually dark blue denim jean of the time.[211][212]
In the US in 1978, they were often worn with hems rolled up to or just above
the ankle to show off the popular Candie's slides on the feet.[213]
"Baggies" (Baggy Jeans)
From 1979 to 1985, a popular style was jeans with a high-ish waist and
full cut through the hips and thighs that tapered to a narrow but not tight hem
hitting at the ankle or just above, called "baggies."[214][215] They
were paired in the fall with rustic-looking sweaters with shoulders fashionably
widened via single, top-of-the-sleeve tucks or pleats called
"dimples" by their creator Perry Ellis,[216] and the shoes worn with
them were often high-vamped pumps with low cone heels inspired by Maud
Frizon,[217] jazz oxfords, or flat, lace-up ankle boots.
Shoulder Pads
Styles became curvier for Fall of 1978, with shoulder pads, tighter
skirts, and narrower waistlines.[218][219] The silhouette that resulted was an
inverted triangle.[220][221] This change did not arise from women's demands,
nor from what women on the street were wearing, the way
miniskirts,[222][223][224][225] jeans,[226] pants,[227][228][229] hippie
clothing,[230][231] office blazers,[232] and more comfortable undergarments[233][234][235]
had in the 1960s and earlier '70s.[236][237][238] Though decades later it would
be claimed that the big shoulders of this period were part of an attempt by
women to assert a "power" look as they worked their way up career
ladders, big-shoulder looks did not come about because women were wanting to
look more powerful for the boardroom; women already had appropriate but
comfortable blazers for that.[239] Big-shoulder looks didn't come from women on
the street at all. The hugely shoulder-padded look came solely from
designers,[240][241] who united in showing the look in Fall 1978,[242] a few
presenting shoulders literally three feet wide,[243][244][245] and there was
strong resistance.[246][247][248] Since the clothes were less comfortable and more
restrictive than the clothes of the '70s[249][250] and resembled too much the
man-focused styles of the 1940s and '50s,[251][252][253] this shoulder-padded
look was initially a hard sell to the public,[254][255][256][257] but some
designers, notably Perry Ellis,[258] Norma Kamali,[259] Calvin Klein,[260] and
Giorgio Armani,[261] made it more appealing by keeping it comfortably wearable
and just adding reasonably-proportioned shoulder pads to slightly slimmed-down
versions of the easy clothes women had been wearing during the decade,[262] and
this approach was positively received by the general public.[263][264][265] So
many designers continued to present really huge shoulders into the eighties,
however,[266][267] that women were left with little option but to conform to
it, which they did,[268] so much so that big shoulder pads became ubiquitous
and characteristic of the 1980s,[269] seen on everyone from political leaders
to actors in TV shows like Dynasty to your coworkers and family. At the end of
the seventies, though, in 1978 and '79, much of the public still considered it
strange,[270][271][272] though they had gotten the message that it was to be
the new look.[273][274]
Men
Early 1970s (1970–1972)
Peacock revolution
With well-paid jobs and booming businesses, young men in the UK and
America explored beyond the conventional social standards of dress. In the
early 1970s, satin shirts in black, and grey were popular, and often featured
lace ruffles on the cuffs and neckline. Due to the colorful nature of menswear,
the time period was described as the Peacock Revolution, and male trendsetters
were called "Dandies", "Dudes" or
"Peacocks".[275] Typical casual wear for this time included Nehru
jackets, ethnic inspired tunics, turtlenecks, candy striped blazers,[276]
winklepicker boots with Cuban heels, and hip-hugging elephant
bell-bottoms.[277] Accessories like color-matching nylon zippers and bright
braided belts were common and also fitted in with the Peacock style.[278] Suits
were available in bright colors and unorthodox styles from 1970 to 1976,
including shawl collars, three pieces with peak lapels, and double breasted
suits made from corduroy, paisley brocade, wool blends with wide pinstripes, or
crushed velvet in burgundy, teal, black, bottle green, and peacock blue. A rise
of 4.4 percent in suit sales was reported by Forbes magazine. Stylish
continental suits by designers Lanvin, Yves Saint Laurent and Pierre Cardin
were welcomed by young men while classic suits were loved by first-timers.[279]
Bright colors
For the first time in decades, there was a significant shortage of raw
materials and fabrics, including synthetics like vinyl and nylon. As a result,
everyday designers kept things simple.[5] The early 1970s were a continuation
of late 1960s hippie fashion. For men this particularly meant bell bottom
jeans, tie dye shirts, and military surplus clothing.[6] Other early 1970s
clothes for men included tweed sports jackets, khaki chinos, chunky sweaters in
cream, dark green, beige and sky blue, storm coats, tartan jackets, peacoats,
flannel shirts, pleated pants, baseball jackets,[5] corduroy pants, crocheted
waistcoats, striped pullover sweaters and sweater vests, tassels, belted
cardigans,[280] and hip-huggers.[24]
The most popular accessories of the early 1970s for men were homemade,
with necklaces, headbands, and bracelets being made from all-natural materials
such as wood, hemp, flowers, leather, shells, stones, and Indian beads.[5]
Unisex hippie accessories included headbands, floppy hats, and flowing
scarves.[6] Men's footwear in the early 1970s included flip-flops, oxfords,
Birkenstocks,[10] platform shoes, earth shoes,[11] and cowboy boots.[280]
Eastern fashion
Due to the ongoing Cultural Revolution in Mainland China, Western style clothing
was suppressed and both sexes wore grey Mao suits until the early 1980s.[281]
The suit, unchanged since the 1940s, typically had four external pockets, five
buttons, and a turn-down collar.[282] In contrast to the Chinese mainland, many
people in Taiwan and Hong Kong abandoned the Zhongshan suit during the early
1970s due to its association with Communism, leftists, and
anti-Westerners.[283]
In the UK, France,[284] India[285] and Australia,[286] green, blue or
beige safari jackets similar to the Mao suit became popular among liberal men
due to their association with socialist values, travel to exotic locations,
1930s Hollywood, and Roger Moore's portrayal of James Bond and Simon
Templar.[287] These were also worn in place of the business suit in decolonised
African countries, including South Africa, Rhodesia, and Mobutu's Zaire where
it was known as an Abacost[288] and paired with a leopardskin fez resembling an
Astrakhan cap.[289]
Mid 1970s (1973–1976)
Glam rock
By 1973, androgynous glam rock fashion had gone mainstream for young
British[290] people of both sexes. These included embroidered Western shirts,
velvet sports coats, Royal Stewart tartan as worn by the Bay City Rollers, red
or blue shawl collar tuxedo jackets, frilly shirts, high necked nehru jackets,
synthetic fabrics like satin, wide kipper ties, black or tan leather jackets,
silk scarfs or ascots, shawl collar sweaters, satin shirts with oversized
collars, drainpipe trousers as worn by Mud, and platform shoes of the type
favored by Slade, Kiss, Alvin Stardust, David Bowie, and Sweet.[291][292]
Unisex men's and women's outfits with few differences often came together in
matching sets, and popular colors included cream, burgundy, brown, and
orange.[5]
Informal attire
Fashion in the mid-1970s was generally informal and laid back for men in
America. Most men simply wore jeans, sweaters, and T-shirts, which by then were
being made with more elaborate designs. Men continued to wear flannel, and the
leisure suit became increasingly popular from 1975 onwards, often worn with
gold medallions and oxford shoes. Vintage clothing, khaki chinos, workmen's
clothes, sweatshirts, leather coats, and all-denim outfits were also desired
among young men.[5] Other trends include printed shirts, zip-up cardigans,
western shirts marketed to capitalise on the nostalgia for 1950s fashion,
Birkenstocks,[10] mood rings,[23] and raincoats.[280] Many of the printed
shirts worn from circa 1972 to 1975 were in a silky nylon with a slightly
glossy finish called Qiana,[293] made in button-front styles with medium-wide
collars and in a variety of prints – photographic prints, artwork prints,
etc.[294] Decades later, these Qiana shirts would be referred to as "disco
shirts," but they were not called that at the time, as they were worn
almost everywhere. They accompanied both casual styles like jeans and corduroys
and dressier slacks and leisure suits, usually tieless and with the top couple
of buttons left open.
Around 1975, American suits started to resemble the slimmer European
suit. This new model, named the quasi-European suit, featured padded shoulders,
higher arm holes, a smaller waist, open patch pockets, and a small flare to the
pants and jacket.[5] In 1976, it became fashionable for men to wear velvet tuxedo
jackets with more casual pants to formal events, and vests came back into
vogue. It was this year that men's pants started to feature smaller flares or
no flares at all.[5] This continued into the 1980s.
In Brezhnev's Russia, used Western clothing, especially sheepskin coats
and flared trousers, became readily available due to the détente.[295]
Previously, jeans had to be imported on the black market.[296] Politburo
members continued to wear the black, grey or brown suits and fur lined
overcoats of the 1960s, with grey Astrakhan caps.[297]
The High-Fashion Soft Look
The Big Look/Soft Look that was high fashion in womenswear from 1973 to
1978 also extended to menswear,[298][299][300][301][302] spearheaded by Giorgio
Armani in 1976, who followed womenswear's lead and eliminated the lining and
padding from his men's jackets, suits, and trousers, cutting them in natural
fibers with enough ease that sleeves and even trouser hems could be easily
rolled or pushed up and collars could be turned up.[303] Collars, lapels, and
ties were narrow,[304][305] the tie, when worn, often not pulled up high but
knotted low to allow for an easy, open neck.[306] Trousers were
straight-legged, sometimes even tapered, and often with soft pleats.[307][308]
Band-collared shirts were often worn with the look. This style remained
dominant in high-fashion menswear through 1978[309][310] and then menswear
again followed womenswear's lead and adopted the new big-shoulder looks for
1979. The Soft Look's pushed-up jacket sleeves and turned-up collars, though,
would continue into the 1980s in bigger-shouldered, more colorful form.
Late 1970s (1977–1979)
Flared jeans and trousers were popular
with both sexes as can be seen at this East German disco party in 1977. In the
socialist part of Germany (until 1990), the government regarded western
influences on cultural life of their population very critical, but factually
tolerated them in many fields.
Sportswear
By the late 1970s, most men and women were wearing sports clothing as
everyday apparel. This was primarily based on tracksuits, jumpsuits, velour or
terry cloth shirts (often striped and low-cut),[5] sweaters, cardigans,
sweatshirts, puffer vests,[280] flare jeans,[5] straight-leg jeans, and
collared shirts, both long sleeve and short sleeve. Around this time it also
became fashionable for men to leave their shirts untucked.[280] This continued
into the 1980s. During the late '70s, long and popped collars became a staple
part of men's fashion.
Late 1970s accessories included low-top sneakers, tennis headbands,[280]
puka shell necklaces, and wristbands.
Disco style
From 1977 to 1979, menswear became affected by the disco style. Men
began to wear three-piece suits (which became available in a variety of colours
including powder blue, beige, white as worn by John Travolta in Saturday Night
Fever, brown polyester, and shiny silver sharkskin) which were characterized by
wide lapels, wide-legged or flared trousers, and high-rise waistcoats (US
vests).[311] Influenced by the popularity of aviator sunglasses in disco, many
wore glasses in the shape of aviators but with clear prescription lenses.[312]
Neckties became wider and bolder, and shirt collars became long and
pointed.[313]
Couple prom in late 1970s men wear
Powder Tuxedo women wear Sleeve dress.
Big Shoulders
Starting with a few designers in 1978[314][315] and becoming the main
trend in 1979, high-fashion menswear designers at the end of the seventies
adopted the big shoulder pads that had debuted in womenswear in 1978,[316]
showing exaggeratedly padded shoulders that tapered to low closures[317][318]
at narrow, often ventless hips[319][320] in jackets[321] and suits, along with
trousers that were straight-legged or tapered to narrow ankles. Jackets were
also sometimes presented short and boxy like spencers or bellhop jackets.[322]
Unlike in womenswear, the exaggerated shoulders didn't appear in shirts but
only in jackets and coats, with avant-garde designers like Thierry Mugler also
presenting an occasional retro-futuristic (like something from 1950s sci-fi),
outer space-looking jumpsuit with big shoulders, often marked with trapunto
stitching, a style seen only on the most avant-garde. Lapels and ties for these
new jacket styles were initially mostly narrow, said to help emphasize the
increased shoulder width,[323] but the most influential menswear designer of the
time, Giorgio Armani, relatively quickly widened his lapels and ties – not as
wide as in the early seventies, though, more like the 1940s.[324][325] As the
1970s became the 1980s, both narrow and wider 1940s-width lapels and ties could
be seen simultaneously. In 1979, though, these big-shouldered styles were just
starting to be seen and wouldn't yet be common except among the avant-garde.
Youth fashion
Mods
During the early 1970s, the Northern soul and suedehead subcultures
emerged in response to the psychedelic rock, Bohemian and hippie influences on
the mainstream peacock mod subculture. Seeking a return to the music and
fashions of the mid and late 1960s, members of these British subcultures wore
Ben Sherman shirts, slim fit pants, tank top sweaters, vintage striped boating
blazers, basket weave brogue shoes, black leather driving gloves, pork pie
hats, Irish walking hats, and loose fitting Oxford bags for dancing.[326]
Secondhand mod clothing was also worn by many early garage punk and protopunk bands
from the mid-1970s onwards, especially the Flamin Groovies and Television due
to its cheapness and wide availability. The release of the cult film
Quadrophenia in 1978 sparked a large scale Mod revival among a younger
generation of Lambretta and Vespa scooter enthusiasts influenced by punk rock
and new wave music.[327]
Teddy boys
Typical mid to late 1970s Ted gear, as
worn by Shakin' Stevens.
Due to a resurgence in nostalgia for the 1950s, the Teddy boy subculture
made a comeback in the UK during the early 1970s. A similar rockabilly
subculture known as Raggare underwent a revival in Sweden and Germany at the
same time. Brothel creepers, drainpipe trousers, bolo ties and drape jackets
were popular, typically with contrasting velvet collars and cuffs.[328]
Influenced by glam rock bands like Showaddywaddy, the Teds of the 1970s wore
bright colors like electric blue, leopardskin or brocade waistcoats, and styled
their hair with hair spray rather than brylcreem.[329] In the late 1970s the
Teds became the arch enemies of the punk subculture and Mod revivalists.
Hippies
British rock band Killing Floor, 1971.
One of the most ubiquitous subcultures of the early and mid 1970s were
the hippies. Typically middle class youths from Britain, America and New
Zealand, these practitioners of free love favored a unisex look with long hair,
tie dye and flower power motifs, Bob Dylan caps, kurtas, hemp waistcoats, baja
jackets, bell bottoms, sandals, and maxi skirts for the girls.[330] Due to the
United States' active involvement in the Vietnam War from 1954 to 1975,
American teenagers wanted to make an antiwar counterculture statement through
the way they dressed. Old military uniforms and washed off navy bell-bottoms
were commonly purchased from secondhand stores, and then embellished with
floral embroideries and brightly colored peace symbol patches at home.[331] In
reaction to the conservative ivy league fashions favored by their parents,
American hippies of both sexes rejected designer brands in favor of a unisex
style, often making use of corduroy, hemp, and vintage clothing from charity
shops.[332] Although glam rock had largely supplanted the hippie movement in
urban areas during the mid to late 70s, offshoots such as the New Age
travellers, Freak scene, Nambassa housetruckers[333] and surfers continued
until the 1990s.
Heavy metal
During the early and mid 1970s members of the hard rock and heavy metal
subculture favored typical hippie fashions like earth tones, tie dye T-shirts,
and flared trousers of the type worn on stage by Jethro Tull or Led Zeppelin.
This changed later in the decade, when many fans of Judas Priest, AC/DC and
Meat Loaf began imitating the clothing of greasers, outlaw bikers, punk rockers
and leathermen due to the association of such fashions with toughness.[334]
Typical heavy metal fashions in the UK, US and Australia included faded jeans,
leather battle jackets, combat boots, studded belts, black leather jackets[335]
like the Schott Perfecto, and iron crosses frequently pilfered from their
father's war souvenirs. Beards, moustaches and shoulder length hair were
popular among men, while female metal fans sometimes imitated the brightly
dyed, teased and backcombed punk hair of the late 1970s.
Black power
Urban African American youths frequently imitated the paramilitary
uniforms of the Fruit of Islam, anti-colonialist African insurgents, and early
1970s black power groups like the Black Panthers.[336][337] The Panthers'
French counterparts called themselves the Del Vikings and Black Dragons,
listened to rockabilly and punk rock, and fought against neonazi skinheads
during the late 70s and early 80s.[338]
Typical clothing included black leather jackets, vests, black driving
gloves,[339] leather peaked caps embellished with chains and metal studs,
African folk costume like the fez or dashiki, traditional African colors like
black, red, yellow or green, Ancient Egyptian jewelry such as the Ankh, gold
chains, and railroad stripe pants for women.[340] Due to the poverty in the
ghetto, black children often wore secondhand clothing that was too big or too
small, inspiring the baggy pants worn as hip-hop fashion during the 1980s and
1990s. In the UK, US and Jamaica Afro hair[341] and dreadlocks became popular
from 1972 to 1976 among Motown, soul music and reggae fans, as a rejection of
the straightened hairstyles associated with white culture.[342]
Cholos
Three Los Angeles Chicanos in 1974.
Following the recession of 1973, the zoot suited pachuco look declined
due to its association with comedic Blaxploitation pimps.[343] Instead, working
class Mexican youths began dressing in a more casual style inspired by the
clothing of prison gangs, left wing counterculture groups like the Brown
berets,[344] the antiwar movement,[345] and the 1960s greaser subculture. White
T-shirts, winklepickers, double denim "Texan tuxedos," ringer Tees,
plaid shirts, Aviators, black wool tuques, brown berets,[346] green military
surplus field jackets, sheepskin coats, Castro hats, untucked white
shirts,[347] and khaki Dickies pants were commonly worn by these cholos and
chicanos, together with slicked-back pompadour hairstyles and large sideburns.
Punks
Punk rock was a musical genre that greatly influenced fashion in the
late 1970s. A great deal of punk fashion from the 1970s was based on the
designs of Vivienne Westwood and her partner Malcolm McLaren, McLaren opened a
stall at the back of vintage American clothing store, which taken over 430
King's Road and called it 'Let it Rock'. By 1974, 430 had renamed the store,
which became famous as 'SEX'. McLaren described SEX as 'a haven phenomenon
known as punk rock.'[348] Punk emerged in London, and spread into the United
States. A complex amalgam of various stylistic influences, Punk had its roots
in the streets of London and the music scene of New York.[348] Street punk
fashion generally consisted of ripped clothes, black turtlenecks, drainpipe
jeans, tight leather pants, leather jackets (often embellished with chains,
spikes, studs, and paint), jackets and shirts with taboo images or messages,
dog collars, safety pins, kilts, and Doc Martens.[349] A tamer, less
threatening version of the Punk style called "New Wave", which
featured jagged hems on clothing and more elaborate embroidery went mainstream
in the early 1980s.[350]
1970s beauty trends
Women's hairstyles
In the 1970s, women's hair was usually
worn long with a centre parting
Throughout much of the decade, women
and teenage girls wore their hair long, with a centre or side parting, which
was a style carried over from the late 1960s. Other hairstyles of the early to
mid-1970s included the wavy "gypsy" cut, the layered shag, and the
"flicked" style, popularly referred to as "wings", in which
the hair was flicked into resembling small wings at the temples. This look was
popularised by the stars of the television series Charlie's Angels.
Blonde-streaked or "frosted" hair was also popular. In 1977, punk
singer Debbie Harry of Blondie sparked a new trend with her shoulder-length,
dyed platinum blonde hair worn with a long fringe (bangs).
In the 1970s, making one of the
popular hairstyles for a woman didn't take a lot of time. These hairstyles,
including Afro hairstyle, Shaggy Hairdo and Feathered hair (then known as
"Farrah Fawcett hairstyle") were said to be perfect when you're
on-the-go and would still keep your expressive style in-check.[351] For black
people in the United States and elsewhere, the afro was worn by both sexes
throughout the decade. It was occasionally sported by Whites, especially Jewish
Americans[352] as an alternative to the uniform long, straight hair which was a
fashion mainstay until the arrival of punk and the "disco look" when
hair became shorter and centre partings were no longer the mode.
The most iconic women's hairstyle of
the 1970s is arguably the Farrah Fawcett hairstyle. Popularized in 1976, the
hairstyle was heavily imitated by many American women and girls. It
incorporated waves, curls, and layers. The style mostly worn with bangs, but
could also be worn with a side part. To make it even more stylish, women and
girls would frost their hair with blonde streaks.[353]
Men's hairstyles
Steve McQueen with sideburns, 1972.
Footballer George Best wore long hair
in 1976.
Continuing on from the 1960s, the
ducktail and Pompadour hairstyle (then known as the "Elvis Presley
hairstyle") were popular among young Italian-American and Mexican-American
men in big cities like New York. Large quantities of grease or brylcreem was
normally used to keep the hair in place. The early and mid 1970s generally
featured longer hair on men, as way of rebelling against the social norms of
years past.[354] Sideburns were also worn around the same time. Some of the most
popular hairstyles for men include "Long and Luscious" hairstyle, mod
haircut, and the "buzzcut" hairstyle popularised by action heroes
like Steve McQueen. In the late 1970s, men went for the chop, ranging from crew
cuts, to buzz cuts, to a shag. This was mainly done for an athletic look, and
sideburns and facial hair went out of style.
Makeup and cosmetics
Main article: Cosmetics in the 1970s
Actress Camille Keaton in 1972.
Throughout most of the decade, women preferred light, natural-looking make-up for
the daytime.
Cosmetics in the 1970s reflected the
contradictory roles ascribed for the modern woman.[355] For the first time
since 1900, make-up was chosen situationally, rather than in response to
monolithic trends.[355] The era's two primary visions were the daytime
"natural look" presented by American designers and Cosmopolitan
magazine, and the evening aesthetic of sexualized glamour presented by European
designers and fashion photographers.[355] In the periphery, punk and glam were
also influential. The struggling cosmetics industry attempted to make a
comeback, using new marketing and manufacturing practices.
Staatsbesuch von Nikita Chruschtschow in Ostberlin 1963 (3 Fotos) Fackelzug für Wilhelm Pieck in Ostberlin, 1950 (2 Fotos) Empfang einer Delegation auf dem Flughafen am 1. Mai 1949 (1 Foto) Leninausstellung in Ostberlin 1950 (2 Fotos) DDR‑Politiker am Stalindenkmal: Honecker, Ulbricht, Pieck, Anfang 50er (8 Fotos) Trauerfeier / Gedenkfeier für Joseph Stalin in Ostberlin März 1953 (6 Fotos) Stalinportraits in der Innenstadt von Ostberlin Anfang der 50er Jahre (1 Foto) Aufmarsch für Wilhelm Pieck in Ostberlin, 1951 (1 Foto) Aufmarsch auf dem Schlossplatz am 1. Mai 1951 in Ostberlin (3 Fotos) Aufmarsch auf dem Schlossplatz am 1. Mai 1951 in Ostberlin (weitere 3 Fotos) Kundgebung für die Blockadeaufhebung auf dem Bebelplatz, 1950 (3 Fotos) Chor der Thälmannpioniere und Jungen Pioniere, 1952 (4 Fotos) Berlin Hauptstadt der DDR ‑ diverse Utensilien Anfang der 50er Jahre (1 Foto) "Kolonialtagung" in Berlin Treptow, 50er Jahre (1 Foto) sowjetisch geprägte Propaganda in Ostberlin Anfang der 50er Jahre (1 Foto) Jugendweihe‑Mode auf dem Laufsteg 1966 (4 Fotos) Aufmarsch zum 1. Mai in Ostberlin Anfang der 50er Jahre (6 Fotos) Junge Pioniere mit Trompete und Trommel, 1958 (1 Foto) Funktionäre in der Werner Seelenbinderhalle in Ostberlin, 26.11.1950 (2 Fotos) Brigade mit der FDJ‑Fahne Bruno Kuhn in Hennigsdorf, 1950 (1 Foto) Tagung des Zentralrats in Ostberlin, 12.7.1950 (1 Foto) Ankunft von Mongolen & Vietnamesen in Ostberlin, 1952 (1 Foto) Rückkehr einer Moskau‑Delegation aus der UdSSR, 1950 (3 Fotos) Friedensmarsch am 3. September 1950 (2 Fotos) Feierlichkeiten 1955 ‑ Zehn Jahre Tierpark Berlin (2 Fotos) Plakat für den 5. Parteitag der SED in Ostberlin 1958 (1 Foto) Politische Veranstaltung in Ostberlin, Mitte der 60er Jahre (1 Foto) DDR‑Fahnen am Alexanderplatz in Ostberlin, Mitte der 60er Jahre (1 Foto) politischer Fasching bei Gasolan, Angang der 50er (2 Fotos) Dreiländertreffen in Zittau am 12. Januar 1950 (1 Foto) Delegation aus Kenia zu Gast in Ostberlin, 1962 (2 Fotos) Sitzung der Liga der arabischen Staaten in Ostberlin, 1962 (1 Foto) Bilder vom Dienst an der deutsch‑deutschen Grenze Festnahme an der innerdeutschen Grenze bei Vacha im Jahr 1956 (1 Foto) Waffenfund an der deutsch‑deutschen Grenze bei Vacha im Jahr 1956 (1 Foto) Grenzpolizei auf der Elbe im Jahre 1952 (2 Fotos) DDR‑Marine auf der Ostsee im Grenzgebiet, 1958 (1 Foto) Dienst der Grenzpolizei an der Grenze, 1956 (10 Fotos) Grenzpolizei an der Grenze im Winter bei Schnee, 1956 (3 Fotos) Bilder vom Arbeitsalltag in der Landwirtschaft Getreideernte auf einem Feld bei Berlin‑Mahlsdorf, 1967 (1 Foto) Getreideernte auf einem Feld bei Leipzig, 1955 (2 Fotos) Erntehilfe auf dem Land 1953 (2 Fotos) Kartoffelernte auf dem Land im Oktober 1964 (4 Fotos) Erntearbeiten auf der LPG Friedrich Engels, 1961 (7 Fotos) Pferdeshow ‑ Mann mit Zuchhengst auf der Wiese, 1952 (1 Foto) Junge Frau bei der Weinlese in der Saale‑Unstrut‑Region, 1953 (2 Fotos) Aufzucht in der Forstwirtschaft, 1955 (2 Fotos) Bilder vom Arbeitsalltag in Industrie und Bauwirtschaft Trümmerfrauen bei der Arbeit in Ostberlin Anfang der 50er Jahre (3 Fotos) Aufbauplan in Ostberlin, Anfang der 50er Jahre (1 Foto) Junge Brigade der FDJ beim Gleisbau 1961 in Ostberlin (5 Fotos) Bauarbeiten an der Stalinallee in Ostberlin Anfang der 50er Jahre (8 Fotos) Weitere Bauarbeiten an der Stalinallee, Anfang der 50er Jahre (1 Foto) Weitere Bauarbeiten an der Stalinallee, Anfang der 50er Jahre (2 Fotos) Errichtung von Wohnbauten in Ostberlin, 50er Jahre (1 Foto) Bau der Sporthalle am Strausberger Platz in Ostberlin, 50er Jahre (2 Fotos) Bau des Stadions der Weltjugend in Ostberlin, 50er Jahre (1 Foto) Arbeiten an der Pionierrepublik Ernst Thälmann, Juli 1951 (2 Fotos) Bau des Schwimmstadions in Ostberlin 1951 (1 Foto) Aufbau von Stalinstadt / Eisenhüttenstadt 1953 (2 Fotos) Bau des †berseehafens in Rostock 1959 (3 Fotos) Kalibergbau Kombinat Merkers 1956 (2 Fotos) VEB Erdölkombinat Schwedt 1964 (3 Fotos) Schaltwarte bei den VEB Leunawerken 1964 (1 Foto) Produktion bei den VEB Leunawerken 1964 (1 Foto) Produktpalette bei den VEB Leunawerken 1964 (1 Foto) VEB Uhrenfabrik Ruhla, Frau bei der Produktion 1950 (1 Foto) Arbeiten im Kabelwerk Oberspree / KWO Berlin, 1965 (1 Foto) Fernsehtechnik im Jahre 1966 (1 Foto) Produktion bei Sternradio in Berlin 1958 (2 Fotos) Produktion bei Staßfurt Fernsehtechnik 1958 (3 Fotos) Arbeiter im Betonwerk Berlin‑GrŸnau 1959 (1 Foto) Bilder vom Arbeitsalltag im Kunst‑ und Dienstleistungsbereich Einkaufen in der Textilabteilung der HO 1963 (4 Fotos) Zu Gast beim Journalisten und Politiker Gerhart Eisler, 1962 (2 Fotos) Zu Gast beim Schriftsteller Erwin Strittmatter, 1964 (2 Fotos) Schriftstellerin Anna Seghers bei einer Lesung, 1962 (2 Fotos) Sandmännchen‑Studio in Berlin‑Adlershof, 1962 (6 Fotos) Kongress junger Künstler in Berlin, 1951 (2 Fotos) Tagung in der Berliner Kongresshalle am Alex, 1965 (2 Fotos) Bilder von Verkehr und Technik Straßenverkehr in Berlin‑Mitte (2 Fotos) Polizeikontrolle Unter den Linden in Ostberlin ‑ 70er Jahre (2 Fotos) Fahrzeuge Unter den Linden / Brandeburger Tor, 60er Jahre (8 Fotos) Geschäft für Motorräder und Mopeds, 1963 (1 Foto) Parkplatz an einer Autobahn in der DDR, 1972 (1 Foto) Minoltankstelle in der DDR, 1972 (4 Fotos) Straßenverkehr am Roten Rathaus, Anfang der 70er Jahre (1 Foto) Trabant vor dem Haus der Mode, Anfang der 70er Jahre (1 Foto) Bushaltestelle in Ostberlin Anfang der 70er Jahre (1 Foto) Straßenverkehr in Ostberlin Anfang der 70er Jahre (1 Foto) Straßenverkehr am Strausberger Platz Anfang der 70er Jahre (2 Fotos) Ikarus‑Busse in Ostberlin Anfang der 70er Jahre (1 Foto) Bilder von Sportaktivitäten Volleyball im Cantianstadion in Ostberlin 1952 (2 Fotos) Waldlauf der Jugend im Sommer 1963 (3 Fotos) Wintersport in Oberhof 1952, Skiabfahrt (2 Fotos) Wintersport in Oberhof 1952, Skilanglauf (1 Foto) Wintersport in Oberhof 1952, Skisprung (1 Foto) Volksfest in Berlin Karlshorst, Moped fahren, Anfang 50er Jahre (1 Foto) Bilder vom Bildungssystem der DDR Schüler und Lehrer in einer Oberschule in Berlin Köpenick, 1965 (6 Fotos) Kindergarten in Ostberlin, 1973 (4 Fotos) Lokführer bei der Ausbildung, 1961 (3 Fotos) Ausbildung bei der Bahn, BBS Lehrberufe, 1964 (4 Fotos) Unterricht in der Technischen Hochschule Dresden, 1964 (1 Foto) Bilder von Freizeit und Erholung Pioniere spielen Kosmonauten der Vostok Raumstation, 1963 (2 Fotos) Kinder / Pioniere einem Zeltlager / Ferienlager im Sommer 1958 (8 Fotos) Milch trinkende Mädchen auf einer Wiese, 1954 Kinder im Zeltlager Hölzerner See bei Berlin, 1950 (5 Fotos) Berliner Luft wird in Tüten angeboten... 50er Jahre (1 Foto) Die Hausgemeinschaft informiert... 50er Jahre (1 Foto) Junge Leute beim Deutschlandtreffen in Berlin 1964 (3 Fotos) Junge Leute am Strand, Warnemünde an der Ostsee Sommer 1971 (3 Fotos) Pioniereisenbahn im Pionierpark Berlin Wuhlheide, 1963 (5 Fotos) Strandbad an der Müggelspree, Anfang 70er Jahre (10 Fotos) Kinder im Betriebsferienlager in kleinen Rennautos, 1958 (1 Foto) Essen im Pionierferienlager Wilhelm Pieck, Sommer 1952 (1 Foto) Arbeitertheater bei KWO in Berlin 1962 (2 Fotos) Schiffstaufe in Berlin‑Treptow im Sommer 1960 (3 Fotos) Stadtansichten von Ostberlin Ortseingang von Berlin‑Mahlsdorf, Anfang 50er Jahre (4 Fotos) Strausberger Platz / Stalinallee in Ostberlin, Mitte der 50er Jahre (1 Foto) "Unser 5‑Jahresplan", Anfang der 50er Jahre (2 Fotos) Ecke Stalinallee / Warschauer Stra§e, Winter Anfang 50er Jahre (2 Fotos) Haus der Weltjugend in Ostberlin, Anfang der 50er Jahre (1 Foto) Alexanderplatz Ende der 50er Jahre (3 Fotos) Berlin Ostbahnhof, 50er Jahre (2 Fotos) Sowjetisches Ehrenmal in Berlin‑Treptow, 1954 (1 Foto) Lenindenkmal in Ostberlin, 1972 (2 Fotos) Marienkriche und Forumhotel in Ostberlin, 1973 (1 Foto) Rotes Rathaus in Ostberlin, 1973 (2 Fotos) Blick auf die Spree in Ostberlin, 1970 (1 Foto) Weltzeituhr am Alexanderplatz, 1970 (1 Foto) Alexanderplatz in Ostberlin, 1970 (1 Foto) Centrum Warenhaus am Alexanderplatz Ostberlin, 1970 (1 Foto) Espresso Milchbar am Alexanderplatz Ostberlin, 1970 (1 Foto) Grillrestaurant am Alexanderplatz Ostberlin, 1970 (1 Foto) Brunnen der Völkerfreundschaft am Alexanderplatz Ostberlin, 1970 (2 Fotos) Fernsehturm in Ostberlin, 1970 (2 Fotos) Staatsratsgebäude in Ostberlin, 1973 (1 Foto) Cafe Moskau in Ostberlin, Mitte der 60er Jahre (1 Foto) Mokka Eis Bar an der Karl‑Marx‑Allee in Ostberlin, Mitte der 60er Jahre (2 Fotos) Karl‑Marx‑Allee in Ostberlin, Mitte der 60er Jahre (1 Foto) Strausberger Platz in Ostberlin, Mitte der 60er Jahre (3 Fotos) Stadtansichten von Leipzig, Dresden, Rostock, Eisenhüttenstadt, etc. Stadtzentrum der Messestadt Leipzig, 1963 (4 Fotos) Fähre und Leuchtturm, Warnemünde an der Ostsee Sommer 1971 (1 Foto) Der Teepott in Warnemünde an der Ostsee Sommer 1971 (1 Foto) Strandpromenade in Warnemünde an der Ostsee Sommer 1971 (1 Foto) Aufnahmen von 2007 bis 2010 2007 2007 2007 2007 Spurensuche im Ostteil Berlins im Zeitraum 2007 bis 2008 Die Karl‑Marx‑Allee in Berlin Abriss vom Palast der Republik in Berlin Weitere Abrissarbeiten am Palast der Republik Das Ernst‑Thälmann‑Denkmal in Berlin VEB, Kinderwochenheim, Post, Wahlplakat Volkskammerwahl Ehemaliges Kreiskulturhaus in Berlin‑Weißensee Stasi‑Gefängnis, Gedenkstätte Berlin‑Hohenschönhausen Alte Hausfassaden und Schilder Kraftwerk Berlin Rummelsburg, Schilder, Schriftzug Alexanderplatz, Weltzeituhr, Lampen, Markthalle kompletter Überblick der Spurensuche‑Fotos Aufnahmen 2001 bis 2010 Grenze Grenze Grenze Grenze Dokumentationen der deutsch‑deutschen Grenze und Berliner Mauer Dokumentation der ehemaligen deutsch‑deutschen Grenze / 2003/04 Fotos von der ehemaligen deutsch‑deutschen Grenze Eine Wanderung auf dem Berliner Mauerstreifen / 2001 Eine Radtour auf dem Berliner Mauerstreifen / 2005 Aktuelle Bilder vom einstigen Berliner Mauerstreifen Aufnahmen 1950 bis 1973 Grenze Grenze Grenze Grenze Bilder aus der Bundesrepublik Deutschland (in Arbeit) Köln in den 50er Jahren (in Arbeit) Westberlin 1969 (in Arbeit) Bonn 1955 (in Arbeit) München 1974 (in Arbeit) Nordseeinsel Helgoland 1959 (in Arbeit) Düsseldorf 1965 (in Arbeit) Bayerwerk Leverkusen 1965 (in Arbeit) Staatsbesuch innerdeutsche Grenze Dokumentation: Im Sommer 2003 wurde die ehemalige deutsch‑deutsche Grenze zu Fuß abgewandert und komplett dokumentiert. Auf der weit über 1.000 km langen Tour sind insgesamt 4.000 Aufnahmen entstanden. Im Herbst 2005 folgte im Auftrag des EU‑Parlaments ein Radtour, um eine neue Route für den geplanten Iron Curtain Trail auszuarbeiten. Diavortrag über die Grenzdoku Infos zum Thema dt.‑dt. Grenze Infos zur Wanderausstellung Spurensuche Dokumentation: Im Laufe des Jahres 2007 wurden in Ostberlin Spuren der DDR‑Zeit gesucht und dokumentiert. Zu Fuß und mit dem Rad wurde in den verschiedenen Ostbezirken recherchiert. Dabei entstanden rund 3.000 Aufnahmen. Spurenbilder auf ost‑berlin.de Spurenbilder auf ddr‑fotos.de Vergleichsfotos Heute & gestern: Ost‑Berlin im Vergleich. Fotos aus den 50er bis 70er Jahren und im Vergleich dazu aktuelle Aufnahmen. Vergleichsfotos auf ost‑berlin.de Fussball Fußball Nordost: Wo spielen eigentlich die ehemaligen Traditionsvereine der DDR? Antwort geben hunderte Fotos aus der Region Nordost vom Zeitraum 1994 bis 2010. Zu sehen sind unter anderem knackige Aufnahmen vom 1. FC Union Berlin, BFC Dynamo, FC Energie Cottbus, FC Sachsen Leipzig, 1. FC Lok Leipzig, Halleschen FC und von einigen anderen Vereinen. zu den Fotos turus Magazin turus‑Magazin: Wir reden Klartext: unabhängig und kritisch. Wir lassen mitreden: freie Lesermeinung. Aktuelle Berichte aus den Bereichen Gesellschaft, Kultur, Wirtschaft, Politik, Reise und Sport. Nachzulesen