JAN BALET
"Fancy People"
Limited Edition Color Lithograph
on Stone on BFK Rives (France) Paper
The artist created the masters for
the edition by drawing directly onto 18 lithographic stones using a variety of
substances including lithographic pencils and liquid tusche. The images on the 18 stones used to create
the edition have been destroyed. The edition
size was limited to 300.
Hand-Signed, and Numbered (#201/300) by the Artist
Stamped with ‘Circle Fine Art Corp.” by the Publisher
Lithograph Measures
Approx: 29 ½ x 22" with border, 23 ½” x 19 ½ (Image)
List price when published (1989): $850.00
About the Artist: Jan Balet (20 July 1913 in Bremen – 31 January 2009 in Estavayer
le Lac, Switzerland), was a German/US-American painter, graphic artist and
illustrator. Affected by the folk art style of naive art he worked particularly
as a graphic artist and as an Illustrator of children's books. His works
exhibit a dry wit and refreshingly candid, whimsical, satirical view of life.
His uncle was the famous painter and illustrator Benno Eggert. Many well-known personalities of the time were friends of his grandfather, i.e. the painters Hans Purrmann, Karl Caspar, Maria Caspar-Filser (cousin of his mother), the writer Martin Andersen Nexo, the Swabian poet Wilhelm Schussen as well as the poet and writer Oskar Wöhrle.
In 1929, at the age of 17, he moved to Berlin at
the invitation of his father and studied Drawing at the college of Arts and
Crafts (Kunstgewerbeschule Ost am Schlesischen Bahnhof). A year later, he went
to live with his mother and his grandmother, in Munich. Balet transferred his
studies to the Munich College of Arts but was dismissed in 1932. He went on to
study with Professor Ege, at a private school for commercial art. During this
time he also worked at an institute for lithography and for the art gallery
Wallach. Balet rented his first small studio at the age of nineteen, where he
manufactured and sold hand colored Bavarian woodcuts. 1934 he passed the
entrance examination to the Akademie der Bildenden Künste München and undertook
further studies with Olaf Gulbransson. His work is of a popular style similar to
Michel Delacroix, Charles Fazzino and James Rizzi. In early 1938 Balet was
recruited by the German military and because his ancestor's passport was not
complete, he was forbidden to associate further with the Akademie der Bildenden
Künste München. Later that year Balet emigrated to the USA, settled in New York
and painted rustic furniture for a living. One winter he jobbed as a skiing
teacher in Vermont and occasionally jobbed as an advertising commercial artist.
Among other projects, he painted the cafeteria of the largest of New York's
department stores R.H. Macy. From time to time Balet's designs appeared in the
fashion magazine Mademoiselle and in 1943 he became Art Director at the
magazine. Balet became so successful as a commercial artist that he was able to
give up paid employment and start his own business. He worked for the radio
station CBS, magazines such as Vogue, House and Garden, House Beautiful, The
Saturday Evening Post, Glamour, Good Housekeeping, This week. After the war
ended in 1945 he acquired U.S. citizenship. Balet commuted between his studio
in New York and an old, boat house in the dunes of Montauk, Long Island, which
he had converted to a studio where he painted and drew. His first children's
book Amos and the Moon was published in 1948. Despite what was regarded in the
USA as fashionable art Abstract, Op-art and Pop Art, Balet continued to paint
in his own naif style.
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