For sale today are ten (10) out-of-print (oop) - some rare - Marvel Comics graphic novel/trade paperbacks (tpb) from the Deadpool Classic collected editions that began publishing in 2008. They make up a little under half of the total set (Volume 23 was the last released), and altogether contain 3504 pages. Volume 8 is signed by writer Buddy Scalera on the inside first cover page.



**Volume 8 [2013]
  • Collects Deadpool (1997-2002) #57-64.
    Written by Frank Tieri and Buddy Scalera. Art by Georges Jeanty and Jim Califiore. Cover by Georges Jeanty.
    The new Weapon X Program has come knocking, and they won't take no for an answer! But Deadpool's okay with becoming a secret agent, even alongside this cutthroat band of villains and lunatics, because they've offered him the one thing he wants most in the world: a cure for his ravaged face! How far will Deadpool let the deranged Weapon X Program go to hold on to his good looks? And what happens when they start crossing lines even the Merc With a Mouth isn't comfortable crossing? The funeral of Deadpool, that's what! Plus: It's Deadpool times four as our hero returns again - and again and again! When T-Ray arrives for a final showdown, how many Deadpools does it take to light up a screwball? Well, how many ya' got?


**Volume 9: Featuring Agent X [2013]
  • Collects Deadpool (1997-2002) #65-69 and Agent X (2002) #1-6.
    Written by Gail Simone. Art and cover by Udon Studios.
    Writer Gail Simone (Birds of Prey, Batgirl) takes on Marvel's Merc With a Mouth! When Deadpool crosses paths with the Black Swan, the telepathic villain infects Wade with a virus that eats away at his mind. Can Deadpool overcome his degenerating thought processes and continue his merc work? Not likely! The madness continues as Deadpool must steal the Rhino's horn and play bodyguard to mutant songstress Dazzler. Along the way, he'll get by with a little help from some new friends: Sandi Brandenberg, Ratbag, Outlaw and the Taskmaster. But when a showdown with the Black Swan goes wrong, who - if anyone - will survive? And in the aftermath: Meet Agent X! He appears on Sandi's doorstep, an amnesiac blank slate with healing powers, uncanny fighting skills and a burning desire to be a mercenary. Is he a deeply damaged Deadpool? And if not, who or what is he?


**Volume 10: Featuring Agent X [2014]
  • Collects Agent X (2002) #7-15 and Fight Man (1993) #1.
    Cover by Udon Studios.
    After there was Deadpool - and before there was Deadpool again - there was Agent X! He's a merc, check. With a mouth, check. And an uncanny healing factor - hey, what gives here? Prepare to find out as the adventures of Alex "Agent X" Hayden race to a dramatic conclusion - and one way or another, there'll be a Deadpool walkin'! But first, Alex has a business to get off the ground: the merc group Agency X. Only problem is, there's no "Taskmaster" in "team." Still, there's plenty of work to be had with a pantie-snatcher on the loose, an invisible man to be found, the glorious return of Fight-Man and... wait, the Black Swan? Didn't Deadpool already kill that guy? Paging Wade Wilson! Plus: Fight-Man's over-the-top, punch-packed debut by Evan (Milk and Cheese) Dorkin!


**Volume 11: Merc With a Mouth [2015]
  • Collects Deadpool: Merc with a Mouth (2009) #1-13 and Lady Deadpool (2010).
    Written by Victor Gischler and Mary H.K. Choi. Art by Bong Dazo, Kyle Baker, Rob Liefeld, Das Pastores, Matteo Scalera, Ken Lashley, Jose Pimentel, Leonardo Ito, Tim Townsend and Andrew Hennessy. Cover by Ed McGuinness.
    Under contract with A.I.M., Deadpool ventures into the Savage Land to obtain the ultimate biological weapon: his own dang head! Yup, Zombie Deadpool's decapitated head makes its glorious return, and he's tired of being carried around everywhere. Deadpool will have to keep his own head on straight if he hopes to survive these Savage Land shenanigans and collect his bounty. Then, as if the zombie thing wasn't enough, it's alternate-universe mayhem as Deadpool encounters a multitude of malevolent mirror images: S.H.I.E.L.D Major Wilson, Wanda Wilson and the Deadpool Kid! But what happens when Deadpool, A.I.M. agents and his foxy new ladylove travel into the Marvel Zombieverse to try to return "Headpool" home? Plus: an extended look at the life and loves of Wanda Wilson, the maniacal Lady Deadpool!


**Volume 12: Deadpool Corps [2015]
  • Collects Prelude to Deadpool Corps (2010) #1-5, Deadpool Corps (2010) #1-12 and Deadpool Family (2011 Marvel).
    Written by Victor Gischler, James Asmus, Cullen Bunn and Mary H.K. Choi. Art by Rob Liefeld, Whilce Portacio, Philip Bond, Paco Medina, Kyle Baker, Marat Mychaels, Darnell Johnson, Dominike Stanton and Irene Strychalski. Cover by Rob Liefeld.
    Deadpool gears up for an intergalactic adventure - but to succeed, he'll need to assemble a crack team of special operatives! So naturally he recruits four other versions of himself! What could go wrong? Lady Deadpool, Kid Deadpool, Dogpool, Headpool and the original Merc With a Mouth form...the Deadpool Corps! The consciousness-sapping Awareness has wiped out the free will of millions of planets, and the Corps must stop it from destroying the galaxy! If they can keep the infighting and binge drinking to a minimum, they just might just stand a chance. Then, the Omega Confederation hires the Corps to stop a rebellion. But when Deadpool falls for Princess Teela, the group promptly switches sides - and incites a civil war! Will their meddling destroy an entire planet?


**Volume 13: Deadpool Team-Up [2015]
  • Collects Deadpool Team-Up (1998 1st Series) #1 and Deadpool Team-Up (2009-2010 2nd Series) #899-883.
    Written by James Felder, Fred Van Lente, Mike Benson, Adam Glass, Stuart Moore, Christopher Long, Ivan Brandon, Rob Williams, Dave Lapham, Frank Tieri, James Asmus, Jeff Parker, Cullen Bunn, Shane McCarthy, Rick Spears, Tom Peyer and Skottie Young. Art by Pete Woods, Dalibor Talajic, Carlo Barberi, Chris Staggs, Shawn Crystal, Sanford Greene, Matteo Scalera, Micah Gunnell, Steve Sanders, Tom Fowler, Nick Dragotta, Philip Bond, Jacob Chabot, Ramon Perez, Walden Wong, Juan Vlasco and Robert Campanella. Cover by Humberto Ramos.
    Evidently, the voices in his head aren't enough company for Deadpool! These riotous, ridiculous and outright reprehensible team-ups pair the irrepressible mercenary with Marvel's finest characters and creators! Don't expect 'Pool to hog all the glory, though - he'll share the spotlight with his new buddies, and drive them all bonkers in the process. Featuring a roster of Marvel all-stars including the Incredible Hercules! Not one but two Ghost Riders! The Punisher! U.S. Ace! (Who?) The Zapata Brothers! (Huh?) IT! The Living Colossus! (Seriously? That one's a joke, right?) Captain Britain! Satana! Mr. X! Machine Man! Gorilla Man! The Thing! Thor! Iron Fist! Hellcow! (Um, okay.) The Watcher! Galactus! And the micro-merc known as Widdle Wade! Be there as Deadpool takes a calamitous cruise through the Marvel Universe!


**Volume 14: Suicide Kings [2015]
  • Collects Deadpool: Games of Death (2009), Deadpool: Suicide Kings (2009 Marvel)#1-5, Deadpool Number 900 (2009), Deadpool Number 1000 (2010), X-Men Origins: Deadpool (2010), MARVEL DIGITAL HOLIDAY SPECIAL #2 and material from Marvel Spotlight: Deadpool (2009).
    Written by Mike Benson, Adam Glass, and Duane Swierczynski. Art by Shawn Crystal, Carlo Barberi, Leandro Fernandez, and Sandu Florea. Cover by Greg Land.
    Deadpool continues his quest for truth, justice and cold hard cash! Eleven desperate men compete in a deadly, illegal reality game show that will leave one of them rich and the rest dead. One of the competitors is Wade Wilson, but what is his hidden agenda (besides the cash)? Then, framed for killing innocents, Deadpool winds up in the Punisher's sights! Luckily for Wade, Daredevil and Spider-Man come to his defense. But can the red-clad trio unravel the web of lies and clear Deadpool's name? Plus: Some of comics' top creators take aim at the Merc With a Mouth as Deadpool takes on aliens, mimes, cannibals, hit men, Hollywood, CSI investigators...and even Santa Claus!


**Volume 15: All The Rest [2016]
  • Collects Captain America: Who Won't Wield Shield (2010), Cable (2008-2010 2nd Series) #25, Deadpool and Cable (2011 Marvel) #26, Amazing Spider-Man (1998 2nd Series) Annual #38, Deadpool (2008 2nd Series) Annual #1, Incredible Hulks (2011 Marvel) Annual #1, Wolverine/Deadpool: The Decoy (2011), Fear Itself: Deadpool (2011 Marvel) #1-3 and Deadpool Corps: Rank and Foul (2010).
    Written by Stuart Moore, Duane Swierczynski, John Layman and Christopher Hastings. Art by Joe Quinones, Paco Medina, Leo Fernandez, Lee Garbett, Juan Doe, Al Barrionuevo, Shawn Crystal, Bong Dazo and Mark Pennington. Cover by Humberto Ramos.
    It's the latest and greatest volume in the increasingly flexibly named Deadpool Classic series! The ever-sociable Wade Wilson is back - rubbing shoulders with his bro Cable, laughing it up with his other bro Wolverine and forging an all-new bromance during FEAR ITSELF with...the Walrus? The "Identity Wars" take Deadpool, Spider-Man and the Hulk on a long strange cross-dimensional trip, but what twisted reflections of themselves will they see? And in the wake of Steve Rogers' return, will Wade Wilson become the new Captain America? (Spoiler: no.) Learn all there is to know about Deadpool and friends, right here!


**Volume 16: Killogy [2016]
  • Collects Deadpool Kills the Marvel Universe (2012) #1-4, Deadpool Killustrated (2013) #1-4 and Deadpool Kills Deadpool (2013) #1-4.
    Written by Cullen Bunn. Art by Dalibor Talajic, Salva Espin, and Matteo Lolli. Cover by Michael Del Mundo.
    Wade Wilson stars in a killogy of chaos! It begins when (spoilers!) Deadpool kills the Marvel Universe! But what could drive another dimension's DP to murderize every other costumed hero and villain on his world? And his bloodlust doesn't stop there. Not when the Ideaverse is full of the fabled icons of classic literature - you know, the ones your parents read about in books. And not when there are multiple realities, harboring infinite Mercs with infinite Mouths. Before this Wade's work is done, every one of them must be silenced - permanently! Only one man can avert regenerating de-genocide. To catch a Deadpool, you need a Deadpool. And it just so happens the Wade Wilson you know and love is the Deadpooliest of them all!


**Volume 17: Headcannon [2017]
  • Collects Deadpool: Wade Wilson's War (2010) #1-4, Deadpool Pulp (2010 Marvel) #1-4, Night of the Living Deadpool (2014) #1-4 and Return of the Living Deadpool (2015) #1-4.
    Written by DUANE SWIERCZYNSKI, MIKE BENSON, ADAM GLASS, and Cullen Bunn. Art by JASON PEARSON, LAURENCE CAMPBELL, Ramon Rosanas, and Nicole Virella. Cover by Jason Pearson.
    They may be alternate-reality Deadpools, but they're still just as Mercky and just as Mouthy! Like the Wade Wilson who was part of an ultra-secret special-ops team along with allies named Bullseye, Silver Sable and Domino! But a bloody Mexican massacre will leave this Agent Deadpool with a lot of explaining to do! And how about the Cold War Wade Wilson, codename: Deadpool? He's the CIA's most valuable asset - but also certifiably insane! It's lies, spies and shapely thighs as DP goes pulp! Then, Wade is a dash of color in a black-and-white world ravaged by zombies. When the dead walk, Deadpool is mankind's only hope - but if he triumphs, who will save us from him?


I am not a comics grader, but I try to be as thorough as possible when assessing books for any flaws. I don't believe in using a number grade system - to me they are mostly utilized as a method to be ambiguous about exact condition and/or individual imperfections - but I do attempt to describe anything other than minor cover shelf-scuffing/scratching in detail. If a certain flaw discussed below does not mention that it affects inside pages, then it does not.

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These novels are in primarily good to very good overall conditions (two volumes are 'decent' externally due to 1 cover flaw each), all with solid spines and very good or better inside pages (photo#___ examples - most of them are 'great' or better). They have some mostly lighter and external signs of wear, with some corner creases/indents spread throughout. Their only collective flaw is a small retailer's remainder mark on external page edges in various locations. Volume 8 is signed by writer Buddy Scalera on the inside first cover page. Due to eBay's photo limit, with lots involving multiple books, I am not able to show the detailed looks I try to maintain, so if you would like any extra photos of a specific description/book, feel free to let me know! The TL;DR versions of each book's condition below is in blue italics, with the more in-depth collectors' paragraphs below them.


Any reference to certain areas of books can be seen in the photos above. The sections are:
*Photo#4: Upper spine corner
*Photo#5: Lower spine corner
*Photo#6: Front cover top edge/outer corner
*Photo#7: Front cover bottom edge/outer corner
*Photo#8: Back cover top edge/outer corner
*Photo#9: Back cover bottom edge/outer corner

Abbreviations Glossary (I've been listing more and more of my books and thought this would save some time..)
*USC: Upper spine corner
*LSC: Lower spine corner
*FTOC: Front cover's top outer corner
*FBOC: Front cover's bottom outer corner
*BTOC: Back cover's top outer corner
*BBOC: Back cover's bottom outer corner



**Vol 8: Good condition - solid spine, great overall inside pages. Autographed on the inside first cover page by writer Buddy Scalera. Small outer corner indents/creases, with otherwise few and lesser signs of primarily external wear. USC and LSC have some light scuffing. USC has an additional small ding/indent/smudge where it meets the front cover. Small retailer's remainder ink mark on external pages' top edge nearby the USC. Front and back covers' bottom edges, and front's top edge all have light if any shelf-scuffing/wear. Back's top edge has some light shelf-scuffing along it. FTOC has a ~1/2" indent/scuff/bend, goes thru pages as a light indent/bend, and onto the BTOC as a ~1/2" indent. BBOC has a small crease/scuff/bend, goes thru ~1/2 pages as a light indent, thru most as a light bend, and onto the FBOC as a small indent/scuff/bend. Front cover has 2 small spine edge indents around its middle, light ~1" scratch/indent near its center. Two very light ~1" indents/depressions near its center. Retailer's "autographed copy" sticker near FBOC - might come off, I prefer not to mess with them. Book has a light bottom outer quadrant flex/bend.

**Vol 9: Very good overall condition - solid spine, excellent overall inside pages. Tiny outer corner indents, with otherwise few and lesser signs of primarily external wear. USC and LSC have light scuffing. Front and back covers' top edges have light if any shelf-scuffing/wear. Their bottom edges have some light shelf-scuffing/wear along them, each with a few small scuffs around, and the front's with a ~1" indent/scuff near its middle. BTOC has a tiny indent/scuff/bend, goes thru most pages as a light bend, and onto the FBOC as a light indent/bend. FBOC and BBOC possess tiny indents/scuffs/bends, they go thru ~15 pages each as light indents, and thru ~1/2 pages each as light bends. FBOC has an additional nearby ~1/2" indent. Front cover has a light vertical depression nearby/parallel the spine edge (photo#___ w/illumination). Back cover has a light ~1" scratch/indent near its center, and a ~1" patch of smudging/dirtiness near the spine edge's middle (photo#___ w/illumination). Book has a light vertical curl/bend near the spine edge. 

**Vol 10: Good condition - solid spine, great overall inside pages. Other than 1 tiny outer corner indent, few and lesser signs of mostly external wear. USC and LSC have some scuffing, each with tiny dings where they meet the front cover, and with small dings/indents at/around where they meet the back cover. Front and back covers' top and bottom edges have light if any shelf-scuffing/wear along them, with each's top edge having a small scuff near its middle. FTOC has a tiny crease/scuff/bend, goes thru ~1/4 pages as an indent, and thru ~2/3 as a light bend. FBOC has a light ~1.5" indent around it, shows on ~15 pages as a light ~1/2" indent. Tiny scuff/bend at extreme corner that goes thru ~30 pages as a light bend. BTOC and BBOC possess tiny scuffs/bends, they go thru ~25 pages each as light bends. Front cover has light ~3" and ~4" vertical indents/depressions starting adjacent the bottom edge near the LSC (photo#___ w/illumination), 1 shows as a small indent on pages. Two ~1/2" ones near title. Back cover also has a light ~3" one at the bottom edge. Book has a light bottom outer quadrant flex/bend.

**Vol 11: Decent external condition but very good reading condition - solid spine, very good inside pages. It does have a medium sized and moderate outer corner indent, but with otherwise mostly few and lesser signs of wear, all of which primarily affects its externals. USC has light scuffing, with a small ding/indent at/around where it meets the front cover, and a ding where it meets the back cover that causes a light ~1/2" indent/depression around it. USC also has some light scuffing, with two indents on the edge leading to it. Small ding where it meets the front cover that causes a small/light indent/depression around it on the front cover. Front and back covers' top edges, and back's bottom edge all have light if any shelf-scuffing/wear. Front's bottom edge has a ~3/4" scuff and ~3/4" adjacent cover indent near its middle (photo#___ w/illumination, indent shows on ~5 pages), with otherwise light shelf-scuffing around. FTOC has two ~2" indents around it (photo#___) - both show on 2 pages, one continues to show on ~10 pages. ~1/2" light crease/scuff/bend around extreme corner, goes thru ~2/3 pages as an indent/bend. BTOC has a tiny scuff/bend, goes thru ~20 pages lightly. BBOC has a tiny indent/scuff/bend, goes thru ~1/5 pages as a light indent/bend. Front cover possesses a light ~2" indent/depression and ~2.5" curved indent/depression near the FTOC (photo#___ w/illumination). Book has a light bottom outer quadrant flex/bend.

**Vol 12: Very good overall condition - solid spine, great inside pages. Other than 2 lighter corner indents, few and lesser signs of primarily external wear. USC and LSC have some light scuffing and tiny scuffs where they meet the back cover. USC has an additional small ding/indent at/around where it meets the front cover. Small retailer's remainder ink mark on external pages' bottom edge near the LSC. Front cover's top and bottom edges have light if any shelf-scuffing/wear, the back covers' have light shelf-scuffing along them. FTOC, BTOC, and BBOC all possess tiny scuffs/bends, they go thru ~40 pages each as light bends. BTOC has an additional very light ~1/2" crease around it. FBOC has a ~1" indent on the nearby page edge, shows on ~10 pages as a light indent. ~1/2" crease/scuff/bend around corner itself, goes thru ~1/3 pages as a light indent. Front cover has another ~1" page edge indent near its middle (photo#____ w/illumination), shows as a light indent on ~10 pages. Back cover has a vertical ~2" scratch/indent starting adjacent the top edge, and another ~1" near the cover's center with a surrounding patch of lighter scratches. Additional light scratches around the cover's lower half. Book has a light bottom outer quadrant flex/bend.

**Vol 13: Good condition - solid spine, great overall inside pages. It does have a few cover creases/indents, but otherwise few and lesser signs of mostly external wear. USC and LSC have light scuffing, USC has an additional small ding/indent at/around where it meets the front cover. Small retailer's remainder ink mark on external pages' top edge nearby the USC. Front and back covers' top and bottom edges have light levels of shelf-scuffing/wear if any, with a few small scuffs spread amongst them. FTOC has a light/tiny indent/scuff/bend, goes thru ~20 pages as a light scuff. FBOC has a tiny scuff/bend, goes thru ~30 pages as a light bend. BTOC and BBOC have tiny creases/scuffs/bends, they go thru most and ~2/3 pages, respectively, as light bends. BTOC shows on ~20 pages as a tiny indent as well. Front cover has a ~1" crease/depression starting adjacent the top edge near the USC (photo#___ w/illumination), shows on ~10 pages as a light indent. Very light ~3" crease/depression around FBOC. Back cover has a ~1.5" crease/depression starting adjacent the top edge near the USC (photo#___ w/illumination), shows as an indent on ~2/5 pages that grows smaller and light in severity as it travels. Light ~1.5" curved indent/depression starting adjacent the spine edge nearby. Book has a light bottom outer quadrant flex/bend. 

**Vol 14: Good condition - solid spine, great overall inside pages. Some small outer corner creases, with otherwise few and lesser signs of primarily external wear. USC and LSC have light scuffing/indenting. LSC has additional small dings where it meets each cover, which causes a light ~1/2" indent around the corner on the front cover. Small retailer's remainder ink mark on external pages' top edge nearby the USC. Front and back covers' top and bottom edges have light if any shelf-scuffing/wear, other than a few small scuffs on the back's bottom edge near the LSC. FTOC, FBOC, BTOC, and BBOC all possess small creases/scuffs/bends, they go thru ~1/3, ~1/3, ~20, and ~40 pages, respectively, as light indents/bends. Front cover has a light ~1/2" scratch/indent near its center. ~1" patch of light scratching near the LSC. Book has a light bottom outer quadrant flex/bend.

**Vol 15: Decent external condition (1 main flaw) but very good reading condition - solid spine, very good to great overall inside pages. Front cover has a ~4.5" torn triangle from the bottom outer corner, and there are a few smaller outer corner creases. Otherwise, book has few and lesser signs of primarily external wear. USC and LSC have some scuffing/light indenting, each with a ~1/2" indent around it on the back cover. Small retailer's remainder ink mark on external pages' top edge nearby the USC. Front cover has the book's (clearly) main flaw - a ~4.5" missing/torn section at the FBOC. The front and back covers' top and bottom edges have light shelf-scuffing/wear, with an additional small ding/scuff on the back's bottom edge near the outer corner that shows on ~20 pages as an indent. FTOC has a tiny indent/scuff/bend, goes thru ~20 pages as an indent, and thru ~1/2 as a light bend. FBOC (the pages' part) has a ~1.5" crease, goes thru ~5 pages as an indent, and thru ~1/3 as a small/light bend. BTOC and BBOC have tiny scuffs/bends, they go thru ~15 and ~1/4 pages as light bends. BTOC has an additional light ~1" indent, shows on ~1/3 pages as a light indent. Back cover has a small/light crease/indent starting adjacent the page edge near the BBOC. Book has a light bottom outer quadrant flex/bend.

**Vol 16: Good overall condition - solid spine, very good inside pages. 1 small but moderate outer corner crease, with otherwise few and lesser signs of mostly external wear. USC and LSC have some scuffing/indenting around them, each with a small ding/indent at/around where it meets the back cover. Small retailer's remainder ink mark on external pages' top edge nearby the USC. Front and back covers' top and bottom edges have light if any shelf-wear/scuffing around. FTOC has a light ~1/2" crease around it, shows as a light indent on ~5 pages. Small crease/scuff/bend around extreme corner, goes thru ~1/2 pages as an indent, and thru most as a light bend. BTOC has a tiny crease/scuff/bend, goes thru ~1/3 pages as an indent/bend. FBOC possesses two ~1/2" creases, and a scuff/bend at it (photo#___ w/illumination), goes thru pages as an indent/bend and onto the BBOC as a light indent. Back cover has some light shelf-scratching around it. Book has a light bottom outer quadrant flex/bend.

**Vol 17: Good overall condition - solid spine, great overall inside pages. Other than a few small corner indents, few and lesser signs of mostly external wear. USC and LSC both have light scuffing/indenting, each with small dings/indents at/around where they meet the back covers. They also have dings where they meet the front covers, they show as small (USC) and ~3/4" (LSC) indents/depressions around the corners on the front covers. Small retailer's remainder ink mark on external pages' top edge nearby the USC. Front and back covers' top edges, and back's bottom edge all have light if any shelf-scuffing/wear. Front's bottom edge has a ~3/4" scuff/indent/small tear near the LSC, with some light shelf-scuffing along the rest. FTOC and FBOC possess small crease/scuffs/bends, they go thru ~20 pages as a light bend, and thru most pages as a tiny indent/bend, respectively. BTOC and BBOC have tiny scuffs/bends that go thru ~1/5 pages each as light bends. Front cover has a very light ~3" depression around the FTOC. Back cover has two light ~3" scratches. ~1"x~1/2" retailer's price sticker at its lower half (might come off; I prefer not to mess with them). Book has a light bottom outer quadrant flex/bend.


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I both buy to read as well as sell TPBs on here, so I understand how aggravating it is to receive a comic damaged in transit. I always pack books firmly between pieces of cardboard (among other materials/layers) via Gemini Comic mailers or bubble mailers depending on size; usually utilizing boxes for larger lots. If you have any questions or would like any additional photos, feel free to let me know. I'm always happy to combine shipping costs - either message me before completing purchase for a pre-payment price adjustment, or alternatively I can provide a refund afterwards. Thanks, and have a tremendous day!