This listing is for Brian Auger's Oblivion Express – Happiness Heartaches DEMO Test Print Vinyl LP Record Album BS-2981 ~RARE.
Label: Warner Bros. Records – BS 2981
Format: Vinyl, LP, Album, Winchester Pressing
Country: US
Released: 1977
Genre: Jazz, Rock, Funk / Soul
Style: Jazz-Rock, Rhythm & Blues, Jazz-Funk, Funk
Condition: Jacket: Demo Label Copy Worksheet on Cardboard sleeve Vinyl: Very Good
Tracklist:
A1 Back Street Bible Class 5:26
A2 Spice Island 8:54
A3 Gimme A Funky Break 4:36
B1 Never Gonna Come Down 5:30
B2 Happiness Heartaches 5:09
B3 Got To Be Born Again 4:12
B4 Paging Mr. McCoy 4:29
Brian Albert Gordon Auger (born 18 July 1939) is an English jazz rock and rock music keyboardist who specialises in the Hammond organ. Auger has worked with Rod Stewart, Tony Williams, Jimi Hendrix, John McLaughlin, Sonny Boy Williamson, and Eric Burdon. He incorporated jazz, early British pop, R&B, soul music, and rock into his sound. He has been nominated for a Grammy Award. In 1965, Auger played on "For Your Love" by The Yardbirds as a session musician. That same year, Auger formed the group The Steampacket with Long John Baldry, Julie Driscoll, Vic Briggs, and Rod Stewart. Due to contractual problems there were no official recordings made by the band; nevertheless, nine tracks were laid down for promotional use in late 1965 and released as an LP in 1970 in France on the BYG label. They were released on a CD by Repertoire Records in 1990 (licensed from Charly Records) as well as 12 live tracks from Live at the Birmingham Town Hall, February 2, 1964. Stewart left in early 1966 and soon thereafter the band broke up.
With Driscoll and the band Trinity, he went on to record a cover version of David Ackles' "Road to Cairo" and Bob Dylan's "This Wheel's on Fire", which appeared on Dylan Covered. The latter track was a number 5 pop hit in the UK. In 1969 Auger, Driscoll, and Trinity performed in the United States on the NBC special 33⅓ Revolutions Per Monkee. In 1970, he formed the jazz fusion ensemble Brian Auger's Oblivion Express shortly after abandoning the abortive "Wassenaar Arrangement" jazz rock commune in a small suburb of The Hague. Oblivion Express cultivated the talents of several notable musicians, including Average White Band drummers Robbie McIntosh and Steve Ferrone, as well as guitarist Jim Mullen. In 1971 Auger produced and appeared on Mogul Thrash's only album, Mogul Thrash. Two members of that band, Roger Ball and Malcolm Duncan, would go on to form the Average White Band. Auger toured with Kim Simmonds, Gregg Errico, and Tim Bogert in the mid-1980s in a band they called Maestro. No album resulted from this collaboration and tour. In 1986, he played keyboards for the Italian singer Mango on the album Odissea. In 1989, Auger was musical director for the thirteen-part film retrospective series Villa Fantastica made for German TV. A live recording of the series, Super Jam (1990), features Auger on piano, Pete York on drums, Dick Morrissey on tenor saxophone, Roy Williams on trombone, Harvey Weston on bass guitar, and singers Zoot Money and Maria Muldaur. Auger toured with Eric Burdon in the early 1990s and recorded the live album Access All Areas with him in 1993. Oblivion Express was revived in 2005 with recording and touring. The group featured Brian Auger, his son Karma Auger on drums, his daughter Savannah Auger on vocals, and Derek Frank on bass. In 2012, Auger released Language of the Heart, one of the few solo albums of his career, produced by Tea. It features Jeff "Skunk" Baxter and Julian Coryell on guitars. In 2014, Auger was invited by producer Gerry Gallagher to record with El Chicano as well as Alphonse Mouzon, David Paich, Alex Ligertwood, Ray Parker Jr., Lenny Castro, Vikki Carr, Pete Escovedo, Peter Michael Escovedo, Jessy J, Salvador Santana, Marcos J. Reyes, Siedah Garrett, Walfredo Reyes Jr., and Spencer Davis. In the same year, Brian Auger and Oblivion Express played at the KJAZZ festival in Los Angeles, and toured in Japan and Europe with Karma Auger on drums, daughter Ali Auger on vocals, Alex Ligertwood on vocals, Yarone Levy on guitar, Les King on bass, and Travis Carlton on bass.
CONDITION Descriptions:
I base the condition of each of my Records off of Ebay's Grading System.
• MINT (M) Looks new and unplayed. Very high vinyl luster and no noticeable label defects. Sounds new. With 45rpm records, this does not always mean there is no surface noise at all.
• NEAR MINT (NM) Looks almost new, but has some minor flaws such as a drill hole; unobtrusive writing on label (e.g., an X on a promo copy); minor scuffing on vinyl; minor color flaking on label, or other insignificant flaws that only slightly detract from visual appeal. May have some minor surface noise, but nothing distracting.
• VERY GOOD (VG) There may be light scuffing and some of the original vinyl luster may be lost. The vinyl and label may appear used, but well cared for. Records may have some more obvious flaws that are not visually degrading such as a sticker on the label; more noticeable writing on the label; scuffing and minor scratches on the vinyl; or minor discoloration of the label. There may be very minor warping of the vinyl. There may be a slight scratch not affecting play.
• GOOD (G) Record has visible signs of handling and playing, such as loss of vinyl luster, minor surface scratches, groove wear, and audible surface noise. Appears well used but not abused. May have a few major flaws, such as scratches, label tears, or stickers, and/or writing.
• FAIR (F) Appears well used and somewhat abused. Audio is not great due to surface noise and scratches. The record may have a stick or a skip. Records in this condition are those you might purchase to fill a hole in your collection until a better copy comes along.
• POOR (P) Well played with little luster and significant surface noise, but still not cracked or broken. Record likely skips and/or sticks. Typically so bad looking that a true “collector” would just toss it out. More useful as a Frisbee. I try not to sell records in this condition.
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