THE FABULOUS BILL HOLMAN, HIS OCTET
AND ORCHESTRA
Personnel:
Don
Fagerquist, Nick Travis, Conte Candoli, Al Porcino (tp), Harry Betts, Lewis
McCreary (tb), Bob Enevoldsen, Stu Williamson (vtb), Herb Geller, Charlie
Mariano (as), Bill Holman, Richie Kamuca, Charlie Kennedy (ts), Bob Gordon
(bs), Lou Levy (p), Curtis
Reference: FSRCD 2219
Bill Holman
is one of the most amazing talents of this era. His music is natural; he
tolerates no force or hostility in his jazz. One of the composers of modern day
linear writing, he has already affected the necessary change in the growth of
orchestrated jazz. Holmans dry wit is one of his most entertaining attributes.
His music, though technically serious, is a mirror of his happy philosophyat
times even humorous. He enjoys a unanimous affection from all in jazz, both
musically and personally, said Stan Kenton.
According to
Holman: Melodically, I try to write human, singable lines with natural curves,
sometimes trying for an improvised feel... Rhythmically, I use a lot of
syncopation and off-beat accents in the ensembles as a band seems to be able to
get together easier on off beats than on on beats.
Tracklisting:
01. Sparkle
02.
Tanglefoot
03. Song
Without Words
04. Awfully
Busy
05. Plain
Folks
06. Back To
Minors
07. Cousin
Jack
08. On The
Town
09. Jughaid
10.
Locomotion
11. Airegin
12. Evil
Eyes
13. You And
I
14. Bright
Eyes
15. Come
Rain Or Come Shine
16. The Big
Street
Personnel and dates:
Tracks #1-8: Bill Holman Octet with Don
Fagerquist (tp), Bob Enevoldsen, Stu Williamson (vtb), Herb Geller (as), Bill
Holman (ts), Bob Gordon (bs), Curtis Counce (b), Stan Levey (d). Recorded in
Hollywood, on May 4 & 12, 1954.
Tracks #9-10: Same personnel but Nick Travis
replaces Fagerquist, and Max Bennett replaces Counces. Recorded in Hollywood,
on August 2, 1954.
Tracks #11-14: Bill Holman Orchestra with Conte
Candoli, Ray Lynn, Al Porcino (tp), Harry Betts, Bob Fitzpatrick, Ray Sims
(tb), Stu Williamson (vtb), Herb Geller, Charlie Mariano (as), Bill Holman,
Richie Kamuca, Charlie Kennedy (ts), Steve Perlow (bs), Lou Levy (p), Max
Bennett (b), Mel Lewis (d). Recorded in Hollywood, on April 25, 1957.
Tracks #15-16: Same personnel but Lewis McCreary
replaces Betts. Recorded in Hollywood, on April 29, 1957.