The first issue of Show The Magazine of the Performing Arts was published in October 1961.
At the start of the sixties, A and P heir Huntington Hartford, felt the time had come to provide a publication devoted to culture and, in particular, the performing Arts.
Ever since the demise of ‘Vanity Fair’ twenty-five years earlier, there was no other publication on the market that featured the arts and Hartford believed that the advent of television, coupled with an exploding increase in the number of art cinema houses, bode well for a magazine that focused on film, film people, and the arts in general.
“Show will be the definitive magazine of the performing arts, and our view of those arts will be broad.” Wrote Hartford in his first Publisher’s note.
By 1964, Hartford has spent $6,000,000 on the project. Time magazine reported that the magazine was “falling into the hole by $100,000 per issue."
Henry Wolf (May 23, 1925 – February 14, 2005) was an Austrian-born, American graphic designer, photographer and art director. He influenced and energized magazine design during the 1950s and 1960s with his bold layouts, elegant typography, and whimsical cover photographs while serving as art director at Esquire, Bazaar, and Show magazines. Wolf opened his own photography studio, Henry Wolf Productions, in 1971, while also teaching magazine design and photography classes. In 1976, he was awarded the American Institute of Graphic Arts Medal for Lifetime Achievement and, in 1980, was inducted into the New York Art Directors Club Hall of Fame.
Life and work
Henry Wolf was born into a Jewish family in Vienna, Austria, on May 23, 1925. With the Anschluss and Nazi occupation of Austria in 1938, his secure childhood in Vienna ended, and his family left Austria and began a three-year odyssey through France and North Africa. Wolf studied art in Paris, but after hiding from the Germans and living in two detention camps in Morocco, the family relocated to the United States in 1941. He continued his art studies at New York City's School of Industrial Art.[1] Wolf joined the Army in 1943, serving with an intelligence unit in the Pacific until 1946.[2][3]
Wolf worked with photographers Richard Avedon, Melvin Sokolsky and Art Kane before he launched his own photography studio on the Upper East Side of Manhattan. He became the art director of Esquire,[4] in 1952, his designs becoming the sophisticated image for which the magazine is now known.[3] In 1958, he became the art director of ''Harper's Bazaar'', succeeding Alexey Brodovitch and worked with Richard Avedon and Man Ray. After a tenure of three years at Harper's Bazaar, he left to start a new a new progressive arts magazine Show for A&P heir Huntington Hartford.
In 1965, Wolf began working for McCann Erickson where he directed high-profile advertisement campaigns like Alka Seltzer, Buick, Gillette, and Coca-Cola. he later joined advertising executive Jane Trahey, forming Trahey/Wolf, serving as vice president and creative director. For the next few years, Wolf worked on many commercial campaigns, including Saks Fifth Avenue and I Magnin, as well as advertisements for Xerox, IBM, Revlon, De Beers, Blackgama Mink, Charles of the Ritz, Elizabeth Arden, and Union Carbide.
In 1971, Wolf launched Henry Wolf Productions, a studio devoted to photography, film, and design. For the next three decades, he worked as both photographer and designer, creating over 500 television commercials and nine films, shooting for Van Cleef & Arpels, RCA, Revlon, Borghese, Olivetti and Karastan among others.[4] His work was published in many magazines, including Esquire, Town and Country, Domus, and New York.
Wolf taught graphic design at Parsons School of Design in New York City, as well as the School of Visual Arts and The Cooper Union.
Henry Wolf died on February 14, 2005, just short of age 80.
George Huntington Hartford II (April 18, 1911 – May 19, 2008) was an American businessman, philanthropist, stage and film producer, and art collector. He was also heir to the A&P supermarket fortune.
After his father's death in 1922, Hartford became one of the heirs to the estate left by his grandfather and namesake, George Huntington Hartford.[1] After graduating from Harvard University in 1934, he only briefly worked for A&P. For the rest of his life, Hartford focused on numerous other business and charitable enterprises.[2] He owned Paradise Island[3] in the Bahamas, and had numerous other business and real estate interests over his lifetime including the Oil Shale Corporation (TOSCO),[4] which he founded in 1955.
Hartford was once known as one of the world's richest people.[5][6] His final years were spent living in the Bahamas with his daughter, Juliet.[2]
Early life and education
Huntington Hartford was born in New York City, the son of Henrietta Guerard (Pollitzer) and Edward V. Hartford (1870–1922). He was named George Huntington Hartford II for his grandfather, George Huntington Hartford. His father and uncles, John Augustine Hartford and George Ludlum Hartford, privately owned the A&P Supermarket, which at one point had 16,000 stores in the U.S. and was the largest retail empire in the world.[7] In the 1950s A&P was the world's largest grocer and, next to General Motors, it sold more goods than any other company in the world. Time magazine reported that A&P had sales of $2.7 billion in 1950.[8] His maternal grandfather was from an Austrian Jewish family, and his maternal grandmother, who was Protestant, had deep roots in South Carolina.[9] Hartford's father was a successful inventor and manufacturer who perfected the automotive shock absorber. Along with his brothers, Edward was also an heir to the A&P fortune and served as A&P's corporate secretary as well as one of three trustees that controlled A&P's stock.
After Hartford's birth, the family moved to Deal, New Jersey, a wealthy community on the Atlantic shore.[2] After Huntington's father died when he was 11, his mother moved the family to a mansion in Newport, Rhode Island, known as "Seaverge" next to Rough Point, the mansion owned by tobacco heiress Doris Duke. The family also lived on a 1,000-acre (4.0 km2) plantation in South Carolina called "Wando" as well as an apartment on Fifth Avenue in Manhattan.[10]
After his father died in 1922, Hartford's mother sent him to St. Paul's School. He later majored in English literature at Harvard University.[2] After his graduation from Harvard in 1934, he went to work at A&P headquarters in New York in the statistical department. He lived on a trust fund that generated about $1.5 million per year.
On 10 November 1936, he purchased the sailing ship Joseph Conrad[11] from Alan Villiers which he converted to a private yacht, and donated to the U.S. Maritime Commission as a sail training ship in 1939.
Career
In 1940, Hartford invested $100,000 (equivalent to approximately $2,088,836 in 2022[12]) to help start a newspaper, PM, with Marshall Field III and worked as a reporter for the publication. An avid sailor, he donated his yacht to the Coast Guard at the start of World War II. During the war he was commissioned in the Coast Guard and commanded the Army supply ship FS-179, commissioned in May 1944, in the Pacific Theater. Hartford twice accidentally ran the ship aground.[13]
After the war, he moved to Los Angeles and attempted to purchase Republic Pictures and RKO Studios from Howard Hughes. Huntington also started a modeling agency and an artists' colony, and opened a theater.[2]
In the 1950s, Hartford purchased a penthouse duplex on the 13th and 14th floors of One Beekman Place in the 1950s after moving from an apartment at the River House in New York City. He owned a home called "Pompano" on 240 El Vedado Drive in Palm Beach, a 150-acre (0.61 km2) estate in Mahwah, New Jersey, called "Melody Farm", a 160-acre (0.65 km2) Hollywood estate known as "The Pines" (also known as Runyon Canyon Park), a townhouse in London, a home in Juan-les-Pins in France, and a house on Paradise Island in the Bahamas.[14]
Hartford owned Huntington Hartford Productions which produced several films including the Abbott and Costello film, Africa Screams, in 1949. In 1950, Hartford produced Hello Out There, the last film of James Whale, the acclaimed director of the 1931 version of Frankenstein. He produced several films starring Marjorie Steele and encouraged her to become an artist.[2]
In 1955, Hartford founded the Oil Shale Corporation, later known as Tosco, and was its majority shareholder and chairman. Tosco was later acquired by ConocoPhillips. He also set up the Denver Research Institute at the University of Denver to find alternate methods of oil extraction. During this period, he also wrote and produced The Master of Thornfield, a stage adaptation of Jane Eyre that ran for two weeks in Cincinnati starring Errol Flynn as Mr. Rochester. This partnership led to Flynn staying in Hartford's pool-house briefly in 1957–58 and is the origin of a legend that "The Pines" was Flynn's estate.[15] Later, Hartford produced the play on Broadway.[2] In 1963, Hartford offered The Pines as a gift to the city but was turned down by Mayor Sam Yorty.[15] As Lloyd Wright recalled in 1977, "Here was this very wealthy man, and he wanted to give something very stunning to Hollywood. The Chambers of Commerce, the hotel owners and the various businesses were jealous of the park and with the help of the city officials, the city refused to give us permits. Hunt was so angry that he wanted to get out immediately and sold the property to [Jules] Berman who destroyed the mansion and let the place run down."[This quote needs a citation]
When his uncle George Ludlum Hartford died in 1957, the trust set up by the elder George Huntington Hartford was liquidated and Hartford inherited his portion of the estate. The Chicago Tribune estimated his wealth in 1969 as half a billion dollars.[16] In 1959, Mike Wallace introduced him on a television interview as being worth half a billion dollars.[17]
14th-century French cloisters reassembled by Hartford on Paradise Island
In 1959, Hartford bought Hog Island in the Bahamas, renaming it Paradise Island. He developed it over the next three years hoping to turn it into another Monte Carlo. One feature of his Ocean Club was a cloister built from the disassembled stones of a monastery that William Randolph Hearst had stored in a Florida warehouse.[14] In an interview with David Frost on British television, Hartford stated that the flag he created for Paradise Island was in the shape of a "P" and that he wanted to put it on the moon as a symbol of peace for the world.[18] Hartford was responsible for getting the gambling license for Paradise Island by hiring Sir Stafford Sands, a Bahamian lawyer.
In 1969, Hartford produced the Broadway show Does a Tiger Wear a Necktie?, which opened at the Belasco Theater starring the then-unknown actor Al Pacino. Pacino won a Tony for his performance.[19]
Patronage of the arts
Huntington Hartford funded the Gallery of Modern Art at 2 Columbus Circle
Hartford was a patron of the arts, building an artists colony above Los Angeles and later a gallery in New York City, and his opinions on the arts were equally strong. He criticized Abstract Expressionists, believing they had ushered in a great "ice age of art," freezing out the grand traditions of music, painting and sculpture; he described Pablo Picasso as a "mountebank".[20] Beyond expressionism, he derided the "beatnik, the Existentialist, the juvenile delinquent, the zaniest of abstract art, the weirdest aberrations of the mentally unbalanced, the do-nothing philosophy of Zen Buddhism" as a result of wanton "abuse of liberty and freedom."[20] He had strong opinions against the work of Tennessee Williams, T. S. Eliot, and Willem de Kooning, as well as art dealer Sidney Janis.[20]
To support the art that he enjoyed, Hartford built an artists' colony in Rustic Canyon, above the Pacific Palisades neighborhood of Los Angeles. Buying more than 150 acres in 1948, he hired Lloyd Wright (son of Frank Lloyd Wright) to adapt existing structures and design new ones. When it opened in 1951, it had more than a dozen cottages and a central dining room for distinguished artists, composers and craftspeople who won scholarships for one to six-month retreats.[20] For nearly 15 years, more than 400 colony artists generated international success with exhibitions, concerts, theater performances and Pulitzer Prizes; included among them were composers Ernst Toch, Norma Wendelburg, and Ruth Shaw Wylie, writer and activist Max Eastman, and painter Edward Hopper.[20]
Hartford also renovated and opened a theater which he renamed the Huntington Hartford Theater, which opened in 1954. For ten years the Hartford Theater was Los Angeles's premier venue for Broadway-scale productions featuring the stars of the time.[21]
Hartford's taste for Los Angeles began to wane, however, after the Los Angeles County Museum of Art rejected an exhibition he proposed. He decided to build his own museum in New York City, the 1964 Gallery of Modern Art on Columbus Circle, declaring that building a museum in Los Angeles was like putting up "a theater in Oklahoma" due to a lack of audience.[20] With the financial commitment to a new museum in New York and tiring of his art colony, he asked local government officials and wealthy patrons to contribute to the colony's support. Lacking what he felt would be sufficient commitment, he shut down the colony in 1965[20] (he had sold the Huntington Hartford Theater in 1964).[22]
Art collection
Hartford owned an extensive art collection. In an interview by Edward R. Murrow on his show Person to Person he gave a tour of the collection at his Beekman Place apartment including Rembrandt's "Portrait of a man, half-length, with his arms akimbo", which sold at Christie's auction house in London on December 8, 2009, for $33 million, a world record for a Rembrandt.[23]
To house his extensive collection of 19th- and 20th-century art, Hartford built the Gallery of Modern Art Including the Huntington Hartford Collection[24] at 2 Columbus Circle in Manhattan which opened in 1964. Pointedly, it did not include Abstract Expressionism which Hartford panned in his book, Art or Anarchy. Hartford was a patron of the architect Edward Durell Stone who designed the modernist marble-clad structure often derided as the "lollipop building". Stone had previously designed the Museum of Modern Art for the Rockefeller family.
Hartford commissioned Salvador Dalí to paint The Discovery of America by Christopher Columbus for the museum's opening. The museum also included Hartford's paintings by Monet, Manet, Degas, and Henri de Toulouse-Lautrec. Hartford closed the museum after five years. Later the building housed the New York City Department of Cultural Affairs and was recently rebuilt with a new facade to house the Museum of Arts and Design.
Personal life
Hartford was married four times, all ending in divorce, and had five children. His mother intended Huntington to marry Doris Duke, but in April 1931, Huntington married Mary Lee Epling, the 18-year-old daughter of a dentist from Covington, Virginia. They divorced in 1939.[2] In 1938, Huntington had a son, Edward "Buzzy" Barton, with dancer Mary Barton.[25] Hartford supported the boy financially but refused to legally acknowledge him as his son. In 1967, Edward Barton died of a self-inflicted gunshot wound to the head.[26]
Huntington's second wife was Marjorie Steele, an aspiring actress whom Hartford married in 1949. The couple had two children, Catherine (born 1950) and John Hartford (born 1953 or 1954). The couple divorced in 1960.[2] Catherine Hartford died of a drug overdose in June 1988.[27] John Hartford later became a musician and music teacher. He died of throat cancer on April 15, 2011.[28]
In 1962, Hartford married Diane Brown at Melody Farm in Mahwah, New Jersey. They had a daughter, Cynara Juliet, before divorcing in 1970. Five years later, he married Elaine Kay but was divorced again in 1981.[29]
Later years and death
In February 2004, he and his daughter moved to Lyford Cay in the Bahamas.[30]
Hartford died at his home in Lyford Cay on May 19, 2008, at the age of 97. The cause of his death was not publicly released.[31][32] His remains are interred at Lakeview Memorial Gardens & Mausoleums in Nassau.)