Twice Lost
Phyllis Paul
Published by Lancer 73-451, 1966
In a rustic, idyllic English village, on a summer’s day, in the midst of a carefree tennis party, a fragile, needy child, left too much on her own, vanishes from her family’s front garden. Years pass and the mystery persists: an enduring torment for the teenage Christine Gray, the last person to see Vivian alive. Perhaps if she’d shown the girl a little kindness, and seen her safely home, Vivian might still be with them? Yet when someone claiming to be a grown-up Vivian returns to the land of the living, the enigma only deepens, threatening to consume the wicked and innocent alike.
Equal parts The Turn of the Screw, Picnic at Hanging Rock, and gothic thriller, Twice Lost was admired by such authors as Elizabeth Bowen, Rebecca West, and John Cowper Powys—yet the strange, haunting novels of Phyllis Paul are themselves a mystery with no simple solution. Virtually lost to time even before her death, her novels have been out of print for more than fifty years, and fetch fantastic prices in the rare book trade.
“Beautifully executed, deeply unsettling, [Twice Lost] is enigmatic and ambiguous in the way of Shirley Jackson’s The Haunting of Hill House and Peter Weir’s film Picnic at Hanging Rock . . . Its first chapter immediately creates, then intensifies, an unnerving atmosphere of mystery and menace . . . Astonishing.”
—Michael Dirda, Washington Post
“Haunting, fascinating, wonderful.”
—San Francisco Chronicle
“Alternating the knotty revelations of a whodunnit with subjective dives into the uncanny spell of Henry James’s The Turn of the Screw and vivid depictions of the pastoral English countryside, Paul’s narrative leads readers down the garden path only to send them backtracking through a hedge maze of competing interpretations, under the gradually darkening sky of a fallen Eden . . . Paul [is] a writer worthy of comparison with such diverse sensibilities as Patricia Highsmith’s mordant psychological suspense and Charles Williams’s Manichean metaphysical fantasy. An odd duck with iridescent plumage.”
—David Wright, Library Journal
“Twice Lost gains strength from its surprisingly artful blend of literary fiction and mystery . . . The effect reminds me of the way Elena Ferrante moves between genres in the Neapolitan quartet, allowing herself almost anything in the quest to unsettle and seduce the comfortable reader. But it is also emotionally precise, and infernally effective. In Twice Lost, feelings proliferate, genres cross, and the plot thickens all at once. The effect is contrapuntal in the best way.”
—Joanna Biggs, Harper’s
“Phyllis Paul is a writer of hints and half-lights. Her suburban scene is shadowy with empty roads and tall trees in the dusk. Twice Lost is not an easy book to read but neither is it an easy book to forget.”
—Times Literary Supplement
“Paul animates her characters with striking qualities . . . The writing is razor-sharp . . . Paul sustains a delightfully macabre mood in this worthy artifact.”
—Publishers Weekly
“[Paul writes with] an almost medieval sense of good and ill. One enters a different world—compelling, fearful, mysterious. The characters live, the place has frightening reality . . . a kind of violent beauty.”
—Elizabeth Jane Howard
“Paul manages to weave a frightening web of suspicion and terror. And as the web tightens, the demarcation between reality and nightmare blurs.”
—Springfield Republican
“Phyllis Paul was that rare creature, a puritan with a passionate and colorful imagination . . . [Her] quintessential novel, and arguably her finest, is Twice Lost (1961). Here she is writing at the height of her powers, combining even more successfully than elsewhere a mystery story with a metaphysical fable . . . Twice Lost is an unforgettable portrayal of the human capacity for self-deception, and of the vulnerability of the innocent to the inroads of scrupulosity. It is a novel of a uniquely unsettling kind, the definitive achievement of the possessor of such a fascinating . . . and disturbing gift.”
—Glen Cavaliero, Wormwood
"Paul’s great subject, on the page and off, was darkness—darkness both mundane and metaphysical. To survive, her characters cling to the dark, as much to hide their sins as to keep the truth at a safe distance."
—Jeremy M. Davies, from the Foreword
Phyllis Paul published eleven novels between 1933 and 1967, but otherwise left almost no trace of herself. She was unmarried, lived quietly, and was intensely private. She died in 1973, at the age of 70, after being hit by a motorcycle. If not for a label on her pocket handkerchief, her body would have remained unidentified.
Phyllis Paul (1903 - 1973) was an English novelist.[1]
Career
She published eleven novels between 1933 and 1967[2] She herself considered that the first two, We Are Spoiled and The Children Triumphant, the second of which was published in 1934, were juvenilia and her later novels did not list them.[3] Her first two novels were published by Martin Secker, but her subsequent books by Heinemann.[4] Her mature works have been described as "literary supernatural thrillers",[5] "masterly in their handling of their plots".[6] She has been described as a "subtle novelist, her work invok[ing] an atmosphere of the supernatural and often allow[ing] for a supernatural interpretation",[7] and as "writ[ing] out of a coherent and consistent imagination".[8]
Death and legacy
Paul died on August 30, 1973[9] when she was struck by a motorcycle while crossing the road in Hastings, her identity only ascertained thanks to a tag on her handkerchief.[10] Her heir was her friend Lydia M. Lee, whose estate was left to her niece.[1] Her novels fell out of print after her death, and copies became later prized by collectors, selling for hundreds of dollars.[11][12] In 2012 A Cage for the Nightingale was republished by Sundial Press[13] and Twice Lost by McNally Editions in 2023.[11][12]
Works
We Are Spoiled, 1933
The Children Triumphant, 1934
Camilla, 1949
Constancy, 1951
The Lion of Cooling Bay, 1953
Rox Hall Illuminated, 1956
A Cage for the Nightingale, 1957
Twice Lost, 1960 (also published in the US by W. W. Norton & Company)
A Little Treachery, 1962 (also published in the US by W. W. Norton & Company)
Pulled Down, 1964 (also published as Echo of Guilt by Lancer Books in 1966)
An Invisible Darkness, 1967