Personnel:
Bob Freedman (arr, cond, as), Keith Williams (cond, tp),
Herb Pomeroy, Lennie Johnson, Bill Berry, Frank Beach, John Audino, Don
Fagerquist (tp), Gene DiStasio, Joe Howard, Herbie Harper (tb), George Roberts
(b-tb), Benny Carter, Ted Nash (as), Varty Haroutunian, Joe Caruso (ts), Jimmy
Mosher (bs), Ray Santisi (p), Tommy Tedesco (g), John Neves (b), Jimmy Zitano
(d)
EAST & WEST COAST SERIES · Jazz & Swing Orchestras
Rare & Collectible Albums by Unsung Bandleaders
When the dust from the collapse of the Swing Era settled,
there were few big bands left that had survived. Yet, because they loved the
swinging drive of a full-on jazz orchestra, a series of adventurous and unsung
bandleaders optimistically organized some fine, but short-lived, new orchestras
that were packed with jazz and studio musicians, holding the flag of Swing
high.
The exciting motion picture score from Anatomy of a Murder,
written and performed by the Duke Ellington orchestra, became one of the best
sold jazz albums of 1959. That same year, Ellington's dramatic jazz score, was
recorded again in fine stereo sound and by an eleven-piece band arranged and
conducted by Bob Freedman (1934-2018). For this job, he assembled some of the
best musicians from the Herb Pomeroy orchestra—the leading band in Boston.
Freedman's writing is sturdy, unpredictable, and succeeds in getting an excellent
crosssection from the shouting richness of full-blown brass to the multishades
of gray in muted and creatively voiced horns. The soloing we find sprinkled
throughout the album is of high level.
The resurgence of the Big Band Jazz Sounds during the '50s
was due in part, to the trend which started with the sweeping popularity of
jazz themes from motion picture scores, notably Elmer Bernstein's “The Man With
the Golden Arm” and Leith Stevens' “The Wild One,” and later developed into an
even stronger pattern with popular jazz successes from television, such as Hank
Mancini's “Peter Gunn,” and Count Basie's “M-Squad. Prior to his emergence as a
big band leader, the musical career of Keith Williams (1924-2008) was
multi-tangential, with indelible marks of success in each segment of the music
business. But it was his never-ending desire to organize a swinging jazz
aggregation, which in 1956 led to the creation of his 17-piece band labeled
“The Dazzling Sound.”
TRACKLIST:
01. Main Title (Upper and Outest) (Duke Ellington) 5:09
02. Flirtbird (Duke Ellington) 3:38
03. Almost Cried (Duke Ellington) 1:53
04. Happy Anatomy, Part I (Duke Ellington) 2:15
05. Midnight Indigo (Duke Ellington) 2:53
06. Haupé (Duke Ellington) 2:32
07. Sunswept Sunday (Duke Ellington) 2:56
08. Grace Valse (Duke Ellington) 4:18
09. Happy Anatomy, Part II (Duke Ellington) 4:14
10. Perry Mason (Fred Steiner. Arr. by Brinley Bethel) 2:05
11. Themes from “The Wild One” (Leith Stevens. Arr. by Lyle
“Spud” Murphy) 2:18
12. M-Squad (Count Basie) 2:20
13. Sound and The Fury (Alex North) 2:01
14. 77 Sunset Strip (Livingston-David) 2:14
15. Compulsion (Lionel Newman) 2:53
16. I Want to Live! (Johnny Mandel) 2:30
17. Peter Gunn (Henry Mancini) 1:54
18. The Thin Man (Pete Rugolo. Arr. by Jack Matthias) 2:38
19. Richard Diamond (Pete Rugolo) 2:00
20. Melancholy Serenade (Jackie Gleason. Arr. by Brinley
Bethel) 2:35
21. The Man With the Golden Arm (Elmer Bernstein) 2:17
Sources:
Tracks #1-9, from the album "Jazz Themes from
Anatomy of a Murder" (Coronet CX-99)
Tracks #10-21, from the album "Big Band Jazz
Themes From TV & Motion Pictures" (Edison International SDP-501)
Personnel on "Jazz Themes from Anatomy of a
Murder":
Orchestra Arranged and Conducted by Bob Freedman
Bob Freedman, conductor, arranger & alto sax; Herb
Pomeroy, Lennie Johnson, Bill Berry, trumpets; Gene DiStasio, trombone; Varty
Haroutunian, Joe Caruso, tenor saxes; Jimmy Mosher, baritone sax; Ray Santisi,
piano; John Neves, bass; Jimmy Zitano, drums.
Recorded at Ace Recording Studios, Boston, 1959
Personnel on "Big Band Jazz Themes From TV &
Motion Pictures":
Keith Williams and His Orchestra
Personnel featuring: Keith Williams, Frank Beach, John
Audino, Don Fagerquist, trumpets; Joe Howard, Herbie Harper, trombones; George
Roberts, bass trombone; Benny Carter, Ted Nash, alto saxes; Tommy Tedesco,
guitar.
Recorded at Radio Recorders, Hollywood, February 1959
Original recordings produced by unknown (#1-9), and Jack
Ames (#10-21)
New liner notes by Jordi Pujol
Coronet cover design: Unknown
Edison International cover design: Design: Bill Thompson
Produced for CD release by Jordi Pujol
Stereo · 24-Bit Digitally Remastered