The Legend of  Tape recorders from TEAC, can see this deck in  legendary movie 

Pulp Fiction (1994)

 

BEST WAY IS COLLECTION, AS ITS HEAVY , VERY RARE ITEM AND EXPENSIVE, JUST KEEP THIS IN MIND...

Reasonable offers can take, but will not sold with funny offers

Manufactured from 1984 up to 1994 years also exist special edition made in 2004 especially for reel tape recorder lovers

This Deck is  mid therm production with upgrades(1988-1992)

The device is in very good cosmetic and technical condition. Fully serviced and working. All functions work as expected.
The heads are in good condition as seen in the photos. full inspection done. All belts and rollers replaced,all mechanisms are greased and cleaned, heads  have corrected by TEAC TEST tape,tape patch tested! Motors are cleaned and tested on full working condition.
RECORDING AND PLAY On BOTH DIRECTIONS!! SEE VIDEO FOR DETAILS
PERFECT RECORD SOUND OUTPUT...
Direct import from Japan recording studio: (better build than EU version,quality on components are more high and longer life)

Was Japanese version of 100 now converted to original EU/UK standard power transformer to 220/240V so you dont need have any additional powr supply to run this deck anywehre in EU or UK

Have few more these reel to reel decks in stock as soon sold this one will upload another stay tuned ,also have all spare parts for these machines X10/X7/X1000/X2000/Tascam 32 
here is full Specification info about this device translated from Japanesse :

TypeTape deck
Track system4-track, 2-channel stereo
ReelType 26 (No. 10), Type 17 (No. 7)
HeadsRecording : 2 x Cobalt Amorphous Heads
For Playback : 2 x Cobalt Amorphous Heads
For Erase : 2 Ferrite Heads
MotorFor Capstan : FG Servo DC Motor x1
For Reel : 2 slotless DC motors
Drive systemClosed-loop dual capstan system
Tape winding (deviation)19cm/s, 9.5cm/s (± 0.5%)
Wow flutter19cm/s:0.03%(WRMS)
9.5cm/s:0.04%(WRMS)
Early winding timeWithin 100 Seconds (17-Type Reel 550m)
Frequency response (overall)19cm/s : 30 Hz to 40 kHz (40 Hz to 33 kHz ± 3 dB, -20VU)
9.5cm/s : 30 Hz to 24 kHz (40 Hz to 22 kHz ± 3 dB, -30VU)
Signal-to-noise ratio (overall)65 dB (WTD, 1 kHz, 3% 3rd harmonic distortion factor) dbx out
100 dB (WTD, 1 kHz, 3% 3rd harmonic distortion factor) dbx in
Bias and erase frequency150kHz
Recording level185nWb/m +6dB:0VU
Dynamic range115 dB (dbx in, 1 kHz, peak level)
Strain rate (overall)0.4% (1 kHz, 185nWb/m level)
Stereo separation50dB(1kHz)
Input terminalMic : 0.25mV/-72dB / Compatible impedance : 200 Ω or more
Line : 60mV/50k Ω
Output terminalLine : 0.45 V / load impedance 10k Ω or more
Headset : up to 100 mW (8 Ω)
Pwer100 VAC, 50Hz/60Hz
Power consumption70W
External dimensionsWidth 432x Height 456x Depth 268 mm

This tape deck incorporates technologies such as CA (cobalt amorphous) heads and newly designed equalizer amplifiers.
The X-2000R uses a cobalt amorphous head, a newly designed equalizer amplifier, and an improved accuracy of the tape travel system to enable characteristics up to 40 kHz.
The standard recording level is set at + 6 dB, which is compatible with high-performance tapes such as EE tapes.
Dbx is installed as a noise reduction system.
Dbx consists of electronic circuits that compress the original sound to 1/2 dB during recording and double during playback to return it to its original form, ensuring a high dynamic range and reducing tape noise.
A closed-loop dual capstan and full-tension servo mechanism has been adopted for the mechanism part, and modulation noise has been reduced by thorough review.
The head part adopts a 6-head mechanism in which each head for recording, reproduction, and erasing is independent of the reciprocating operation, and the mounting method adopts the fixed head method adopted in professional decks.
The erase head is installed outside the capstan shaft to shorten the tape span and ensure the stability of tape running.
The equalizer amplifier section consists of a fully push-pull configuration with vertical symmetrical circuits. In particular, the second stage is equipped with a bootstrap circuit to obtain a large gain at the first stage, and low distortion and high stability are achieved by using advanced phase compensation and feed-forward phase compensation.
CES (Computer Matic Edit System) is installed as an editing mechanism using a microcomputer.
The X-2000R uses a 5-digit LED linear counter that can be accurately counted every second by the rotation of the フーテージローラー. This allows you to accurately measure the total recording time and the time of a song, set the auto-spacer (silent recording) seconds, set the timing at the start of recording, and perform program counter functions.
In addition, the S. T. Z. (Search to 0) function returns to the counter 0 display from any position on the tape, and the S. T. C. (Search to queue) function returns to the position where the CUE button is pressed. The microcomputer determines whether to fast forward or rewind and sends the tape to that position.
Auto-spacer allows for up to 8 seconds of signalless recording space.
Equipped with a Dupli Sync function, you can copy to a cassette in synchronization.
Equipped with a tape selector with a new EE position.
By setting the recording bias and playback equalizer to match the EE tape, the frequency characteristics are improved, the dynamic range is expanded, and the noise level is reduced.
In addition, the head, amplifier, and oscillator systems have also been improved for EE tape, and the quality has been improved.
Equipped with full auto-reverse mechanism that works between counter 00000 and sensing tape.
It uses a motion sensing mechanism that makes the transition from quick winding to play operation smooth.
Equipped with 1-3, 4-2 track selection queue mechanism.
It is equipped with functions such as a smooth real-time pause function that starts from a recorded pause, and a playback pause function that enables accurate head positioning.
Equipped with a ± 6% pitch control function for both recording and playback.





Since the device is around 40 years old please expect this
video of how the device works is here, just watch
I pack very securely, I use two boxes and a lot of styrofoam and bubble wrap.