The Complete Cups and Balls by Michael Ammar

 

Title: The Complete Cups and Balls

Author: Michael Ammar

Publisher: L&L Publishing

Publication Date: 1998

Hardcover

Book Size: Book Size: 8 ¾ X 11 ¼

Pages: 167 pages

Edition: First Edition

Book Condition: Excellent-Like New-Appears Unread

Dust Jacket Condition: Excellent-Includes Clear Mylar Cover

 

The Cups and Balls Magic Illusion is universally acclaimed as the effect which should be studied by every magician.

 

Over 15 years in the planning...over 3 years in the making! This long Out-of-Print book has become an international classic. Over 750 photographs! Text highlighted in color to show you exactly what the key points are plus 18 essays written by some of the world's most respected magicians divulging their secrets and insights into this timeless piece of legerdemain! There has never been a more complete or more effective way to discover the fascinating secrets of this enduring classic.

 

Excellent coverage of the cups & balls in this finely produced, glossy page book from L&L Publishers. The word "Complete" in the title is not because this book is a full encyclopedia of every Cups & Balls move ever created. Rather, it is complete in that it provides all the essentials for learning the Cups and Balls, including sleights, wand spins, Williamson's striking vanish, and another look at Dai Vernon's Cups and Balls routine, among others. It also dissects the Cups and Balls and covers the many variations on the beginning, middle, and ending sections of the effect.

 

To maximize results, Michael Ammar separated all the fundamental information into an appropriate series of layers. Each layer is then revealed in the pattern perfect for your ever-evolving level of understanding, ability, and confidence. As each new branch of knowledge grows, a routine is taught which puts that information into current context. Along the way, special attention is placed on those four highly transferable skills, which grow stronger as you study Cups And Balls: Acting, Timing, Routining, and Misdirection.

 

The photographs in the book are unique, in that they have been annotated with graphics as necessary to emphasize certain points in the photo, and "highlighter" lines often link the text to a particular photo. This is meant to make the written page a little closer to the video medium, and to take advantage of the capabilities of modern print. The book gives me the feeling that I'm watching a video, rather than reading a good book.

 

This complete understanding approach to building your foundation gives you the tools, building blocks, and the blueprints to build any type of Cups and Balls routine you might ever need! You’ll discover classic wand moves every sleight-of-hand performer should know, opening positions and sequences, body sequences, secret loading sequences, as well as final rhythms that create the powerful misdirection to cover your final loads. Then you'll see the real work on Mastering the Final Load.

 

Bonus Material From: Aldo Colombini; David Williamson; Bruce Cervon; Johnny Thompson; Michael Skinner; Tommy Wonder; Paul Gertner; Johnny Ace Palmer; Gazzo; Bob Sheets; Joachim Solberg; Shakar Junior; Eric DeCamps; Tom Mullica; Kate Medvedeva; Mike Rogers; Dominique Duvivier; Jonathan Pendragon.

 

Finally the Dai Vernon routine, considered the most influential Cups and Balls routine of this century, is taught, dissected and analyzed. Overall, this is a highly recommended book for the Cups and Balls.

 

Contents

 

ix Introduction (Michael Ammar): video vs. printed page; the difficulty in crediting Cups & Balls moves, and thanks.

xi Foreword (Tommy Wonder): encouragement for the reader

 

1 Fundamental Props: Brief discussion of cups, balls, final loads, and wands. This section does not describe the differences in cup designs, except in stating that Michael prefers heavier cups and uses  Paul Fox cups.

 

3 Definitions: Brief definitions of several critical terms, with photos demonstrating as appropriate. Includes: the mouth, top, nesting, stacking, holding out, a fake transfer or pass, steal, loading (secret/actual/fake), the dirty hand, the clean hand, and the inertial move

 

6 Basic Stacking: shown with a ball hidden between the cups

 

7 The Super Simple Routine: similar to the descriptions that come with the cheap plastic cups, using the inertia move only.

 

Fundamental Skills No. 1

Acting

 

8 Methods of Holding Out: Finger palm, thumb palm, classic palm

 

10 Beginning Sleights

 

10 The Fake Transfer: The French Drop, Classic Pass, The Simple Transfer, and Misdirecting with the Wand

 

13 Secretly Loading a Small Ball Into A Cup: From Finger Palm, Thumb Palm, Direct From Palm, The Tip Over Load (while tipping the top ball off the cup), Loading A Nested or Stacked Cup

 

15 Six B&W photos of some older cups, including Okito, Harry Stanley, and Rings & Things

 

16 Stealing From a Tabled Cup: Two Finger Steal, Simply Holding Inside, The Two Finger Steal Out and Spin Around to Show Empty

 

17 Stealing From Between Cups: Little Finger Retention/Steal, Nesting Rolling Steal

 

 

Fundamental Skills No. 2

Timing

 

20 Faking the Load: The Scoop, The Scoop Clip, Fake Transfer to Fake Load, The Pinch (propelling the ball with a pinch), The Fake Roll Out

 

23 Cool Cup Moves: Passing One Through Another, Wand Through Cup, Showing Inside Deeper Than Outside, Showing a Ball Inside an Empty Cup, Rolling a Cup, Pulling a Ball Up Through the Cup, The Charlie Miller Move (ball through fist and through cup), The Mendoza Move (smashing through the cup), Click Move, The Flushtration Count (to show loaded cups empty), The Tip-Off or 'Fako' Move (to remove a stacked loaded cup), Galloping Post Move, The Centrifugal Move (adding a loaded cup to a stack - more risky!)

 

 

Fundamental Skills No. 3

Routining: Theory of building a good, quality routine

 

32 2nd Level Routine: a simple routine using the already learned building blocks. 3 balls penetrate the cups, are put away, and appear back under the cups.

 

 

Fundamental Skills No. 4

Misdirection: pushing vs. leading

 

36 Third Level Routine: with a single, final load at the end.

 

38 Final Loading Actions: multiple detailed looks at how to load the large ball from different angles.

 

40 Impromptu Cups & Balls: using coffee cups and grapes and three final loads

 

 

Part Two

Examining different openings, body sequences, and endings

 

46 Advanced Wand Vanishes: introduction

 

46 Through the Fist

 

47 Through the Hand #2

 

48 The Mora/Vernon Wand Spin Vanish: a must learn vanish!

 

50 Williamson's Striking Vanish: another must learn vanish

 

51 The Drummer's Spin

 

52 Opening the Routine

 

53 Opening Positions: One, two, three, and four ahead; Other options

 

54 One Ahead Return Opening

 

55 One Ahead Penetration Sequence

 

55 Three Ahead Production Sequence

 

56 Ammar's Opening Production Sequence

 

 

Body Sequences

 

58 Assembly

 

59 Miller - Sequence #1

 

60 Miller - Sequence #2

 

61 Classic Gathering In the Middle

 

62 All Gather One at a Time

 

63 Three Gather on Tops of Cups

 

64 Shower of Balls: with another approach

 

65 Click Move Sequence

 

66 Two-None-Two Sequence

 

67 Reappearing Inside a Stack of Cups

 

 

Mastering the Final Load

Directions for Misdirecting, Standing, and Sitting

 

71 When Standing, Where are the Final Loads Going to Go? Natural pockets, Special pockets, Pouches, Edge of the Coat, sleeves

 

72 The Coordinated Timing of Both Hands

 

74 The Loading Hand

 

75 Holding the Cup

 

Ending Sequences

 

76 Classic Elimination Sequence

 

78 Vernon's Sophisticated Elimination Sequence

 

80 Ending Rhythms

 

81 The Malini/Garcia Rhythm

 

82 The 1-2-3-4 Method

 

82 The Engaged Spectator Ending

 

Creative Loading Systems

 

83 Livestock

 

84 The Dai Vernon Cups and Balls Routine: described with 74 B&W photos and text

 

93 Summary of Dai Vernon's: in one page (good for practicing)

 

94 What Might Vernon Have Done Differently? based on Dai's own advice

 

95 Now Here's What You Need To Do...  questions to answer in developing your own routine

 

97 Michael Ammar's Stand-Up Cups and Balls: Another look at the routine from The Magic of Michael Ammar, with more concise text but more photographs.

 

105 Summar of Michael Ammar's Routine: in one page

 

 

The Bonus Chapter

Advice from other magicians

 

109 Dominique Duvivier, France: Perform to please others, not yourself

 

111 Mike Rogers, USA: Uses Cups & Balls as an opener, incorporating the use of miniature baseballs in the routine

 

113 Kate Medvedeva, Russia: As a closer, with Russian buildings as final climax loads

 

115 Eric Decamps, USA: a longer essay on breaking down the Cups & Balls into its elements to examine its impact

 

120 Shankar Junior, India: on Indian magic, the Indian cups and balls, and making the routine lively!

 

123 Joachim Solberg, Denmark: performs standing for a smaller audience, shows the JS-Bounce move

 

126 Bob Sheets, USA: from bars to fairs and other tips

 

128 Gazzo, Great Britain: lots of advice on street performing with the cups

 

135 Tom Mullica, USA: prefers the cups in the middle of the show

 

137 Paul Gertner, USA: on the development of the Steel cups and balls (with steel bearings)

 

139 Johnny Ace Palmer, USA: with live baby chick final loads

 

141 Tommy Wonder, The Netherlands: on his Two cup version

 

143 Michael Skinner, USA: lots of anecdotes and advice

 

147 Johnny Thompson, USA: on Harry Riser, Charlie Miller, and Dai Vernon (plus some tips of his own!)

 

151 Bruce Cervon, USA: a nice essay on the cups & balls

 

155 David Williamson, USA: As with Skinner, David developed his two cup routine when he lost the third cup!

 

158 Aldo Colombini, USA: Why the cups are a classic

 

161 Jonathan Pendragon, USA: On poetry, comedy, music, and narrative approaches

 

165 The Delaporte Cups and Balls Table: a description of Alphonse Delaporte's custom table for the cups & balls

 

169 Partial Bibliography

 

Please examine the photos of this book. I have included photos of the index, when needed. I have also included photos of especially colorful, interesting or autographed pages. I will be happy to answer any specific question, just send me an Email!

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