Digidesign Avid Pro Tools HD 6 (6x PCIx Cards plus another CORE Spare card) + Magma Expansion Chassis PE6R4-i + 2x Digidesign SYNC I/O (one of them as Spare sync device) + 2x 192 I/O (one Analog and one Digital to have 40 simultaneous IN/OUTS).

SHIPPING with TRACKING NUMBER !!


RISE-UP A BIG STEP ON THE QUALITY STAIRS OF YOUR SOUND AND GET WHAT THE GREAT PROFESSIONALS HAVE IN THEIR RENOWED STUDIOS !!



MANY PRO STUDIOS STILL RELYING ON HD SYSTEMS LIKE THIS ONE EXACTLY FOR LOTS OF REASONS, AND IT’S AN INDICATOR OF WHY SO MANY RECORDING AND POST-PRODUCTION STUDIOS USE THEM.



The FULL RECORDING SYSTEM has following devices:

2x Digidesign 192 I/O (One of them "analog" with 8+8 balanced IN/OUTS + 16 ADAT IN/OUTS and the other one "digital" with
16 ADAT IN/OUTS and 8x AES/EBU IN/OUTS) for a 32 simultaneous INPUTS and OUTPUTS RECORDING-MIXING RIG !!

1x MAGMA Expansion Chassis PE6R4-I (PC & MAC compatible)
1x PCI-Express MAGMA Card (MAC & PC compatible).
1x 3 mts Magma/PCIe connector cable.
- Inside MAGMA you will find 6x PCIX Cards:
1x CORE (and 1 more Core as Spare unit, 100% fully working / outside the chassis).
4x ACCEL.
1x PROCESS.

2x Digidesign SYNC (one of them as Spare unit, 100% fully working).

ALL WIRING and CABLES (analog, digital ADAT, Wordclock, Sync / Com1, Mac port, Bnc, terminators...) in order to "PLUG & RECORD" (including some SPARE Digidesign, Optical ADAT and BNC cables too).


WITH THIS OFFER YOU WILL GET FOR FREE 3 FULL WORKING ITEMS:

1x CORE Card PCIX.
1x SYNC I/O Syncronizer ALL FRAME RATES / MTC / MMC.
1x 10 UNITS PROFESSIONAL HARD FLIGHT-CASE (NEW).

ALL GEAR WILL BE SEND (FREE SHIPPING) MOUNTED INSIDE THAT 10-U "BOMB-PROOFED" FLIGHT-CASE.



What's the difference between Pro Tools “standard-software-only" and a PRO TOOLS HD SYSTEM?

The short answer is that HD systems are a combination of an advanced feature-set version of Pro Tools software and specific EXTERNAL HARDWARE, besides converters and audio interfaces.

Rather than leave all the processing to your computer, HD’s hardware is composed of DSP acceleration chips, which offset many of the computing tasks required by the software, famously supporting its Time Division Multiplexing (TDM) and now AAX DSP plug-in formats.

The benefits here are obvious, In addition to lowering your recording’s latency to essentially imperceptible levels (necessarily for multi-track recording), the acceleration chips gave you the ability to monitor through TDM plug-ins; a feat that might be commonplace now, but was ground-breaking at the time.

Outside of the added punch of more processing power (including not having to rely on your computer for a good chunk of plug-in processing), the Pro Tools software that completes the HD SYSTEM offers some advanced features not found in the “standard” host-based versions of Pro Tools, historically giving you access to input monitoring (though this feature trickled down to all versions of Pro Tools 12), Surround Mixing, Advanced Video support, and many others.

The software/hardware combination one-two punch also helps reduce latency, an integral feature when overdubbing audio and mixing with outboard and external gear in addition to run both TDM and NATIVE plug-ins.

If you are working with audio for film, an HD SYSTEM LIKE THIS is essentially a must-have when working within the Pro Tools 5.1 and 7.1 SURROUND environments.

RISE-UP A BIG STEP ON THE QUALITY STAIRS OF YOUR SOUND AND GET WHAT THE GREAT PROFESSIONALS HAVE IN THEIR RENOWED STUDIOS !!


SHIPPING with TRACKING NUMBER!!