OLD DR JEKYL JECKYLL MR HYDE AMSTERDAM DUTCH BOOK w ART

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DR JECKYL MR HYDE NEW BOXER SHORTS HALLOWEEEN UNDERWEAR







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"DE ZONDERLINGE GESCHIEDENIS VAN DR JEKYLL EN MR HYDE"

OR

"THE PECULIAR STORY OF DR JEKYLL AND MR HYDE"

 

BY ROBERT LUIOS STEVENSON

CIRCA 1920

DUTCH TRANSLATION

VERTAALD DOOR

S. VESTDIJK

VERLUCHT MET TEEKENINGEN VAN

JEANNE BIERUMA OOSTING

UITGEVERIJ CONTACT

AMSTERDAM

 

147 PAGE

HARDCOVER

ILLUSTRATED

5 SEPIA TONE ETCHING PLATES

SPINE AND BINDING ARE GOOD

COVER SHOWS SOME SOILING

PAGES SHOW AGE COLORATION

 

 

 

COLOPHON

DE EERSTE DRUK VAN THE STRANGE CASE OF DR JEKYLL AND MR HYDE VERSCHEEN IN 1886. DEZE VERTALING, GEZET UIT DE BASKERVILLE, WERD GEDRUKT BIJ MEIJER'S BOEK - EN HANDELSDRUKKERIJ TO WORMEVEER.

 

 

+++PLUS+++

 

SPOOKY DRAWS'...

FOR A REAL HALLOWEEN SCARE.

(1) PAIR BOXER SHORTS

SIZE LARGE (L) 36-38

W/ ELASTIC WASTE BAND

100% COTTON

 

 

UNDERWEAR DEPICTS

DOCTOR JECKYL / MISTER HYDE

THE LABORATORY MONSTER

MANUFACTURED BY RADIO DAYS CLOTHING

NEW WITH TAGS

NWT

PERFECT FOR YOUR HAUNTED HOLIDAY!

 

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FYI

 

 

 

Strange Case of Dr Jekyll and Mr Hyde is the original title of a novella written by the Scottish author Robert Louis Stevenson that was first published in 1886. The original pronunciation of Jekyll was "Jeekul" which was the pronunciation used in Stevenson's native Scotland. The work is commonly known today as The Strange Case of Dr Jekyll and Mr Hyde or simply Dr Jekyll and Mr Hyde. It is about a London lawyer named Gabriel John Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the misanthropic Edward Hyde.
The work is commonly associated with the rare mental condition often spuriously called "split personality", wherein within the same person there are at least two distinct personalities. In this case, the two personalities in Dr Jekyll are apparently good and evil, with completely opposite levels of morality. The novella's impact is such that it has become a part of the language, with the phrase "Jekyll and Hyde" coming to mean a person who is vastly different in moral character from one situation to the next.
Strange Case of Dr Jekyll and Mr Hyde was an immediate success and is one of Stevenson's best-selling works. Stage adaptations began in Boston and London within a year of its publication and it has gone on to inspire scores of major film and stage performances.
Stevenson had long been intrigued by the idea of how to incorporate the interplay of good and evil into a story. While still a teenager, he developed a script for a play on Deacon Brodie, which he later reworked with the help of W. E. Henley and saw produced for the first time in 1882. In early 1884 he wrote the short story "Markheim", which he revised in 1884 for publication in a Christmas annual. One night in late September or early October 1885, possibly while he was still revising "Markheim," Stevenson had a dream, and upon wakening had the intuition for two or three scenes that would appear in the story. "In the small hours of one afternoon," says Mrs Stevenson, "I was awakened by cries of horror from Louis. Thinking he had a nightmare, I woke him. He said angrily, 'Why did you wake me? I was dreaming a fine bogey tale.' I had awakened him at the first transformation scene ..."
Lloyd Osbourne, Stevenson's stepson, remembers "I don't believe that there was ever such a literary feat before as the writing of Dr Jekyll. I remember the first reading as if it were yesterday. Louis came downstairs in a fever; read nearly half the book aloud; and then, while we were still gasping, he was away again, and busy writing. I doubt if the first draft took so long as three days".
As was customary, Mrs Stevenson would read the draft and offer her criticisms in the margins. Louis was confined to bed at the time from a haemorrhage. Therefore, she left her comments with the manuscript and Louis in the toilet. She said that in effect the story was really an allegory, but Louis was writing it as a story. After a while Louis called her back into the bedroom and pointed to a pile of ashes: he had burnt the manuscript in fear that he would try to salvage it, and in the process forcing himself to start over from nothing, writing an allegorical story as she had suggested. Scholars debate whether he really burnt his manuscript. There is no direct factual evidence for the burning, but it remains an integral part of the history of the novella.



 
 
 

(PICTURES 12 & 13 FOR DISPLAY ONLY) 
 
 
 
 
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